Voir toutes les partitions de Billy Strayhorn
SKU: HL.1132736
ISBN 9781705182864. UPC: 196288112426. 6.75x10.5x0.029 inches.
For SAB and SSA voicings, the spiritual, “This Train,” takes on new life with driving vocal and instrumental rhythm. Gospel rock style harmonies fill the work, and the energy is simply nonstop from beginning to end. A dynamic choice for concert or show choir.
SKU: HL.7013724
UPC: 840126964578. 9.0x12.0x0.23 inches.
Billy Strayhorn's iconic jazz standard, recorded by Duke Ellington, is skillfully adapted in this easy version. From the trademark introduction, saxes on the main theme, and short written or ad lib. solos, this will sound great even with young players. The Discovery Jazz Series features arrangements written for full band, playable with 3 saxes, 2 tpts., 1 tbn., rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn and tuba and full length recordings available for each arrangement.
SKU: AP.48333
UPC: 038081551562. English.
Once again, composer Andy Beck captures the magic of childhood in a piece that's written expressly for developing choirs. Ample echo-singing and sensible vocal ranges will help young singers take off the training wheels and quickly find success. Add in a positive message about the power of persistence, and you've got a winning combination!
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: BT.DHP-1084610-070
ISBN 9789043130639. 9x12 inches. English-German-French-Dut ch.
The songwriters Bob Crewe and Bob Gaudio formed a formidable musical creative duo that, in the sixties and seventies, composed many tunes for the super-group Frankie Valli and the Four Seasons. In 1967 the huge hit was Can’t Take My Eyes Off You which, since that year, has seen repeated success with a whole host of other international singing stars. Lorenzo Bocci has taken this classic song and created a wonderful, laid back, quintet with flexible woodwind/brass instrumentation. One not to be missed. Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3 Cor Ang Eb Clar T Sax Bsn Hn Trom Part 4 T Sax Bsn Trom Euph Part 5Bass Clar Bari Sax Bsn Trom Euph Tuba Opt. Mallets Timp Drum Perc De songwriters Bob Crewe en Bob Gaudio vormden een bijzonder succesvol duo. In de jaren zestig en zeventig schreven ze vele hits voor Frankie Valli & The Four Seasons, waaronder Can't Take My Eyes Off You uit 1967. Veel bekende artiesten hebben in de decennia die volgden dit innemende up-temponummer op hun repertoire gezet: The Lettermen, Andy Williams, Diana Ross & The Supremes, Gloria Gaynor, The Boystown Gang, The Pet Shop Boys... en de lijst is nog lang niet compleet. Can't Take My Eyes Off You is dus zonder meer een klassieker binnen de popmuziek te noemen. Lorenzo Bocci maakte van dit succesnummer een boeiend arrangement.Part 1 C' C Bb Part 2 C' CBb F Eb Part 3 C Bb [TC] Bb [BC] F Eb Part 4 C Bb [TC] Bb [BC] Part 5 C' C Bb [TC] Bb [BC] Eb [TC] Eb [TC]Opt. Mallets Timp Drum Perc Die Songwriter Bob Crewe und Bob Gaudio waren ein äußerst erfolgreiches Duo. In den 60er- und 70er-Jahren des vergangenen Jahrhunderts schrieben sie zahlreiche Hits für Frankie Valli & The Four Seasons, darunter auch Can’t Take My Eyes Off You aus dem Jahr 1967, das schon von vielen berühmten Interpreten gesungen wurde. Lorenzo Bocci sorgte für diese spannende Bearbeitung für ein fünfstimmig variables Bläserensemble.Part 1 Fl Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B A-Kl A-Sax Trp Hn Part 3 Cor Ang A-Kl T-Sax Fg Hn Pos Part 4 T-Sax Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Opt. Mallets TimpDrum Perc Les auteurs-compositeurs Bob Crewe et Bob Gaudio ont formé un tandem couronné de succès. Dans les années 60 et 70, ils signent de nombreux tubes pour Frankie Valli & The Four Seasons dont l’immense standard de l’année 1967, Can’t Take My Eyes Off You. Par la suite, une pléiade d’artistes célèbres reprend cette chanson charmante au rythme enlevé. Ainsi, The Lettermen, Andy Williams, Diana Ross & The Supremes, Gloria Gaynor, The Boystown Gang ou The Pet Shop Boys, entre autres (liste non exhaustive), ont inscrit ce classique de la musique pop leur répertoire. Lorenzo Bocci signe cet arrangement entraînant cinq voix pour ensemble instrumentation variable.Part 1 FlHtb Cl. Si♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cor Angl. Cl. Alto Sax. T. Basson Cor Trb Part 4 Sax. T. Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba Opt. Mallets Timb. Batt. Perc Gli autori-compositori Bob Crewe e Bob Gaudio hanno formato un tandem coronato di successi. Negli anni 60 e 70, hanno firmato numerose conzoni per Frankie Valli & The Four Seasons tra cui lo standard del 1967, Can’t Take My Eyes Off You. Molti artisti celebri hanno ripreso questa melodia accattivante e dal ritmo travolgente. Lorenzo Bocci scrive un arrrangiamento a 5 voci per strumentazione variabile. Part 1 Fl Ob Bb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3 Cor Ang Eb Clar T Sax Bsn Hn Trom Part 4 T Sax Bsn Trom Euph Part 5 Bass Clar Bari Sax Bsn Trom Euph Tuba Opt. Mallets Timp Drum Perc.
