| O Love That Wilt Not Let Me Go Hautbois, Piano (duo) - Facile MorningStar Music Publishers
Two Hymns for Oboe or C Instrument and Piano. By Laura B. Pease. For Oboe or C I...(+)
Two Hymns for Oboe or C
Instrument and Piano. By
Laura B. Pease. For Oboe
or C Instrument and
Piano. Christian:
Worship. Level: Easy.
Octavo. 15 pages.
Published by MorningStar
Music Publishers.
(1)$12.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Hymns for Oboe and Piano Hautbois, Piano (duo) Shawnee Press
| | |
| Path to Serenity - Accompaniment Book Piano seul Jackman Music Corporation
Piano - intermediate/advanced SKU: JK.01976 Composed by Various. Arranged...(+)
Piano -
intermediate/advanced
SKU: JK.01976
Composed by Various.
Arranged by Sarah Brough
Blomquist. Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#01976. Published by
Jackman Music Corporation
(JK.01976). UPC:
093285019768. Intro
ducing Path to Serenity,
the advanced sacred
instrumental series for C
instruments. This series
of C instrument solo
books is the answer to
many inquiries for
advanced sacred solo
repertoire from a variety
of instrumentalists.
These elegant
arrangements were
composed to enfold the
souls of all listeners in
the messages of hope and
healing found in the
hymns. This series will
accommodate the oboe,
flute, violin, cello,
bassoon, and many other
instruments. Appropriate
settings include sacred
occasions such as
funerals, sacrament
meetings, and firesides,
as well as recitals and
concerts.
The
series includes three
books (SOLD
SEPARATELY): Piano
Accompaniment Book -
#01976 C Instrument -
Treble Clef - #01977 C
Instrument - Bass Clef -
#01978
Arr
angements found in this
book: Be Still, My
Soul Come, Thou Fount
of Every Blessing
(Treble/Bass Duet - use
all three books) Where
Can I Turn for
Peace? If You Could
Hie to Kolob I Need
Thee Every Hour More
Holiness Give
Me Jesus, the Very
Thought of
Thee Amazing
Grace Our Savior's
Love Composer:
Various Arranger:
Sarah Brough
Blomquist Difficulty:
Late-Intermediate/Advance
d. $15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Zion Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, C...(+)
Orchestra Bassoon 1,
Bassoon 2, Bassoon 3,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass,
Flute 1, Flute 2, Flute
3, Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Oboe 3, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piano,
Timpani, Trombone 1 and
more. SKU:
PR.466000470 Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470). UPC:
680160099405. 11 x 17
inches. This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Path to Serenity - C Inst. Treble Clef Jackman Music Corporation
Accordion, Flute, Piccolo, Glockenspiel, Oboe, Violin, Xylophone - intermediate/...(+)
Accordion, Flute,
Piccolo, Glockenspiel,
Oboe, Violin, Xylophone -
intermediate/advanced
SKU: JK.01977
Composed by Various.
Arranged by Sarah Brough
Blomquist. Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#01977. Published by
Jackman Music Corporation
(JK.01977). UPC:
093285019775. Intro
ducing Path to Serenity,
the advanced sacred
instrumental series for C
instruments. This series
of C instrument solo
books is the answer to
many inquiries for
advanced sacred solo
repertoire from a variety
of instrumentalists.
These elegant
arrangements were
composed to enfold the
souls of all listeners in
the messages of hope and
healing found in the
hymns. This series will
accommodate the oboe,
flute, violin, cello,
bassoon, and many other
instruments. Appropriate
settings include sacred
occasions such as
funerals, sacrament
meetings, and firesides,
as well as recitals and
concerts.
The
series includes three
books (SOLD
SEPARATELY): Piano
Accompaniment Book -
#01976 C Instrument -
Treble Clef - #01977 C
Instrument - Bass Clef -
#01978
Arrangement
s found in this
book: Be Still, My
Soul Come, Thou Fount
of Every Blessing
(Treble/Bass Duet - use
all three books) Where
Can I Turn for
Peace? If You Could
Hie to Kolob I Need
Thee Every Hour More
Holiness Give
Me Jesus, the Very
Thought of
Thee Amazing
Grace Our Savior's
Love Composer:
Various Arranger:
Sarah Brough
Blomquist Difficulty:
Late-Intermediate/Advance
d. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Play for the Lord - Volume 5 GIA Publications
Keyboard, C instrument SKU: GI.G-003044 Christmas Carols for C Instrum...(+)
Keyboard, C instrument
SKU: GI.G-003044
Christmas Carols for C
Instrument and Piano.
Composed by Robert
Farrell. Arranged by
Robert Farrell. Advent,
Christmastide. Tune Name:
In Dulci Jubilo, Il Est
Ne, I Saw Three Ships,
Cranham, Es Ist Ein Ros'
Entsprungen, Besançon
Carol, Ihr Kinderlein
Kommet, Lulajże
Jezuniu, Une Jeune
Pucelle, Un Flambeau,
Hajej Nynjej, W
Żłobie Leży.
