Matériel : Partition
Voir toutes les partitions de The Fleetwood Mac
SKU: AP.45152
ISBN 9781470632847. UPC: 038081516318. English.
For beginning musicians, Alfred's Easy series is the fast track to developing a repertoire of well-known and fun-to-play songs, while more experienced players will find an excellent resource of favorite songs. The Easy Hits Ukulele format provides melody, chords, and lyrics for easy strum and sing performance---plus suggested strum patterns and TAB for any integral hook parts. This Classic Rock edition features songs spanning three decades from such artists as Chicago, The Rolling Stones, Fleetwood Mac, The Doors, Bruce Springsteen, Crosby, Stills, Nash and Young, and many more! Titles: 25 or 6 to 4 (Chicago) * Baby It's You (Smith) * Behind Blue Eyes (The Who) * Born to Run (Bruce Springsteen) * Can't You See (The Marshall Tucker Band) * The Chain (Fleetwood Mac) * The Circle Game (Joni Mitchell) * Colour My World (Chicago) * Dancing in the Dark (Bruce Springsteen) * Do You Feel Like We Do (Peter Frampton) * Do You Want to Know a Secret (The Beatles) * Don't Stop Believin' (Journey) * Feelin' Stronger Every Day (Chicago) * Go Your Own Way (Fleetwood Mac) * Good Times Bad Times (Led Zeppelin) * Hit Me with Your Best Shot (Pat Benatar) * Hold the Line (Toto) * Hold Your Head Up (Argent) * I Hear You Knocking (Dave Edmunds) * I Saw Her Standing There (The Beatles) * Let's Spend the Night Together (The Rolling Stones) * The Letter (The Box Tops) * Lido Shuffle (Boz Scaggs) * Life in the Fast Lane (The Eagles) * Light My Fire (The Doors) * Lola (The Kinks) * Marrakesh Express (Crosby, Stills and Nash) * Only Women Bleed (Alice Cooper) * Open Arms (Journey) * Our House (Crosby, Stills, Nash and Young) * Paint It, Black (The Rolling Stones) * Pinball Wizard (The Who) * Riders on the Storm (The Doors) * Rock and Roll (Led Zeppelin) * (I Can't Get No) Satisfaction (The Rolling Stones) * Separate Ways (Worlds Apart) (Journey) * She Loves You (The Beatles) * She's Not There (The Zombies) * Space Oddity (David Bowie) * Spirit in the Sky (Norman Greenbaum) * Stairway to Hea.
SKU: AP.36459
UPC: 038081412108. English.
Get your crowd rockin' with this classic hit from Fleetwood Mac. Doug Adams gives us a very strong but easy arrangement that will come together quickly. It's classic rock at its best!
SKU: HL.1241
ISBN 9781574242461. UPC: 884088397791. 8.5x11.0x0.383 inches.
While Gibson produced literally thousands of banjos prior to WWII, only a handful were made in the now most desirable configuration: the Original Flathead Five-String Mastertone. Since Earl Scruggs helped to make them the most sought-after banjos in the world over 60 years ago, these instruments have amassed a cult-like following. These particular banjos featured a completely innovative design when the Gibson Company introduced them around 1930. They have since become the benchmark in design, sound quality, and just sheer power among banjo players. They have therefore also become the inspiration for nearly every successful 5-string banjo that has been manufactured for the past five decades. Like Martin Dreadnaught and Fender Stratocaster guitars, the Gibson Mastertone Banjo has achieved an exalted status: It is appreciated far beyond its utilitarian purpose as a musical instrument, and considered a truly original American art form. The Mastertone design and style are instantly recognizable by musicians and music lovers around the world, even if imitated by other manufacturers. Of the 130 or so Original Flathead Five-String Mastertones known to exist, 19 of the absolute best are featured here. The Scruggs, Reno, Jenkins, Crowe, Osborne, Huber and Mills banjos are shown in all of their glory, with details of their known histories and provenances, as well as never-before-seen photos, bills of sale, factory shipping ledgers, and other ephemera relating to these rare and highly desirable instruments.
SKU: HL.35031291
UPC: 888680646325. 5.0x5.0x0.155 inches. Folliott Pierpoint/Conrad Kocher/Heather Sorenson.
Uses: Creation, General, Thanksgiving Scripture: Psalm 33:1-6; Psalm 95:1-6; Isaiah 6:3 Music of scope and authority brings to glorious splendor one of Christendom's most celebrated texts in this anthem full of sweeping harmonies. Like an impressionistic painting, this sacred tone poem musically displays the various colors of the beauty of creation. Some divisi and modulations throughout, combined with excellent part-writing, will make choirs sound their very best. Stunning! Score and Parts (fl 1-2, ob, cl, hn 1-2, tpt 1-3, tbn 1-2, tba, chm, timp, perc, solo vn, vn 1-2, va, vc, db) available as a digital download. An alternative accompaniment for Organ is also available as a digital download.
SKU: HL.347384
ISBN 9781540095299. UPC: 840126927290. 11.0x17.0x0.43 inches.
“Kenn eth Fuchs's fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY® Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda. Versions for orchestra and band are available from the publisher, as well as a piano reduction.â€.
SKU: HL.1750415
UPC: 196288295303.
