| Paul de Keyser: Violin
Study Time: Violin: Study Violon [Sheet music] - Facile Faber Music Limited
Violin Study Time is an anthology of established and newly composed studies whic...(+)
Violin Study Time is an anthology of established and newly composed studies which are designed to help the young violinist's technique in several directions. It may be used in conjunction with the Young Violinist's Repertoire Pieces. There are studies for various types of bowing studies for finger action and basic shifts and several studies which introduce third position. This useful selection features studies by the greatest Violin teachers of all time including Czerny Sevick and Dancla.
8.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Violin Playtime Studies
(KEYSER PAUL DE) Violon [Partition] - Facile Faber Music Limited
Par KEYSER PAUL DE. Violin Playtime Studies is a first anthology of established ...(+)
Par KEYSER PAUL DE. Violin Playtime Studies is a first anthology of established and newly-composed studies for the young Violinist. Taking as its starting point the one 0ctave scale of D major, and remaining in first position throughout, it may be used in conjunction with the violin Playtime series. This combination of short, purposeful studies enlivened by delightful illustrations will ensure that 'study time' is never dull! / Niveau : Facile / Etude / Violon
11.40 EUR - vendu par LMI-partitions Délais: En Stock |
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| Johannes Brahms: Concert
D Op.77: Violin: Study
Score Orchestre, Violon Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
16.50 GBP - vendu par Musicroom GB |
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| Niccolò Paganini: 24
Capricci für Violine
solo Opus 1: Violin:
Study Score Violon G. Henle
Urtextausgabe-Nicolò Paganini’s milestone in violin literature is now no...(+)
Urtextausgabe-Nicolò Paganini’s milestone in violin literature is now not only available in a practical Urtext edition (HN450) but also as a study score. Published in 1820 as his Opus 1 Paganini gave the violin world a timeless masterpiece which no up-and-coming violin virtuoso can ignore. As well as the musical text our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerousexamples and illustrations for each of the 24 Capricci from the autograph he knowledgeably explains the characteristics of Paganini’s notation and its significance for its interpretation today.
18.50 GBP - vendu par Musicroom GB |
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| Franz Joseph Haydn: Six
Divertimenti For Violin:
Violin: Study Score Trio à Cordes: 2 violons,
violoncelle [Conducteur d'étude / Miniature] G. Henle
Though not nearly as well-known as the 'London Trios ' these six delightful dive...(+)
Though not nearly as well-known as the 'London Trios ' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit they are a treasuretrove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and otheritems from his opera 'Il mondo della luna' ('The World on the Moon').
15.75 GBP - vendu par Musicroom GB |
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| Otakar Sevcik: The School
of Violin Technics
Complete Op. 1: Violin:
Study Violon [Partition] Schirmer
The four opus 1 technique books of the Violin teacher available for the first ti...(+)
The four opus 1 technique books of the Violin teacher available for the first time in one inexpensive edition.
18.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Cantata (Oboe And String
Trio Study Score)
(KNUSSEN OLIVER) Hautbois, Violin, Alto et Violoncelle
(Quatuor) [Partition] - Facile Faber Music Limited
Par KNUSSEN OLIVER. In his Financial Times review Max Loppert says '. . .the tit...(+)
Par KNUSSEN OLIVER. In his Financial Times review Max Loppert says '. . .the title aptly reflects both the songful character of the musical invention and the relationship of wind solo to string trio. . .a composition of great charm and precise character - its other virtues, of well-found proportions, distinctive harmonic movement, and secure control of incident, must not be allowed to sound negative ones.' 9th March 1981 / Niveau : Assez Facile / Répertoire / Conducteur
11.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Bluegrass Jamming On
Fiddle: Violin: Study Violon [Partition + CD] - Débutant Native Ground Music
Bluegrass Jamming on Fiddle is Wayne's newest instruction book and the second in...(+)
Bluegrass Jamming on Fiddle is Wayne's newest instruction book and the second in a 4-part series of fun books that will teach the tools tricks and tunes to jam in bluegrass style. It covers: 31 bluegrass jam standards how to jamwith others how to improvise and make up your own tasteful licks and fills almost painless music theory how to play harmony how to transpose and play in different keys and pretty much everything you'll need to marchfearlessly into your next jam or picking session! This FUN book is fully illustrated with almost 200 vintage photos. Coming soon: Bluegrass Jamming on Banjo (available Winter 2012) and Bluegrass Jamming on Guitar (availableSpring 2013). All the books in the series will teach the same 31 tunes and will be 96 pages 9' x 12' and will include an audio instructional CD. Price: $22.95 (a steal!) You WILL learn how to play and jam on: All theGood Times Are Past & Gone Back Up and Push Black-Eyed Susie Cherokee Shuffle Columbus Stockade Colleen Malone Dark Hollow Deep Elem Blues East Virginia Footprints in the Snow Katie Dear Hand Me Down My Walking Cane High on a Mountain I Am a Pilgrim I've Just Seen the Rock of Ages John Henry Just Over in the Gloryland Little Birdie Lonesome Road Blues Love of the Mountains Mama Don't Allow Man of Constant Sorrow More Pretty GirlsThan One Pig in a Pen Pretty Polly Red Rocking Chair Rocky Road Blues Roll on Buddy Run and Hide Sittin' on Top of the World Working on a Building.
