The Perfect Blend: Vocal: Vocal Score

SKU: CF.CM9625

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

SKU: LP.765762008830

UPC: 765762008830.

Rhyth mic and dynamic this high-energy version of the traditional Easter hymn is the perfect blend of traditional and contemporary gospel. Your entire congregation will be on its feet singing Hallelujah! Christ arose!.

SKU: LP.765762197206

UPC: 765762197206.

Rhyth mic and dynamic this high-energy version of the traditional Easter hymn is the perfect blend of traditional and contemporary gospel. Your entire congregation will be on its feet singing Hallelujah! Christ arose!.

SKU: WD.080689520174

UPC: 080689520174.

The Very Simply Series from Word presents the very first non-seasonal Choral Collection from this popular Unison/2-Part series. Created especially for smaller choirs who need well-designed, easy-sing arrangements, or for larger choirs to use in seasons where rehearsal time is at a minimum, The Blended Worship Collection is just what you've been requesting!

Feat uring eight arrangements that incorporate a creative mix of popular praise and worship songs blended with some of your favorite hymns, this new choral collection from The Very Simply Series is sure to meet a great need in your ministry. The Blended Worship Collection provides inspiring and high-quality unison and 2-part choral worship arrangements for choirs of all sizes and performance needs. You’ll find the collection is just challenging enough for the smaller, less experienced choir to help them grow and improve their performance options, while also offering perfect, practically-no-rehearsal- needed material for larger, more experienced choirs. The CD Accompaniment track enhances the perception of big, dynamic arrangements, while allowing the vocal parts to maintain The Very Simply Series easy-learn-easy-sing format you've come to expect from this trusted brand.

SKU: WD.080689575174

UPC: 080689575174.

Featu ring 8 arrangements that incorporate a creative mix of popular praise and worship songs blended with some of your favorite hymns and inspirational songs, this new choral collection from The Very Simply Word Series is sure to meet a great need in your ministry. THE BLENDED WORSHIP CHOIR COLLECTION VOLUME 2 once again provides inspiring, high-quality unison and 2-part choral arrangements for choirs of all sizes and performance needs. You’ll find the collection is just challenging enough for the smaller, less experienced choir still growing and improving on their performance options, while also offering the perfect, “practically-no-rehears al-needed” material for larger, more experienced choirs. The CD Accompaniment track enhances the perception of big, dynamic arrangements, while allowing the vocal parts to maintain The Very Simply Word Series easy-learn-easy-sing format you’ve come to expect from this trusted brand.

SKU: HL.204807

UPC: 888680658434. 5.0x5.0x0.15 inches.

Younger and developing mixed and treble choirs will enjoy performing this jazz inflected doo-wop song from the 1930s, but made popular in 1961 by the vocal group the Marcels. A perfect selection for enhancing blend and articulation and a quick learn!

SKU: HL.1117962

UPC: 847986002228. 9.5x20.0x17.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Imagine getting the perfect sound every time. Like a painter who uses his color palette, the LCT 1040 gives you the power to create the sound you envision. •Record with premium sound from high-end components and 1″ true condenser capsule •Create the perfect sound for different vocalists and instruments using 4 all-analog tube characteristics and a crystal-clear FET circuit •Adjust all settings from your sweetspot via the remote control A wide range of outstanding tube tones developed in close cooperation with world-renowned engineers and producers. •Clear - Tube works at technical optimum •Warm - Smooth and pleasant high-end •Dark - Tamed highs for bright sources •Saturated - Rich harmonics and subtle compression Together, these 100% all-analog tube characteristics are designed to cover all applications and styles recorded in the studio - from the finest violin to roaring Rock voices. They are the result of LEWITT's close cooperation with industry professionals and the global audio community. Extra punch and precision with the blendable FET circuit. Tweak your sound to perfection. You can dial in the FET circuit via the Circuit control whenever you're looking for that extra punch or precision for your voice or instrument. Tweak all settings from your sweetspot via the remote control Set up the LCT 1040 in the recording room where the artist performs. Detach the remote control from the PSU and connect them via your standard 3-pin XLR cable. Now you can finetune your sound from your sweetspot via the remote control, ensuring a smooth-running session. Seamless polar pattern control to get exactly what you want. Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario using the Default/Reverse flip switch. Two XLR outputs for full flexibility in post-production. To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. •The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. •The FET output delivers 100% pure FET independent from the Circuit control. Shock mount with carbon fiber elements and quick release mechanism •Quick release mechanisms for the microphone and the adjustment of the angle. •Carbon fiber elements support efficient decoupling of the microphone. •The microphone can be turned by 360 degrees when inside the shock mount. Dual-layer magnetic pop filter for clean recordings. The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer desig.