SKU: HL.14033723
ISBN 9788759891322. Danish.
Together Apart/Apart Together for Saxophone, Accordion and Double Bass was composed by Karsten Fundal in 2004. Written for and commissioned by Poing. Programme note: This piece is the 3rd in a row of pieces, which concentrates on a rhythmical relationship that continues to puzzle me. It is actually two relationships embedded. The 1st is a pattern that is very inspired by the composer Per Norgard, who in the beginning of the 90's got very preoccupied with the idea that you can have rhythms that never meet. This happens if you start a rhythm, like a quintuplet, on the beat and one, like a triplet, off beat. This can, with different rhythms, give very intricate interwoven patterns, that gives the illusion that they are not cyclic. In my case I use the two ratio five to seven, in the described way. This rythms have the strange property that if you take each 5th note of the seven and each 7 note of the five you get a ratio almost identical: 49:50. This is very intriguing, as you can use the possibility of letting them be equal or the possibility of letting them interfere. In the first case you get an interlocking rhythm which is smooth: an equal rhythmic pattern. In the second case you get a similar situation, but where one of them is one short after 50 of the other ones, which results in a disturbing almost equality, but not quite. Therefore the title: because when I use the unequal rhythm I put the two layers in a similar tone register, or a similar way of playing, and when I use the equal one I put them a part tone wise speaking. This is a very technical description, but it is very hard to put it in more wide terms, but you might compare it with driving in a train and looking at two fence rows behind each other: if the poles are placed exactly halfway between each other you will experience an illusion of a fast jump if there is enough distance between them, as a result of the perspective. If they are placed in a way that there are almost the same numbers of poles, like 49:50, you will experience a very complex pattern, which seems unpredictable. But of course when using it in music the whole thing is somewhat different, but even then it gives an idea of my preoccupation. What also intrigues me is that the relations are very hard to use in a musical way, and that is also quire a challenge.' Finally I have to say that I enjoyed very much writing for Poing, as these crazy guys are capable of doing almost anything you want in an nearly literal sense. - Karsten Fundal summer 2004.
SKU: BT.MUSAM996996
ISBN 9781849380140. English.
Th e Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.N ow these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!Over 180 great songs! Perfect for all players and singers!The bonus CD contains backing tracks to 16 of the songs in the book.
SKU: BT.MUSAM991870
ISBN 9781847722850. English.
Take the centre stage and play along with a live jazz trio. The authentic CD backing tracks will help you achieve a more professional performance. With this great three-part hybrid book you get printed music with ten piecesinmelody line arrangements. The audio CD contains professional 'live' performances of every piece featuring a three-piece band, plus backing tracks to play along with. The book includes:
SKU: HL.673233
ISBN 9780793527007. UPC: 073999732337. 9x12 inches.
This collection of 26 tenor sax transcriptions features some of jazz giant John Coltane's most important solos: Blue Train * Central Part West * Giant Steps * Impressions * Lazy Bird * Moment's Notice * My Favorite Things * 'Round Midnight * and more. Includes a bio, notation guide, alternate fingerings, and discography with historical notes on the recordings.
SKU: BT.DHP-1023202-010
The ‘New Sounds for Concert Band’ series has guaranteed success in your concert programme for many years. The latest addition to the series is a classic from the jazz orchestra repertoire. Follow the great jazz master Duke Ellington and delight your band and audience with Take The A-Train.