Sacred. GIA Publications
#003044. Published by GIA
Publications
(GI.G-003044).
A collection of
Christmas carols arranged
by Robert Farrell. The C
instrument part in this
volume can be played by
flute, violin, or oboe.
Hymns include:Â Good
Christian Men, Rejoice,
He Is Born, The Divine
Christ Child, I Saw Three
Ships, In The Bleak
Midwinter, Lo, How A Rose
E’er Blooming,
People, Look East, O
Come, Little Children,
Sleep, My Child Jesus,
The Huron Carol, Bring A
Torch, Jeannette,
Isabella, The Rocking
Carol, Infant Holy,
Infant Lowly. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Path to Serenity - C Inst. Bass Clef Jackman Music Corporation
Baritone, Euphonium, Tuba, Sousaphone, Trombone, Cello - intermediate/advanced <...(+)
Baritone, Euphonium,
Tuba, Sousaphone,
Trombone, Cello -
intermediate/advanced
SKU: JK.01978
Composed by Various.
Arranged by Sarah Brough
Blomquist. Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#01978. Published by
Jackman Music Corporation
(JK.01978). UPC:
093285019782. Intro
ducing Path to Serenity,
the advanced sacred
instrumental series for C
instruments. This series
of C instrument solo
books is the answer to
many inquiries for
advanced sacred solo
repertoire from a variety
of instrumentalists.
These elegant
arrangements were
composed to enfold the
souls of all listeners in
the messages of hope and
healing found in the
hymns. This series will
accommodate the oboe,
flute, violin, cello,
bassoon, and many other
instruments. Appropriate
settings include sacred
occasions such as
funerals, sacrament
meetings, and firesides,
as well as recitals and
concerts.
The
series includes three
books (SOLD
SEPARATELY): Piano
Accompaniment Book -
#01976 C Instrument -
Treble Clef - #01977 C
Instrument - Bass Clef -
#01978
Arrangement
s found in this
book: Be Still, My
Soul Come, Thou Fount
of Every Blessing
(Treble/Bass Duet - use
all three books) Where
Can I Turn for
Peace? If You Could
Hie to Kolob I Need
Thee Every Hour More
Holiness Give
Me Jesus, the Very
Thought of
Thee Amazing
Grace Our Savior's
Love Composer:
Various Arranger:
Sarah Brough
Blomquist Difficulty:
Late-Intermediate/Advance
d. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ruders Listening Earth Score Book Orchestre Wilhelm Hansen
Orchestra SKU: HL.14027993 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra SKU:
HL.14027993 Composed
by Poul Ruders. Music
Sales America. Classical.
Score. Composed 2006. 164
pages. Edition Wilhelm
Hansen #WH30602.
Published by Edition
Wilhelm Hansen
(HL.14027993). ISBN
9788759811832.
English. Premiered
at the festival 'Magma
Berlin 2002' by the
Berlin Philharmonic
Orchestra, conducted by
David Robertson, 29th
November 2002.
3
Flutes, 1st and 2nd also
Alto Flutes in G, 3rd
also Piccolo 3 Oboes,
3rd also Cor Anglais in
F 3 Clarinets in Bb,
3rd also Bass Clarinet in
Bb 3 Bassoons, 3rd
also Contra
Bassoon
4 Horn in
F 3 Trumpets in
Bb 3 Trombones 1
Tuba
Timpani 4 Percussion, four
players Player
1 - Vibraphone,
Glockenspiel, Water
Chime, Bell Tree,
Japanese Wood Blocks,
Cymbal (Suspended),
TamTam (Medium) Player
2 - Triangle, Tubular
Bells, Crotales, Marimba,
Chinese Cymbal Player
3 - TamTam (Large), Java
Gong(Large, very low),
Bell Lyra (Handheld),
Sizzle Cymbal Player 4
- Bass Drum,
Glockenspiel,
Xylophone
1
Harp
1 Piano, also
Celesta
Strings -
16/14/12/10/8
All
transposing instruments
are notated in their
relevant
transpositions. Any
accidental apply only to
the note that it
immediately precedes,
except tied
notes. Naturals appear
occasionally 'for
safety'.
'LIST
ENING EARTH' is a
symphonic drama, a one-
movement composition in
four parts based on the
work by two writers,
Joseph Addison
(1672-1719) and W.H.Auden
(1907-1973). Joseph
Addison is not
particularly well known;
he was English, a
classical scholar,
essayist, poet and
politician, but one of
his hymns was used by
Benjamin Britten. in his
setting of a Thomas
Tallis canon. The hymn
is singularly beautiful
and being a composer
always inspired by
extramusical stimuli such
as poems, nature,
paintings, I was
immediately convinced
when I carne across the
Addison hymn, that here
was exactly what I wanted
to use as my major source
of inspiration for this
piece, commissioned by
and written for The
Berlin Philharmonic.
I don't refer to the
hymn in its entirety, but
have chosen the following
3 excerpts, all acting as
mottos for the first
three sections of the
piece, thus turning the
piece into a
straightforward tonepoem
in the classical. $131.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|