SKU: BA.BA10986-85
ISBN 9790006569335. 32.5 x 25.5 cm inches. Key: B-flat major.
Urtext from: Joseph Haydn Works, G. Henle Verlag Munich.
SKU: BA.BA04695-65
ISBN 9790006532001. 32.5 x 25.5 cm inches. Key: B-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA04686-82
ISBN 9790006532186. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04695-75
ISBN 9790006532025. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04686-79
ISBN 9790006532179. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04686-65
ISBN 9790006532148. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04686-74
ISBN 9790006532155. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04695-74
ISBN 9790006532018. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA04686-75
ISBN 9790006532162. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: HL.51489053
ISBN 9790201890531. UPC: 888680950651. 6.5x9.0x0.131 inches. Preface: Ullrich Schneidler.
Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. It is a matter of debate whether or not this Symphony no. 85, “La Reine†(“The Queenâ€), was really given its nickname because it was the favorite symphony of Marie-Antoinette. The name certainly did not stem from Haydn, but it was nevertheless stated on the title page of the edition published by Imbault in Paris as early as 1788. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.
SKU: BA.BA10986
ISBN 9790006569106. 31 x 24.3 cm inches. Key: B-flat major. Preface: Andreas Friesenhagen.
Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the “English symphonies†as they are stylistically closely linked to the “London Bachâ€, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‘Leicht und nicht vil Concertirendâ€, meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydnâ€. The Bärenreiter catalogue now includes the complete performance material for several “Sturm und Drang†symphonies as well as all the London and Paris symphonies.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51489070
UPC: 840126989410. 6.75x9.5x0.259 inches.
The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: BA.BA10986-75
ISBN 9790006569137. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA10986-82
ISBN 9790006569328. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA10986-79
ISBN 9790006569144. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA10986-74
ISBN 9790006569120. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA10986-65
ISBN 9790006569113. 32.5 x 25.5 cm inches. Key: B-flat major.
SKU: M7.DOHR-17600
ISBN 9790202036006.
Von der Existenz der sieben verschollenen Klaviersonaten Hob. XVI: 2a-e und g-h wissen wir lediglich durch die Eintragungen in den sogenannten Entwurf-Katalog, dessen Hauptteil Ende 1765 entstand. Haydn führte den Katalog bis 1777 fort, indem er von Zeit zu Zeit die jeweils neu komponierten Werke ergänzte. Entstanden sind die Sonaten vermutlich in der Zeit zwischen 1766 und 1772. Die Tatsache, dass die Sonaten verschollen sind, wird häufig mit dem Brand, dem Haydns Haus in Eisenstadt im Jahr 1768 zum Opfer fiel, in Verbindung gebracht. Der Zeitraum 1766 bis 1772 deckt sich ziemlich genau mit der häufig, jedoch nur unzureichend charakterisierend Sturm und Drang-Zeit genannten Schaffensphase des Komponisten, die den Höhepunkt einer Phase intensiven Experimentierens und Suchens nach neuen Wegen auf fast allen für Haydn besonders bedeutsamen Gebieten der Instrumentalmusik, der Symphonie, dem Streichquartett und der Klaviersonate, bildet. Da die Eintragungen im Entwurf-Katalog lediglich die ersten zwei bis vier Takte der je ersten Sätze der Sonaten wiedergeben, musste der Verfasser nicht nur den restlichen Verlauf der Eröffnungssätze weitgehend selbst erdichten, er war auch bei der Gesamtanlage der Sonaten (Anzahl und musikalischer Inhalt der übrigen Sätze) insofern auf sich allein gestellt, als der Entwurf-Katalog hierüber keine Auskunft gibt. Als stilistische Vorbilder dienten naturgemäß die im genannten Zeitraum komponierten und erhaltenen Sonaten. Darüber hinaus hat der Verfasser versucht, eine möglichst große Bandbreite der verschiedenen Formen, die in Haydns Musik dieses Zeitraums zu finden sind, abzubilden. Ebenso differenziert und zur Nachahmung herausfordernd ist der Abwechslungsreichtum der Satztechniken, die Haydn verwendet. Dem Vorbild Haydns folgend sind vor allem die dynamischen Angaben auf ein Minimum reduziert und sollen bewusst Raum zur eigenen fantasievollen Interpretation lassen. (Thomas Enselein).
