Two-Gether We Sing -- Christmas

What a fantastic way to bridge the gap between unison singing and two-part harmony! This winning addition to the Two-gether We Sing series features 10 festive chorals for the holidays, written and arranged with tuneful melodies and strong, independent counterlines. Put several of these holiday songs together to create a December performance. Sing one, sing two, sing a few! Recommended for grades two through seven. Book is 100% Reproducible. / 2 Parties Mixtes

Twenty-two great festive hits in easy melody line arrangements for all electronic keyboards. Ideal for the beginner, each song has chord symbols, lyrics, suggested registration, rhythm and tempo. Easy-to-follow keyboard diagrams are grouped together at the start of each song and show all the left-hand chord voicings used. Perfect for a Christmas singalong with all your friends! / Chant Et Guitare / 48 pages / Partition

Little Voices Christmas brings together five fun festive songs specially selected and arranged in two parts for young groups and choirs. The included CD contains compete vocal and Piano versions plus Piano-only accompaniments to each song. Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups. 'No frills, good quality music appropriately arranged for young choirs, this songbook delivers exactly what is promised. It also represents excellent value for money.' - Sarah Shaw, Music Teacher Magazine / Chant Et Piano

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

The songs and carols in this collection are drawn from the rich traditions of American and European Yuletide Christmas and New Years carols. These century-old melodies have become an important part of annual holiday traditionsaround the world. Somecarols reflect the story of the birth of Jesus while others simply celebrate the winter season and holiday traditions. Each carol is presented in both two and four-mallet versions for mallet players withdifferent ability levels. The arrangements canbe played as a solo or together as a group. The two-mallet arrangements can be played on marimba vibraphone or a standard set of orchestra bells. The four-mallet arrangements areall playable on a 4 and 1/3 octave “low A” marimba.Includes: Angels We Have Heard on High • Auld Lang Syne • Away in a Manger •ÂªCarol of the Bells • Coventry Carol • The First Noel • GodRest Ye Merry Gentlemen • Hark! The Herald Angels Sing • The Holly and theIvy •ÂªIt Came Upon the Midnight Clear • Jingle Bells • Joy to the World • O Christmas Tree • O Come O Come Emmanuel• O Little Town of Bethlehem • Silent Night •ÂªStill Still Still • We Three Kings• We Wish You a Merry Christmas • What Child Is This?

Par COLERIDGE-TAYLOR SAMUEL. Samuel Coleridge-Taylor\'s Christmas Overture appeared posthumously in 1925. Originally orchestrated by Sydney Baynes, it features God Rest Ye Merry Gentlemen and Hark the Herald Angels Sing. It is thought by some to have been put together from incidental music he wrote for a children\'s play called The Forest of Wild Thyme. This band arrangement, based on Baynes\' orchestra score, omits the largely developmental middle section of the original, shortening the performance time by two minutes, while retaining all of the traditional carol material. / Date parution : 2022-09-20/ Répertoire / Concert Band

This wonderful collection brings together seven well-loved carols all newly arranged by Mack Wilberg for low voice and piano. Featuring a range of Christmas texts including 'Bring a torch Jeannette Isabella' 'Deck the hall' and 'The Twelve Days of Christmas' it also offers two carols with alternative original foreign-language options (French and Catalan). With a delightful variety of musical styles and moods this volume is perfect for recitals services and concerts at Christmas time.Also available in a volume for high voice.

An artful weaving together of two favorite Christmas tunes along with adapted and original lyrics make this seasonal setting especially useful in school and church programming. Full voiced choral textures rhythmic excitement and a supportive accompaniment create a wonderful Christmas showcase. Includes: God Rest Ye Merry Gentlemen and Ukrainian Bell Carol. Available separately: SATB SSA. Duration: ca. 2:30.

Little Voices Christmas brings together five fun festive songs specially selected and arranged in two parts for young groups and choirs. The included online audio contains complete vocal and piano versions plus piano-only accompaniments to each song available to stream and download. Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups.

The Definitive Bartók Edition brings together selected highlights from Béla Bartók's extensive pedagogical piano catalogue for the very first time. Featuring repertoire from For Children, Mikrokosmos, Ten Easy Pieces, Romanian Christmas Carols, Fourteen Bagatelles and others, each volume has been compiled to be steadily progressive to aid learning.An accompanying audio CD features demonstration performances by Iain Farrington. / Piano

Together We Sing Series-These two well-loved Spanish and English lullabies sing one after another in this gentle choral work for SSA and 2-part voices. The piano rocks sweetly below the lilting text creating a unique arrangement of the familiar. A quiet and tender selection for your Christmas program.

Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale