Matériel : Partition + Accès audio
SKU: HL.293735
ISBN 9781540051943. UPC: 888680939052. 9x12 inches.
A collection of songs from the musical stage presented in their authentic settings, excerpted from the original vocal scores. There is no duplication from prior volumes!This edition features access to online recorded accompaniments.Au dio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.Contents: AMLIE: Thin Air ? ANASTASIA: My Petersburg ? Still ? ANNIE: You're Never Fully Dressed Without a Smile ? THE BAND'S VISIT: Papi Hears the Ocean ? Answer Me ? BE MORE CHILL: Michael in the Bathroom ? THE BOOK OF MORMON: I Believe ? CANDIDE: Bon Voyage ? CATCH ME IF YOU CAN: Goodbye ? DEAR EVAN HANSEN: Waving Through a Window ? For Forever ? Words Fail ? EVER AFTER: Right Before My Eyes ? FINDING NEVERLAND: If the World Turned Upside Down ? Neverland ? FROZEN THE BROADWAY MUSICAL: Hans of the Southern Isles ? In Summer ? Kristoff Lullaby ? A GENTLEMAN'S GUIDE TO LOVE and MURDER: Stop! Wait! What?! ? HAMILTON: You'll Be Back ? THE HUNCHBACK OF NOTRE DAME: Made of Stone ? KINKY BOOTS: Step One ? A LITTLE NIGHT MUSIC: Later ? THE MAD ONES: Run Away With Me ? MEANGIRLS: Stop ? THE PAJAMA GAME: A New Town Is a Blue Town ? PARADE: Pretty Music ? THE SECRET GARDEN: Race You to the Top of the Morning ? SOMETHING ROTTEN!: Hard to Be the Bard ? SUNDAY IN THE PARK WITH GEORGE: Lesson #8 ? TOOTSIE: Waddya Do ? TUCK EVERLASTING: Top of the World ? Time.
SKU: CY.CC2475
Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.
These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.
This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.
Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.
SKU: GI.G-M2TS
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.