VERDI Soprano Arias with Orchestra, vol. I

SKU: SU.00220511

This CD Sheet Music™ collection brings together over 100 arias for soprano, with piano accompaniment, from 18th, 19th and early 20th century operas. Composers include: Beethoven, Bellini, Bizet, Boito, Catalani, Cilea, Delibes, Donizetti, Dvorák, Flotow, Giordano, Gluck, Gounod, Handel, Korngold, Lehar, Leoncavallo, Mascagni, Massenet, Méhul, Meyerbeer, Mozart, Mussorgsky, Nicolai, Offenbach, Ponchielli, Puccini, Purcell, Rossini, Smetana, J. Strauss, R. Strauss, Sullivan, Tchaikovsky, Thomas, Verdi, Wagner, Weber Plus, nearly 100 early Italian songs and arias (high keys) by over forty 17th century composers, including Bononcini, Caccini, Carissimi, Cavalli, Frecobaldi, Gluck, Lotti, Monteverdi, Pasiello, Pergolesi, Peri, Scarlatti, Stradella, Strozzi, and Vivaldi Added feature: alphabetical index by title Also includes: relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1300+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

SKU: CA.2732203

ISBN 9790007248413. Latin.

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. These solo cantilenas are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble.Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts.. Score available separately - see item CA.2732200.

SKU: CA.2732200

ISBN 9790007248406. Latin.

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. These solo cantilenas are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble.

Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts.

SKU: CA.2732205

ISBN 9790007248420. Latin.

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely performed. This is also true of Gaetano Donizetti’s Messa di Requiem, which he composed as an expression of grief at the early death of Vincenzo Bellini in 1835. Neither performed nor printed during Donizetti’s lifetime, the Requiem is ripe for rediscovery. A rich and highly intense work, it features dramatic choruses with full orchestra, fugues, and a cappella passages that alternate with lengthy cantilenas for the soloists. These solo cantilenas are often scored for three male voices accompanied by low winds to create a dark timbre. The soprano and alto soloists do not themselves sing any solo arias, instead remaining part of the solo ensemble.Carus is offering a critical edition of this editorially challenging work complete with vocal score, choral score, and all orchestral parts.. Score available separately - see item CA.2732200.