SKU: OU.9780193525726
ISBN 9780193525726. 10 x 7 inches.
For SATTBB unaccompanied Victimae paschali laudes is an atmospheric arrangement of the plainsong melody for this Latin text for Easter Sunday. Lawson employs interjections of 'alleluia' within the main text as an expression of the triumph of life over death.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: M7.DOHR-18921
ISBN 9790202039212.
Die Ostersequenz Victimae paschali laudes hat mit großer Wahrscheinlichkeit den Dichter und Historiografen Wipo von Burgund ( nach 1046) als Urheber. Sein Beitrag zur Osterliturgie zählt zu den am häufigsten tradierten Sequenzen des Mittelalters und blieb auch nach der Reduktion dieser Gesänge durch das Trienter Konzil auf fünf für das gesamte Kirchenjahr in Gebrauch. Die Melodie wurde aber auch mit Vorliebe für Lieder in der Volkssprache, wie Christ ist erstanden, verwendet. Entsprechend der im Mittelalter üblichen Anwendung des Tempus perfectum als Ausdruck der trinitarischen Vollkommenheit bei liturgischen Gesängen ist die vorliegende Orgelversion der Sequenz im Dreiertakt verfasst. Dreimal wird die Durchführung der Sequenzmelodie in verschiedenen Stimmen durch Zitieren des Choralanfangs von Christ ist erstanden im Pedal interpoliert. Es ist mir noch ein Anliegen anzumerken, dass während der Arbeit an dieser Komposition meine Frau Ruth in die Ewigkeit abberufen wurde. Deshalb möchte ich ihr dieses Stück in österlicher Zuversicht widmen. (Walter Gleißner).
SKU: MN.50-4031
UPC: 688670540318.
Based on Victimae Paschali laudes. Moves from chant to polyphony, Latin to English. Modal cadences recall late Medieval style.
SKU: GI.G-3088
Based on chant Victimae Paschali laudes (very rhythmic).
SKU: GI.G-10589
UPC: 785147058915. English. Text Source: Victimae Paschali laudes, ascr. Wipo of Burgundy, d.1048, tr. Peter J. Scagnelli; Translation: Peter Scagnelli.
This setting was inspired by the liturgical practice of Notre Dame Cathedral, Paris, under the direction of Jehan Revert, Maître de chapelle. It consists of a new harmonization, as well the addition of a congregational refrain, using an English translation of the Easter Sequence by Peter J. Scagnelli.
SKU: GI.G-2382
16 Handbells. Percussion is for tabor, tambourine and finger cymbals.
SKU: FV.FUE-10223
ISBN 9790501822232.
The melodic starting point of this work is the melody of the famous Easter sequence ‚Victimae Paschali Laudes‘.
SKU: BT.DMP111127
SKU: VD.ED18921
ISBN 9790202039212. 12 x 9 inches.
SKU: GI.G-10720
English, Latin. Text Source: Easter: Victimae paschali laudes, ascr. Wipo of Burgundy, d.1048, tr. Peter J. Scagnelli. Pentecost: Veni Sancte Spiritus, ascr. Stephen Langton, ca. 1150-1228, tr. Peter J. Scagnelli, after Edward Caswall, 1814-1878. Corpus Christi: Thomas A.
SKU: GI.G-003028
The second volume in this series that follows Feet Don’t Fail Me Now! Attractive and accessible, these organ pieces incorporate basic pedal for the advancing organist. The trio format helps the player acquire independence of hands-on separate manuals and the chant melodies are useful for the entire church year. Includes: Adoro Te Devote (Heavenly We Adore Thee), Attende Domine (Draw Near, O Lord), Ave Maria (Hail Mary), Creator Alme Siderum (Creator of the Stars of Night), Divinum Mysterium (Of the Father’s Love Begotten), O Filii et Filiae (O Sons and Daughters), Pange Lingua (Sing My Tongue), Parce, Domine (Sing my Tongue), Puer Natus Est in Bethlehem (A Child is Born in Bethlehem), Veni Creator Spiritus (Come, Creator Spirit), Veni, Emmanuel (O Come, O Come, Emmanuel), and Victimae Paschali Laudes (Praise the Paschal Victim).
SKU: CA.305080
ISBN 9790007148201. Key: E dorian. Text language: Latin. Text: von Burgund, Wipo. Text by Wipo von Burgund.
SKU: GI.G-10720K
Text Source: Easter: Victimae paschali laudes, ascr. Wipo of Burgundy, d.1048, tr. Peter J. Scagnelli. Pentecost: Veni Sancte Spiritus, ascr. Stephen Langton, ca. 1150-1228, tr. Peter J. Scagnelli, after Edward Caswall, 1814-1878. Cor.
SKU: GI.G-1820INST
Trumpet I and II are substitutes for Trombone I and II.
SKU: SU.80101433
Easter Soundings (2019) is is a free fantasy on motives from traditional Easter melodies: the plainchants Haec dies and Victimae paschali laudes; and the chorale Christ ist erstanden. Instrumentation: Organ Duration: 2019 Composed: 6' Published by: Zimbel Press.
SKU: HL.50576959
SKU: BR.CHB-2897-02
ISBN 9790004402412. 7.5 x 10.5 inches.
CD: Rockefeller Chapel Choir, University of Chicago, cond. Randi von Ellefson ARSIS CD 115.
SKU: CA.311880
ISBN 9790007151997. Key: F major. Language: Latin. Text: von Burgund, Wipo. Text: Wipo von Burgund.
SKU: HL.8770537
UPC: 649325005729. 8.5x11.0x0.051 inches.
SKU: HL.49045191
ISBN 9790001158930. UPC: 841886026957. 7.5x10.5 inches. Latin.
The young Polish composer Jan Krutul plays with the Gregorian Easter sequence and sets the text to music in a contemporary style. The piece is rather demanding, yet suitable as first step into contemporary choral music.
