Songs of the 1990s

The Ukulele Decade Series: The 1990s features 80 essential '90s songs in Ukulele arrangements, including All I Wanna Do, Don't Look Back in Anger, Livin' La Vida Loca, More Than Words, Only Wanna Be with You, Smells like Teen Spirit and more. / Ukulélé

Par TAKE THAT. As the original boy-band, Take That took the pop world by storm in the 1990s with a flurry of huge hit singles, setting the blueprint for today's biggest pop acts. Along with principal songwriter Gary Barlow, Robbie, Jason, Mark and Howard captured the hearts of a generation with addictive melodies, characteristic good looks and a genuine sense of fun. Originally formed as a British answer to New Kids On The Block, the band split in February 1996 prompting The Samaritans to set up telephone help lines to counsel distraught fans. The split also saw the beginning or Robbie Williams' record-breaking solo career. In 2005 the four remaining members reformed for a fresh tour and retrospective DVD release. The tour was to become one of the fastest-selling tickets of that year, confirming yet again the continued adoration of their massive dedicated fanbase. This commemorative songbook features 17 of their biggest moments, including Back For Good , Could It Be Magic and Pray , all arranged for Piano, Voice and Guitar. / Niveau : Assez Facile / Recueil / Piano, Chant et Guitare

100 years of popular music chronicles the greatest music of the last century. This book contains more than 70 songs from the 1990s arranged for piano, voice and guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1990s is also included.

This matching folio includes every song from Bob Dylan's album Shadows In The Night, the critically acclaimed album of standard pop tunes originally recorded by Frank Sinatra. Featuring all ten songs arranged for Piano, Voice and Guitar, with full lyrics and chord boxes, this songbook is perfect for fans of Dylan, Sinatra or simply fantastic tunes.The album itself was highly anticipated, with Bob Dylan announcing he was 'un-covering' a collection of classic pop standards, hand-selected by himself. Dylan is certainly no stranger to cover versions, drawing from the folk tradition in his early career and putting out 2 back-to-back folk cover albums in the early 1990s. The news that this album would be a collection of songs made famous by Sinatra came as a surprise, considering Sinatra's derision of the early days of the folk scene. Despite this, time forged a mutual respect, with Dylan even, perhaps half-jokingly, claiming he was merely a 'song and dance man'. Dylan's long-term love for songs such as these resulted in Shadows In The Night, a collection of songs made famous by one of the greatest singers ever, performed by possibly the greatest songwriter ever.Shadows In The Night is not just a collection of standards, however, it's a beautiful reinterpretation of simple songs featuring some of Dylan's best singing in recent years. With this Bob Dylan sheet music, you can learn all songs from the album, including I'm A Fool To Want You, Full Moon And Empty Arms, and Why Try To Change Me Now. The career of Bob Dylan has been full of twists, turns and continual reinvention. Throughout, though, the consistent thread has been that he dictates his own path, and this album is an intensely personal one. On the album, you can hear the rustling of paper, the measured intake of breath, and you get the real sense that these songs are truly meaningful. The Shadows In The Night sheet music allows you to learn these wonderful new arrangements in their entirety, the subdued Guitar chords, the Piano accompaniment, and Dylan's unmistakeable vocal part. Songs like Stay With Me and Autumn Leaves feature melancholy melodies that take on an entirely new meaning when sung by such a musical legend, while the highlight of the album, That Lucky Old Sun, has a stunningly uplifting vocal performance that perfectly complements the quietly beautiful arrangement of his band.The subtle, subdued and simple arrangements of these tunes are begging to be covered, performed and played in your own home. The calm backing instruments throughout the album make this Shadows In The Night sheet music songbook perfect for a solo Piano performance, a singer's reinvention or an intimate and acoustic band cover. With accurate transcriptions, this Bob Dylan sheet music is the best place from which to learn these incredible covers that just call out to be sung over and over.The best thing about Shadows In The Night is how universal and timeless it is. These are songs composed by some of the greatest, that were then made famous by one of the greatest, and now reinvented by one of the greatest - it doesn't get much better than that! The album is perfect for purists, consummate for casual players and brilliant whether you're a pianist, guitarist or singer. If you want to learn how Dylan played these wonderful tunes, check out this Shadows In The Night sheet music songbook. / Piano/Vocal/Guitare (PVG)

Volume Two of Fifty Years Of Hits, another collection of 100 songs from the past half-century, arranged for Piano, Vocal and Guitar. Featuring some of the greatest songs spanning decades, genres and entire musical eras, this massive collection will be a mainstay on any musician's music stand.Featuring many of The Beatles' finest tracks, Fifty Years Of Hits also runs through Joni Mitchell's career, and includes songs by Leonard Cohen and Gladys Knight. Moving from the early years to the 1990s and Britpop, the book features Piano, Vocal and Guitar arrangements of Oasis and Travis, before moving into the current pop world with Taylor Swift, Lady Gaga, Ed Sheeran, Daft Punk, Little Mix and Sam Smith, among many many more. / Piano/Vocal/Guitare (PVG)

A collection of the most famous German Schlager style songs from the 1990s. All songs are arranged with melody line lyrics and chords.

(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in