Matériel : Feuillet
Voir toutes les partitions de Miranda Lambert
SKU: M7.IFO-72522
SKU: M7.DOHR-98525
ISBN 9790202005255.
SKU: M7.DOHR-28909
ISBN 9790202019092.
SKU: HL.35027076
UPC: 884088468323. 5x5 inches. Words by Joseph M. Martin; Music by Joseph M. Martin, David Angerman.
Uses:< /b> General, church heritage, Reformation SundayScriptur e: Jeremiah 10:10; James 2:20A confident challenge to service, this song is a powerful reminder that faith and service are partners in a life committed fully to Christ. Growing organically from the melodic motive of the classic, Lead On, O King Eternal, this anthem looks at all the ways we reach out. Score and Parts for Tpt. 1&2, Horn, Tmbone, Tuba, Bass Tmbone, Perc. 1&2.
SKU: HL.14048130
UPC: 888680660802. 6.75x10.5x0.099 inches.
Nico Muhly's Third Service (Magnificat & Nunc Dimittis) is a work for SATB Choir and Organ Accompaniment. Commissioned by the Master and Fellows of St John's College, Cambridge, it was first performed by St John's College Choir on 29th May 2016. A full performance lasts around 7.5 minutes.
SKU: M7.KC-2071
ISBN 9782848580197. English French Spanish.
Vicente Emilio Sojo is not only one of the most significant figures in the cultural history of Venezuela but also a Moral and intellectual reference of the highest importance. Sojo was Born in 1887 in Guatire, near the estate of Padre Sojo, who was himself the creator of the 18th Century Musical movement known as the Chacao School. Vicente Emilio Sojo died in Caracas in 1974.
SKU: GI.G-RCP57
Edited by Edward Tambling Thomas Tomkins wrote no fewer than seven services: three full and four verse settings. The first two full services, as numbered in the posthumous publication of ‘Musica Deo Sacra’ (1668), are straightforward settings in the central Elizabethan style. The First Service is in the major mode, and the Second Service in the minor: the Third Service is a radical departure in style from these settings and is presented as a ‘Great Service’ in homage to Tomkins’ ‘ancient and much reverenced master, William Byrd’. The Fourth and Fifth are verse services, and a further two are present only in manuscript sources: the Sixth Service received its first modern publication in this series (CP17), edited and reconstructed by Peter James. The Seventh to date is unpublished, and survives only in the form of an organ part, the vocal parts having been lost to history. This numbering system of one to seven is misleading, however, as it confuses the chronology of the compositions: some attempt to clarify this ordering is given in a table at the end of this edition in order to address this matter. Tomkins’ relatively late death places him well into the seventeenth century, at a time when musical fashions were changing and the Civil War was altering the course of British History. However, it is correct to describe him as ‘the last Elizabethan’, as his style remained conservative, as did the genres with which he worked and cultivated. ‘Musica Deo Sacra’ is supposed to have been supervised by his son Nathaniel, and collates much of Tomkins’ music not found in other sources. As such, it is a valuable resource for the material it contains, and is also a landmark in music publishing, in that it presents the first known printed organ book set in moveable type on two staves, an unrewarding process which seems to have caused considerable trouble for its printer, William Godbid. Even John Barnard in preparing his ‘First of Selected Church Musick’ (1641) did not go to the trouble of printing an organ part to supplement his vocal partbooks, instead providing his customers with a blank manuscript book into which the already ubiquitous organ parts could be copied by hand. As a result, Tomkins’ source as a whole contains a number of errors, but all of which can be corrected without distortion to the musical text, and the composer’s intention can be realised without too much difficulty.  In addition to the note on the ordering of the various services by Tomkins, I have endeavoured to give some brief information concerning the pitch of church music of this period with regards to the organ part, a subject much misunderstood and obfuscated by variously contradictory information.  It is hoped that this new edition of Tomkins’ First Evening Service will fill a need for short, attractive settings of the canticles for Evensong, furthering an appreciation of the music of the last great composer of the Renaissance era in Britain.
SKU: M7.KC-2070
ISBN 9782843944277. English French Spanish.
SKU: M7.KC-2068
ISBN 9782848580173. English French Spanish.
SKU: M7.KC-2074
ISBN 9782843944239. English French Spanish.
SKU: HL.278749
10.5x14.5 inches.
Pergolesis Hjemmeservice (Pergolesi's Home Service) (1998/2003) - a Chamber Opera by Bent Lorentzen, based on Pergolesi's La Serva Padrona by Claudio Monteverdi. Libretto by Michael Leinert and Bent Lorentzen. English version: KP0193601 German version: KP0193602 This set includes four scores. For permission to perform this opera, please apply for grand rights: http://digital.schirmer.c om/ewh http://digital.schirmer.c om/ewh/index_da.html.
SKU: M7.IFO-53
SKU: M7.DOHR-88828
ISBN 9790202098288. Latin.
On my composition wish list for some time has been a Missa Brevis, a work that can be used within a church service or used as an opening item in a choral concert. Since 2018 and my appointment as musical director of The Marlowe Singers my desire to write an original work for upper voice choir and piano has been foremost in my mind. I started writing my Missa Brevis with the idea that it would be a straight forward classical setting but my sketches soon indicated that this was going to be a more popular style of work. Having enjoyed recently returning to performing light hearted music, it was the right time to combine my writing of choral music with the many years' experience I had of playing jazz. The result is my Dance Missa Brevis, each movement is influenced by a dance rhythm and uses basic jazz chords. This work is dedicated to The Marlowe Singers, who I enjoy working with and I look forward to many years of making music with them. Performance Notes While I would encourage performances with jazz bass and drums, both of these parts are optional. I would not want to restrict the work for use within a church service that did not have these instruments available or where the clergy would object to this style of music. While the drum part is fully notated these rhythm patterns are just a suggestion and the drummer is free to explore their own dance rhythms as long as they fit the style for that movement. (Adrian Connell).
SKU: HL.278750
ISBN 9788759894026.
Perg olesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a chamber opera by Bent Lorentzen, based on Pergolesi's La Serva Padrona by Claudio Monteverdi. English version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 German version: KP0193602 This package includes four player's scores. For permission to perform this opera, please apply for grand rights: http://digital.schirmer.c om/ewh http://digital.schirmer.c om/ewh/index_da.html.
SKU: HL.278751
Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen, based on Pergolesi's La Serva Padrona by Claudio Monteverdi. German version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 English version: KP0193601 This set includes four scores. For permission to perform this opera, please apply for grand rights: http://digital.schirmer.c om/ewh http://digital.schirmer.c om/ewh/index_da.html.