Matériel : Vocal Score
Oh Freedom Negro Spiritual
SKU: HL.255608
UPC: 888680722784. 6.75x10.5x0.036 inches.
In the traditional spiritual “Let Me Fly,†the chariot is presented as a symbol of freedom. This creative setting, now available for SATB voices, offers lots of opportunities for musical growth and expression with its steady marching accompaniment, interesting harmonies, strophic variation and well-crafted and accessible vocals.
SKU: CA.1037219
ISBN 9790007133795. Language: English. Text: Dryden, John. Text: John Dryden.
During the late 17th century English musicians celebrated each year on 22 November the feast of St. Cecilia, the patron saint of music, with special concerts and church services. With his Ode for St. Cecilia's Day Handel rejuvenated the tradition of this festival on St. Cecilia's Day in 1732. This so-called little St. Cecilia Ode is a musically joyful glorification of the power of music: two festive choruses frame five charming arias in each of which a solo instrument is used for contrasting effect in the baroque manner. Handel allows the soloists a wealth of freedom to improvise and to display their skills. This is especially the case for the organ, which was his favorite instrument. Score and parts available separately - see item CA.1037200.
SKU: AP.50151
UPC: 038081573212. English.
Immortaliz ed by Rolling Stone as one of the greatest songs of all time, this gospel-influenced Curtis Mayfield classic has remained relevant since its release in 1965. Part of a long tradition of African American freedom songs that use train imagery, Dr. Martin Luther King, Jr. considered this the unofficial anthem of the Civil Rights Movement. Kyle's groovy arrangement captures the musical style with bluesy vocals and a riff-filled piano part.
SKU: CA.2810603
ISBN 9790007251307. Key: E flat major. German.
Based on the extensive Psalm 107, Die mit Schiffen auf dem Meer thrillingly describes a storm at sea, during which God saves the sailors in distress and guides them safely back to land. The musical realization of the tumultuous ocean is framed by hymns of thanksgiving and praise to the Lord. Regarding his compositional process, Christoph Schönherr says: I was particularly attracted by the idea of translating the different facets of the sea into music. It can calm us down, convey a sense of freedom through its vastness, or indeed actually offer a route to freedom. For others, of course, it is the bringer of death.The psalm setting skillfully interweaves sacred music traditions with the fascinating sonic possibilities of big band instrumentation, including its confident use of sassy 12/8 grooves and Latin rhythms.With its identical instrumental scoring, the work is the perfect match for the Missa ad maiorem Dei gloriam by Wolfram Buchenberg (Carus 28.010).. Score available separately - see item CA.2810600.
SKU: CA.5165203
ISBN 9790007294243. Key: D minor. Latin.
The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion. For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃ?mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.- World premiere by the Bavarian Radio Choir- Enthusiastically received by audience and press.
