Matériel : Conducteur
SKU: GH.CG-3941P
For flute, oboe and strings.
SKU: GH.CG-5653P
For string orchestra.
SKU: GH.CG-4841P
SKU: BR.PB-16106
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004214336. 10 x 12.5 inches.
Classical ReminiscencesDuring his time as conductor of the Detmold court orchestra, the young Brahms was inspired by the local wind ensemble to compose two serenades. Serenade No. 2, scored for five pairs of winds, violas, cellos, and string basses (leaving out the violins) is strongly reminiscent in sound of Mozart's wind serenades. The expressive Adagio is the heart of the five-movement work. Quite untypical of Brahms, he acquired a liking for the work from the outset, still undertaking a revision scarcely 15 years after the premiere of 1860; this has now been made available in a new practical edition based on the Johannes Brahms Complete Edition (JBG).
SKU: BR.PB-16105
ISBN 9790004214329. 10 x 12.5 inches.
Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings.
SKU: BR.PB-4390
ISBN 9790004203095. 9 x 12 inches.
SKU: BR.PB-4389
ISBN 9790004203088. 9 x 12 inches.
The "Music for Two Guitars" has begun to turn into an authentic mainstay of our editorial program. We thought it would be appropriate to issue a well-known Mozart-work in 1991 - all the more so considering how faithful Ansgar Krause's arrangement is to the source!
SKU: BR.PB-5391
ISBN 9790004210796. 9 x 12 inches.
SKU: BR.PB-4394
ISBN 9790004203118. 9 x 12 inches.
SKU: BR.PB-5392
ISBN 9790004210789. 9 x 12 inches.
SKU: HF.FH-2561
ISBN 9790203425618. 8.3 x 11.7 inches.
SKU: BR.PB-4902
ISBN 9790004206980. 9 x 12 inches.
SKU: BR.PB-4387
ISBN 9790004203064. 9 x 12 inches.
SKU: BR.PB-5552-07
ISBN 9790004213629. 6.5 x 9 inches.
Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print.
SKU: BR.PB-5373
ISBN 9790004212417. 10 x 12.5 inches.
SKU: BR.PB-5579-07
ISBN 9790004213896. 6.5 x 9 inches.
In the summer of 1939, Bela Bartok traveled to Switzerland to compose the Divertimento for String Orchestra within the two weeks in which he enjoyed the hospitality of his patron Paul Sacher. Inspired by the convivial atmosphere there, he felt like an old-world musician. The Divertimento is Bartok's highly original contribution to this traditionally entertaining genre of music. The title and three-part structure with two dance-like, vital outer movements allude to Mozart's time, whereas the cheerful alternation between solo group and tutti in the final movement tie up with the Baroque concerto grosso principle. Only the burnished glow of the middle movement suggests that Bartok found little of comfort in the world of his time just a few days before the outbreak of World War II.The Breitkopf Urtext edition is based on Bartok' autograph and the first edition of the score, which he meticulously revised. Subsequent emendations noted by Bartok in his personal copy were taken into account.The Breitkopf Urtext edition is based on Bartok's autograph and the first edition of the score, which he meticulously revised..