Trio For Violin,Horn,Pian

Brahms?s famous Horn Trio op.40 composed in 1865 for the natural horn is a work of considerable significance within the composer?s output. Up until now the work was believed to have a strong emotional connection to the death of his mother three months earlier.However Christopher Hogwood draws on a newly discovered source for this Bärenreiter publication a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio movement some twelve years earlier in 1853 and that it was originally intended for solo piano. This piano movement is printed in the appendix.This Urtext edition offers notonly the standard instrumentation of violin horn and piano but also the alternative scoring for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score.The introduction (Eng/Ger) describes the compositional process includes information on the performance and publication history of the work and offers comments on performance practice. A critical commentary with facsimile pages of the manuscript rounds off this pioneering edition.Appendix with the 1853 piano version of the trio movementIncludes alternative parts for violoncello and viola

This is an exciting chamber work for Horn Violin and Piano composed by John McCabe in 1967. This expressive and adventurous work will provide an enjoyable challenge for your chamber group.The Horn in F and Violin parts are included on separate inserts.

for Piano Violin and Horn (Viola / Violoncello)-This Trio’s unusual scoring for horn violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for thecomposer’s mother recently deceased to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn and bestowed several of his most inspiredmelodies on the instrument. Horn players justifiably adore this Trio op. 40 and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the NewBrahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also providedfor the alternative scoring authorised by Brahms (with viola or cello instead of horn).

Incl. Horn Trio op. 40 and Clarinet Trio op. 114-Includes the three great piano trios the 'Horn Trio' and the 'Clarinet Trio'. Edited by Hans Gal.

Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-06-21/ Recueil / Violon

Includes alternative parts for Viola and Cello as well as Piano Violin and Horn.

Leo's Brouwer's Pictures At Another Exhibition with a title that tips a hat to the Mussorgsky suite of 1874 is presented here for a chamber group of Piano Horn and Violin. The Cuban composer has created a set ofprogrammatic musical depictions inspired by six works of art ranging from Bosch's Garden Of Earthly Delights to Rauschenberg's Pop Construction.This set consists of six Piano scores and may be performed in anyorder or combination. Ideal for chamber performances or for a smaller ensemble as part of a larger concert the pieces offer an unusual and exciting addition to any repertoire and are brimming with the vitality and energy ofBrouwer's Cuban origins.Movements are as follows:The Garden Of Earthly Delights: Hieronymus BoschPortrait Du Chopin: Eugene DelacroixLos Desastres De La Guerra: Francisco GoyaThe Jungle: WilfredoLamReclining Nude: Amadeo ModiglianiPop Construction: Robert Rauschenberg