18.99 GBP - vendu par Musicroom GB |
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| Maurice Hauchard: Étude
Méthodique de la Double
Corde 1: Violin:
Instrumental Violon [Partition] Leduc, Alphonse
1er cahier - 1ère position-Methodical Study of the Double String – Book...(+)
1er cahier - 1ère position-Methodical Study of the Double String – Book 1 was created by Maurice Hauchard (1870-1957) a French violinist composer and music teacher. This is the first of a series of two constituting a renowned progressive method for intermediate-beginner violinists to learn how to properly play two string at the same time. Methodical Study of the Double String – Book 1 particularly offers methods and exercises to master a good sonority when playing two strings together. The quality and the efficiency of Maurice Hauchard’s methods make this book a key series to have for a Violin player. In addition to these series the composer also created nine additional methods for strings.
15.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Ludwig van Beethoven:
Concerto For Violin In D
Op.61: Mixed Ensemble:
Study Orchestre, Violon Barenreiter
Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in...(+)
Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions none of which have up to now done justice to the work. For this edition Jonathan Del Mar has freed the work of additions made over the decades by various editors and violinists. The significance of Beethoven?s solo and tutti markings has also been clarified for the first time. Following the publication of the full score Piano reduction and orchestral parts (BA 9019) in the autumn of 2009 Bärenreiter is now publishing a study score of this pioneeringcritical edition which will prove indispensible for all violinists and students as well as for orchestras and music libraries. An introduction by Beethoven expert Barry Cooper on the history of this concerto is included for the first time. Del Mar?s edition clarifies Beethoven?s solo and tutti markings for the first time.
14.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Jakob Dont: Études et
Caprices for Violin solo
op. 35: Violin:
Instrumental Work Violon G. Henle
The Viennese Jakob Dont is considered one of the most important Violin pedagogue...(+)
The Viennese Jakob Dont is considered one of the most important Violin pedagogues of the nineteenth century and wrote numerous study pieces that are indispensable classics of the pedagogical literature for the Violin to this day. Among them are foremost his 24 ?Études et Caprices? op. 35 which were written between 1840 and 1849 but issued in their definitive form by Dont in an overhauled anthology from 1880. This very advanced collection of etudes (conservatory level) was rapidly so successful that innumerable new mostly heavily reworked editions appeared in the twentieth century from violinists such as Carl Flesch Max Rostal or IvanGalamian. Now for the first time G. Henle Publishers? Urtext edition restores access to the unadulterated original with Dont?s authentic fingering and bowing suggestions and in impressive graphic quality with practical fold-out pages. World-class violinist and prominent pedagogue Antje Weithaas acted as a consultant for this edition and carefully supplemented Dont?s original marking.
15.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Ludwig van Beethoven:
Violin Concerto In D Op.
61 - Kremer Edition:
Violin: Violon et Piano G. Henle
2 volumes in a slipcase with marked and unmarked string part with orchestra part...(+)
2 volumes in a slipcase with marked and unmarked string part with orchestra parts-On the occasion of the 70th birthday of Gidon Kremer violinist extraordinaire G. Henle Publishers is issuing a special edition of Beethoven?s Violin Concerto in collaboration with the Kronberg Academy. It comprises two editions gathered together in an attractive slipcase: the piano score and violin part without annotations (also available as HN 326) and the ?Kremer part?. The latter includes fingerings and bowings by Gidon Kremer. The musical text isfollowed by an essay by Kremer about recordings of the Beethoven Concerto bearing the attractive title: ?Searching for Ludwig?. And this is not all: the first-movement cadenza by the composer Victor Kissine which Kremer hasalready played numerous times is published here for the very first time. The solo violin is here accompanied by wind and percussion. The edition also includes the corresponding performance materials for the cadenza including thescore and a piano reduction for study purposes. This extraordinary Urtext edition is rounded off with a foreword by Friedemann Eichhorn. Congratulations Maestro Kremer!
45.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Wolfgang Amadeus Mozart:
The Mozart Violin
Concerti: Facsimile Orchestre, Violon Dover Publications
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were p...(+)
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.
81.20 GBP - vendu par Musicroom GB |
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| Johannes Brahms:
Concerto: Violin: Parts Orchestre, Violon Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Violin Sonatas Volume 2:
Violin: Instrumental
Album Violon et Piano [Partition] Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...(+)
This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
28.95 GBP - vendu par Musicroom GB |
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| Mozart Wofgang Amadeus -
Violin Sonatas Vol.3 -
Violin And Piano Violon et Piano Peters
Instrumentation: Vln?Pf Editor: Cliff Eisen Format: Sheet Music ...(+)
Instrumentation: Vln?Pf Editor: Cliff Eisen Format: Sheet Music Details: This projected complete edition of the MozartSonatas for Keyboard and Violin has been researched and prepared by Cliff Eisen, one of the most distinguished Mozart scholars of our time. Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can be misguided. As he writes in the preface: '?the notion that the classical style represents a model of symmetry, balanceand clarity is for the most part a 19th-century fiction?it has little to do withMozart's actual practice, which is based primarily on variety of both content and articulation. So in this new edition, alternative readings found in parallel passages are preserved, rather than being sterilised by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisen is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterised by changes ? sometimes substantial changes ? in the musical text'. It is the achievement of this edition to indicate how far this freedom of musical expression can extend, andas such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces. Contents: K454, K481, K526, K547 and Variations K359, K360
34.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Johannes Brahms:
Concerto: Violin: Score Orchestre, Violon [Partition] Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...(+)
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
41.00 GBP - vendu par Musicroom GB |
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| Mozart Wolfgang Amadeus
- Violin Sonatas Vol.2 -
Violin And Piano Violon et Piano Peters
Instrumentation: Vln?Pf Editor: Eisen ISMN: M-57708-560-9 Format: She...(+)
Instrumentation: Vln?Pf Editor: Eisen ISMN: M-57708-560-9 Format: Sheet Music Details: Contents: Sonatas K296, K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler). Contents: This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen, one of the mostdistinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasiesof Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface, '...the notion that the classical style represents a model of symmetry, balance and clarity is for the most part an 19th-centuryfiction...it has little to do with Mozart's actual practice, which is based primarily onvariety of both content and articulation.' So in this new edition, alternative readingsfound in parallel passages are preserved, rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respectedin the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis conscious that there is no single 'Urtext' for this music. On the contrary, hebelieves that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of thisedition to indicate how far this freedom of musical expression can extend, and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.
34.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Johannes Brahms:
Concerto: Violin: Part Orchestre, Violon Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
5.00 GBP - vendu par Musicroom GB |
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| Antonio Vivaldi: Sonate
per violino e basso
continuo RV 11 RV 37:
Violin Violon, Basse continue Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...(+)
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
18.50 GBP - vendu par Musicroom GB |
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| Johannes Brahms:
Concerto: Violin:
Reference Orchestre, Violon Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown?s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary and parts (BA9049) and Violin and Piano reduction (BA9049-90) and study score (TP949) available for sale
17.50 GBP - vendu par Musicroom GB |
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| Franz Wohlfahrt: Studies
Op. 45 - Book I: Violin:
Instrumental Album 2 Violons (duo) [Partition] Schirmer
For Violin with Newly Composed Violin Accompaniments-A fresh take on a time-hono...(+)
For Violin with Newly Composed Violin Accompaniments-A fresh take on a time-honored classic this edition of Wohlfahrt's Op. 45 Studies for Violin (Book I) features newly composed Violin teacher accompaniments.Make technical study a fun andcollaborative experience. The accompaniments provide an enjoyable introduction to ensemble playing. Playing in duet will sharpen the student's intonation and listening skills. The teacher will be able to coach the student on otheraspects of ensemble playing as well including the importance of subdivision and rhythmic accuracy how to play a melodic versus an accompaniment line and how to play through a mistake for the sake of the ensemble. Theaccompaniments also give the teacher the valuable opportunity to guide the student nonverbally on phrasing dynamics and tempo through his or her own playing.Includes a playing score of the duets and a Violin insert of theoriginal etudes a preface on how to incorporate the studies into instruction and practice and a chart that categorizes the studies by right and left hand technical issues.
10.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Pyotr Ilyich Tchaikovsky:
The Concertmaster:
Violin: Instrumental
Album Violon Faber Music Limited
Some of the world's greatest Violin solos are to be found within the orchestral ...(+)
Some of the world's greatest Violin solos are to be found within the orchestral repertoire. The Concertmaster aims to make these solos readily accessible for the first time both for study by the aspiring orchestral leader and as a Piano reduction while the separate Violin part contains helpful hints on bowing and fingering. The Concertmaster will prove an indispensable addition to the library of the more advanced violin student or young professional. Volume I contains all the famous solos from Tchaikovsky's orchestral music including four major extracts from Swan Lake two from The Sleeping Beauty and one each from the orchestral Suites No.3 in G andNo.4 ('Mozartiana').
13.99 GBP - vendu par Musicroom GB |
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| Antonio Vivaldi: Concerto
in E Major Op. 3 No.
12: Violin Solo:
Instrumental Violon [Partition + CD] Music Minus One
Music Minus One Violin-This Music Minus One pack lets you play along with the or...(+)
Music Minus One Violin-This Music Minus One pack lets you play along with the orchestra. The concerti are performed two times first with the violin soloist on the right channel for easy removal by the at-home player. This is to enable the violinist to study the score and listen to an interpretation by a professional performer of the highest skills. The orchestra then performs the concerti again to accompany your own solo performance! Michael Metelka violin soloist The Czech Symphony Chamber Orchestra conducted by Mario Klemens
18.99 GBP - vendu par Musicroom GB |
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