In what is neither an instructional nor a concert-style format acoustic Guitar master and acknowledged Harp Guitar pioneer Stephen Bennett plays ten captivating Harp Guitar solos demonstrating the capabilities ofthis rarely heard instrument in a relaxed recording studio setting. With one exception the traditional fiddle tune Westphalia Waltz Stephen composed all of the music heard here.Stephen introduces each tune with insightfulremarks about Harp Guitar history the tunings he developed for the additional six bass strings and the events or circumstances that inspired his compositions .One of the original advertising claims made for Harp Guitars was thatthey would do to the standard Guitar what the Piano did to the Harpsichord; that is make it obsolete. That may or may not occur but in this video you will at least hear some of the inherent possibilities of the HarpGuitar.Ultimately you may find yourself thinking that those early claims might not be so farfetched; indeed magic happens when these instruments are in the right hands and Stephen Bennett clearly has thosehands. Join Stephen for an intimate introduction to this largely forgotten instrument and allow yourself to fall under the spell of the Harp Guitar.
SKU: FH.WS7
ISBN 978-1-55440-556-5.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata , op. 2, no. 6 (La bouget) - Michel Blavet- [Complete]Minuet and Dance of the Blessed Spirits (from Orphee et Euridice) - Christoph Willibald Gluck, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Dance with Sticks - Bela BartokHornpipe Dance - Bela BartokRagtime Waltz - Richard Rodney BennettSonata - Phil Woods- First MovementBb Saxophone:Mainly Transcriptions:Sonata in G minor, H 542.5 - attr. Carl Philipp Emanuel Bach- Third MovementSonata in G minor, HWV 364a - George Frideric Handel, arr. Harold Birston- [Complete]Mainly Original Repertoire for Saxophone:Souvenir - Robert WalkerSonata - Walter S. Hartley- First MovementI Got Unhappy - Neil CurrieEb Saxophone or Bb Saxophone:Unaccom panied Repertoire:Fantasia no. 6 in D minor, TWV 40:7 - Georg Philipp Telemann- [Complete]In the Company of My Soul - Kelly-Marie Murphy- First MovementSketch - Ronald L. Caravan.
SKU: ST.B288
ISBN 9790220208720.
CONT ENTS BATTISHILL, Jonathan Amidst the myrtles BEALE, William To a kiss BENEDICT, Julius Dirge for a faithful lover BENNETT, W. Sterndale: Come live with me COOKE, Benjamin: Epitaph on a Dormouse HAYES, William: Melting airs HORSLEY, William: Hear my Chloe MACFARREN, Walter: Lovers' parting PAXTON, Stephen: How sweet, how fresh SPOFFORTH, Reginald: Hail smiling morn SULLIVAN, Arthur: Long day closes WEBBE, Samuel: As the moments roll.