Kenne th Fuchs's fifth Naxos recording with the London Symphony Orchestra conducted by JoAnn Falletta won the 2018 GRAMMY® Award in the category Best Classical Compendium. Among the works featured on the album is Rush (Concerto for Alto Saxophone), which was commissioned by Ryan Janus, principal saxophonist of the United States Air Force Academy Band, and a consortium of saxophonists and ensemble conductors. The work is composed in a two-movement form, each about seven minutes in duration, connected by an extended cadenza for the saxophone soloist. The first movement, which begins with a short cadenza that introduces the thematic material of the work, is a rhapsodic Adagietto with transparent textures. The second movement, which begins with an extended cadenza that introduces blue notes into the harmonic language, is cast in the form of a jazz-inflected passacaglia with ten variations and a coda. This piano reduction may be performed with only the piano for accompaniment. But the percussion parts, which drive much of theenergy in the orchestral and band accompaniment versions, are also available separately from the publisher for any saxophonist that would like to utilize a larger ensemble.
SKU: HL.49032414
ISBN 9790001079037. German.
Durch einen geheimnisvollen blauen Strahl eines Zauberers werden in einem kleinen franzosischen Dorf alle Erwachsenen in Schlaf versenkt. Die Kinder des Dorfes nehmen ihre Selbstversorgung und zugleich die Reorganisation des ziemlich verlotterten Gemeinwesens in die Hand, bis zum guten Schluss alles wieder ins Lot kommt. Diese Science-Fiction-Vorgabe dient als Folie fur klare padagogische Botschaften, die zum Zeitpunkt der Erstveroffentlichung der Romanvorlage sicher aktuell waren und von denen einige genannt seien:Ursache allen Ubels ist der Alkoholmissbrauch, denn er fuhrt zu Streit und Faulheit.Disziplin, Ordnung, Sauberkeit, Gruppenkonformes und normales Rollenverhalten (die Madchen sorgen fur die Harmonie und das Kochen, die Jungen konnen gut rechnen, sind handwerklich begabt und haben das Sagen) sind die besten Heilmittel gegen die Entgleisungen der Erwachsenenwelt und werden von den Kindern exemplarisch durchexerziert.Aber auch unter den Kindern gibt es Aussenseiter: sie kommen von ausserhalb des Dorfes, sind Fremde mit niederem sozialen Status (Kesselflicker), stehlen, sind aufsassig, wortbruchig, voll krimineller Energie und mussen im Sinne der Gruppe diszipliniert werden. Da dies jedoch nicht gelingt, bleibt nur die Ausweisung aus dem Dorf, abgemildert durch die Gabe einiger Brote, damit die Ausgewiesenen nicht hungern mussen.Die Musik des in seinen Absichten eindeutigen Stuckes ist recht jugendwirksam aufgemacht.
SKU: HL.49007346
ISBN 9790001079136. German.
SKU: BR.KM-2409
ISBN 9790004501818. 11 x 14 inches.
..., und selten larmetDer Schall durchs offne Feld, ......, die Lufte wehenDie Zweig und Aste durch ... (Friedrich Holderlin: Der Herbst)Eine insistierende herbstliche Klanglandschaft, Ausgangspunkt fur ,,Herbstfestival. Es war schwer, in die rhythmischen Verwebungen der ausserst leisen Ereignisse einzudringen, vor allem eines davon als ,,Anfang zu bestimmen. Ich versuchte mit der Stoppuhr kunstliche Zeitausschnitte zu markieren, um die enthaltene Polyphonie besser studieren zu konnen. Aber Struktur und Erlebnisart dieser Herbstklange deckten sich uberhaupt nicht mit meinen kompositorischen Wiedergabebedurfnissen. Die auf mich zukommende Klangnatur musste in eine Musiklandschaft von Fellen, Holzern, Metallen und klangerzeugenden Bewegungen transformiert werden.Das Stuck ist wie ein Gedicht in Zeilen aufgegliedert. Die Zeilenketten sind so angelegt, dass trotz logischer Folge der Farbsets sozusagen ins Unubersichtliche gezahlt wird. Aufgrund der Nichtproportionalitat von Zeilenlange und Ereignisdichte pro Zeile entsteht aus der sich steigernden Pressung eine polyphone Ineinanderschiebung, die sich auf ihrem Hohepunkt zugleich aus Poly- in Monochromie gewandelt hat. Aus solcher Fluiditat wachst die neunzehnminutige Crescendostruktur der Komposition. Sie lasst Entfernung in eigenartig erlebbare Musik-Nahe umschlagen. Die Komposition verzichtet auf aufruttelnde Reklame fur ihre Klangereignisse. Sie braucht offenes, entspannt-aufmerksames, zulassendes Horen.Die Sagen, die der Erde sich entfernen,Vom Geiste, der gewesen ist und wiederkehret,Sie kehren zu den Menschen sich, und vieles lernenWir aus der Zeit, die eilends sich verzehret.(Friedrich Holderlin: Der Herbst)(Nicolaus A. Huber, 1989)CDs:Schlagquartett KolnCD BV HAAST 9407Schlagquartett KolnPolmic 023 CD No.5Bibliography:Huber, Nicolaus A.: Die Zeit ist buchstabengenau und allbarmherzig. Zu Holderlin in meinen Kompositionen, in: Dissonanz, Heft 76, August 2002, pp. 4-13, und Heft 77, Oktober 2002, pp. 4-15.Le temps est litteral et misericordieux. La place de Friedrich Holderlin dans mes compositions, in: Dissonance, Heft 76, August 2002, S. 4-13, und Heft 77, Oktober 2002, pp. 4-15.ders.: THIRTY ARE BETTER THAN ONE (A. Warhol), in: Neue Musik und andere Kunste, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 50), Mainz u.a.: Schott 2010, pp. 220-235.Reinhold, Steffen: Herbstmusik. Wie die Natur durch die Musik spricht, in: Musik & Bildung 48 (2016), Heft 3, S. 50-55.