Matériel : Fake Book
SKU: HL.48181904
UPC: 888680848286. 5.75x8.25x0.126 inches.
380 Basses et chants donnes - Volume 3, Septiemes de Dominante - 3b is part of the 10 volumes of 380 Basses et chants donnes by Henri Challan.This series of pieces for Voice should complete all the harmony treatises and should help singers to gain a correct and clear sound. This volume is written in F and C keys, with some accidentals. This book completes the book 3a. The whole series 380 Basses et chants donnes features: 1. Accords de 3 sons 2. Modulations et marches harmoniques 3. Septiemes de dominante 4. Septiemes de differentes especes 5. Neuviemes de dominante 6. Ensemble des accords ? alterations 7. Retards et appogiatures 8. Broderies ? notes de passage ? pedals 9. Basses sur l?ensemble des notes etrangeres 10. Chants sur l?ensemble des notes etrangeres All these volumes features minimum two aspects: a. Textes, b. Elements realisateurs and for the volumes 9 and 10, c. Realisations de l?auteur Henri Challan (1910-1977) is a French composer and professor at the Paris Conservatoire.
SKU: HL.48181903
UPC: 888680848248. 0.067 inches.
380 Basses et chants donnes - Volume 3, Septiemes de dominante - 3a is part of the 10 volumes of 380 Basses et chants donnes by Henri Challan.This series of pieces for Voice should complete all the harmony treatises and should help singers to gain a clear and projective sound. This volume is written in F and C keys, with some accidental alterations. This book is completed by volume 3B. The whole series 380 Basses et chants donnes features: 1. Accords de 3 sons 2. Modulations et marches harmoniques 3. Septiemes de dominante 4. Septiemes de differentes especes 5. Neuviemes de dominante 6. Ensemble des accords ? alterations 7. Retards et appogiatures 8. Broderies ? notes de passage ? pedals 9. Basses sur l?ensemble des notes etrangeres 10. Chants sur l?ensemble des notes etrangeres All these volumes feature a minimum of two aspects: a. Textes, b. Elements realisateurs and for the volumes 9 and 10, c. Realisations de l?auteur Henri Challan (1910-1977) is a French composer and professor at the Paris Conservatoire.
SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.
SKU: BT.EMBZ989
English-German.
This volume consisting of 18 pieces contains works composed by Bartók for the Piano Tutor he edited together with Sándor Reschofsky and published in 1913. These little pieces by Bartók were enthusiastically hailed by the critic Antal Molnár in the columns of Nyugat: 'We see that even a piece intended for beginners can be of flesh and blood, can have a living soul and a thinking brain. No more wooden-puppet piano literature, for it can also be like this. These pieces are not only playable with real feeling but are so delightful that they educate, they inculcate aristocratic simplicity and noble naivety, and command respect for timeless, true musicality.' (November 1, 1913.) Theseminiature pieces include folk song arrangements and also original compositions anticipating the style of Mikrokosmos. (Hungaroton HCD 31604) Die 18 kleinen, leichten Klavierstücke stammen aus der Klavierschule von Bartók-Reschofsky von 1913 und sind nicht nur überaus geeignete Übungen für Anfänger sondern kleine Meisterwerke von überaus elegantem und zeitlosem Charme.
