Matériel : Octavo
SKU: MN.50-6089
UPC: 688670560897. English.
Written for the ELCA's 25th Anniversary, the composer himself describes this as a one-rehearsal wonder. Essentially it's a brand new hymn tune and text arranged for SATB and piano, with optional trumpet and soprano descant. The tune is sweeping and majestic, the choral writing easy and effective. The tag line God's work, Our hands has been at the heart of the ELCA church since its inception, and the text reinforces that message. Duration 3:30.
SKU: LP.765762083103
UPC: 765762083103.
South ern gospel enthusiasts rejoice! Here is an outstanding collection of your gospel favorites. These are songs of testimony fellowship and the hope of heaven - vital components for each of us in our walk of faith. Features Easy 2 Excel Flexible choral format for choirs of all sizes; Includes a complete Keyboard Accompaniment Edition; Pieces from today's most trusted (and revered) gospel arrangers. Choirs will find this book to be a staple in their choral diet and a refreshing addition to their customary worship collection. Southern Gospel Favorites is an ideal resource for summer choirs revivals camp meetings or any gathering place where southern gospel music is loved!
SKU: LP.765762076327
UPC: 765762076327.
Stere o accompaniment CD trax for use on performance. Note - does not include rehearsal (internal) internal CD points.
SKU: LP.765762076129
UPC: 765762076129.
Split -channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.
SKU: LP.765762076525
UPC: 765762076525.
Bulk pack of ten performance demo CDs, each in a paper sleeve; useful as an aid for choir members learning music. Value-priced.
SKU: ST.EM13
ISBN 9790220218019.
CONT ENTS Alas! tarry but one half hour (SST ) As deadly serpents lurking (SA (or S) T ) As Vesta was descending (SSATTB ) Ay me, alas, hey ho (SST ) Come lets begin to revel At out (SSA (or T) ) Come sirrah, Jack ho (SSA (or T) ) Death hath deprived me (SS (or A) T (or A) TBB ) Donna il vostro bel viso (SSA (or T) ) Fa la. Now weep and sing (SA (or S) T (or B) ) Four arms, two necks, one wreathing (SSA ) Ha ha! this world doth pass (SST (or A) ) I bei ligustri e rose (SSA ) Jockey thine horn-pipeAs dull (SSA (or T) ) Late in my rash accounting (SSA (or T) ) Lord when I think (SSA (or T) ) No, though I shrink still (SSA ) Say, wanton, will you love me? (SSA (or T) ) Since Robin Hood (SA (or S) T ) Some men desire spouses (SSA ) Strike it up, Tabor (SST ) Tan ta ra cries Mars (SSA (or T) ) The Ape, the Monkey and Baboon (SSA ) The gods have heard my vows (SSA ) The nightingale, the organ of delight (SSA (or T) ) Though my carriage be but careless (SSA ) Tomorrow is the marriage day (SSA (or T) ) Upon a hill the bonny boy (SSA ).
SKU: CA.2705305
ISBN 9790007113520. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.
SKU: CA.2705314
ISBN 9790007199593. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.
SKU: CA.2705319
ISBN 9790007133887. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.
SKU: CA.2705349
ISBN 9790007199616. Key: A major. Language: Latin.
SKU: CA.2705309
ISBN 9790007199555. Key: A major. Language: Latin.
SKU: CA.2705313
ISBN 9790007199586. Key: A major. Language: Latin.
SKU: CA.2705315
ISBN 9790007199609. Key: A major. Language: Latin.
SKU: CA.2705311
ISBN 9790007199562. Key: A major. Language: Latin.
SKU: CA.2705312
ISBN 9790007199579. Key: A major. Language: Latin.
SKU: HL.49010283
ISBN 9783795767228. UPC: 073999332742. 7.5x10.5x0.26 inches.
For SATB Chorus with SSATB Soli and Orchestra. Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et tres guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maitre de musique since 1687.