The New Novello Book Of Short & Easy Anthems: SATB: Vocal Score

The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic.Some works included in this collection are universally-loved, pieces like Ave Maria by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu. Despite the title of Short And Easy, these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty.With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol, the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs.Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short and Easy Anthems gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily. / Choeur SSA Et Piano

The New Novello Book Of Short & Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill this collection includes anthems that are easy to learn enjoyable to sing but also sound simply fantastic. Some works included in this collection are universally-loved pieces like Ave Maria?by Marcel Dupré The Lord's Prayer by John Tavener and James Whitbourn's wonderful APrayer Of Desmond Tutu. Despite the title of Short And Easy these pieces are anything but mundane or tired they are all exciting versatile and enjoyable making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time with limited resources. Learning from this collection is quick and efficient but the songs don't compromise in beauty. A review from the September 2015 issue of Sunday by Sunday from the Royal School of Church Music says that 'He [David Hill] has surely succeeded here offering a collection of church music that is worthy interesting effective and can be learned quickly. It is wholeheartedly recommended!' With a range of styles and settings for Eucharist and Evensong this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol the selection here is brilliant including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems?indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a

Composer conductor and educator Anthony Milner taught music theory at Morley College in London (Gustav Holst and Sir Michael Tippett have been Directors of Music there among others) followed by positions at London University King’s College London Goldsmith’s College and the Royal College of Music. His music Voice has been described as ‘orderly but impassioned’ which can also be said of his pedagogy.This short 54 pages book studies music of the eighteenth and early nineteenth centuries from Bach to Beethoven as an easy starting point for understanding of theory and harmony. Milner believed that the best method of teaching harmony was one-on-one at the Keyboard butdevised this book for an academic year’s class work as the next best option. The teaching is unassailable though it is Milner’s own Voice that seasons the text with sound advice and gives the book is personable flavour. Of eccentrically personal music notation he says ‘Writing [music] is a means of communication not of character portrayal. Write clearly.’Of the narrowness of the material covered ‘Let the knowledge of one small part of music be…a gateway to the love and understanding of the rest.’ Milner is a practical characterful colleague in the teaching of music theory.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.