The Best Of : Bass Recorded Versions

Des transcriptions hors album pour basse de 22 tubes de Police avec ligne mélodique, paroles et accords de guitare. Inclus les titres 'Message In A Bottle', 'Roxanne', 'Every Breathe You Take' et 'Invisible Sun'. / Guitare Basse , Guitare Basse Tablatures

21 Bass-heavy rock hits transcribed note-for-note.Includes top hits from artists including Arctic Monkeys, Foo Fighters, Pharrell Williams, Kings of Leon, Red Hot Chilli Peppers and more! / Guitare Basse

Finnish composer Kaija Saariaho 's Bosun's Cheer , composed in 2014. Included here are the score and parts for the Modern Instrument Version , arranged for a speaker, Flute, Cello and Double Bass. Born in Helsinki and having studied composition there and in Freiburg and Paris, Kaija Saariaho and nbsp - has achieved a great level of critical and audience acclaim now mid-career. Her previous work was notable for including electronics alongside more traditional instruments before going on to compose much larger works, including the epic opera 'L'Amour de Loin' in 2000, a recording of which won the 2011 Grammy award for best opera recording. and nbsp - This piece, Bosun's Cheer, is an exhilarating work, including some inventive instrumental techniques as well as a hauntingly poetic voice.The version for period instruments can be found and nbsp - here . / Voix, Flûte, Violoncelle Et Contrebasse

Arias for Bass-Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations.With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it showing flow of the language and the mood. The second version is a slow deliberate lesson allowing time for the student to repeat each line. These experienced language coachesadapt the ?R? in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each aria and wordfor word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian Pierre Vallet for French Irene Spiegelman for German Kathryn LaBouff for English Yveta Synek Graff for Czech and Gina Levinson for Russian. Companion to 50481101 Arias for Bass.

Drum Play Along-Performed by Hal Smith drumsAccompaniment: Tim Laughlin's New Orleans All-StarsMany people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well asJoseph 'King' Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The wholeMarsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of manystreet parades and steamboat gigs and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of thiscity which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuringcomplete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow tempo versions of most up-tempo pieces for practice purposes.

Performed by Rick Trolsen trombone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Listen can you hear that band' Audio samples galore await you down below. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

?The main goal of this book is to present what could be called Brazilian guitar today working melodically harmonically and rhythmically in some of the most important Brazilian musical styles. .We have chosen to always use twoelectric guitars in these arrangements (but in the song ?Violeiros e Cantadores? which is for solo electric guitar) so that the essential functions of the guitar rhythm melody and harmony might beexpressed in the clearestand best way in each different style. We have made three versions of each piece for ease of study: a complete one one without the first electric guitar and one without the second electric guitar. Therefore the student will beable to listen to the complete version and thenpractice with the other ones playing the missing parts of the first guitar and the second guitar. At the end of the book like an appendix we have included the bass lines used inthe recordings to strengthen the rhythmic and harmonic comprehension of each style.? All music is in notation and tablature. A free recording of the music is available as an internet download.