Treasured Classics Volume 3: Piano: Instrumental Collection

SKU: ST.C463

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruiz�??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: �??Tu Presencia�?? (1981) and �??Eloísa�?? (1989) and then I attended a performance of the play �??Office Number One�?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how �??Carmen Rosa�?� waltz (1987) came to exist in a piano version.

�??Eloisa �?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

�??Tu Presencia�?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The �??Preludio�?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The �??Invención�?? is a kaleidoscopic piece where the hands mirror each other. The �??Passacaglia�?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The �??Scherzo�?? has repetitive motifs of a minor third in both hands and the �??Final�?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film �??Aire libre�?� (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800�??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

SKU: HL.50399750

UPC: 073999319644. 10.75x7.25x0.095 inches.

Very young pianists are within easy reach of the little treasures in this volume by beloved classic composers. Each piece is on a small scale, and the author has added descriptive titles to stimulate the young imagination. Contents: Air on G-A-B (Rousseau) * Chorale * Country Dance (Beethoven) * Ecossaise No. 1 * Festival (Haydn) * First Steps (Mozart) * In Merry Mood (Haydn) * Landler (Haydn) * Le Carillon (Haydn) * Little Russian Dance (Beethoven) * Menuetto (Mozart) * Peasant Dance (Beethoven) * Promenade (Beethoven) * Rigaudon (Daquin) * Rigaudon (Rameau) * Rustic Dance (Haydn) * Theme (Mozart) * Theme (Haydn) * Theme by Purcell.

SKU: HL.49018957

ISBN 9783795759568. UPC: 196288125617. 9.0x12.0x0.194 inches. Andreas Schuermann.

25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music.The approach to the pieces is made easier by the accompanying CD which, on the one hand, offers the opportunity to listen to and get to know the pieces beforehand, and, on the other hand, thanks to the separate piano accompaniments, provides first experience in ensemble playing and conveys the vivid joy of music-making.When the CD was recorded by Prof. Benjamin Bergmann, violin, and Leonid Dorfman, piano, they deliberately decided in favour of moderate tempos to make it easier for the young violinists to play along with the piano part. A treasure trove for auditions at schools and music schools.