Selected Songs - Volume 1 for High Voice

35 Selected Songs for high voice and piano-A selection of 35 Mélodies Choisies by Francis Poulenc for High Voice and Piano.Includes a detailed preface and notes on the sources. Different song list for each volume.HIGH VOICE (35 Songs): Contents: Toréador (Cocteau) ? Cocardes (3 popular songs) ? Airs chantés (3 songs) (Moréas) ? Trois Poèmes (Lalanne) ? Cinq Poèmes (Jacob) ? Ce doux petit visage (Eluard) ? Fiançailles pour rire (Six mélodies) (de Vilmorin) ? Les Chemins de l´amour (Valse chantée) (Anouilh) ? Colloque (Valéry) ? Fêtes galantes (Aragon) ? Parisiana (2 songs) (Jacob) ? La Courte Paille (7 songs) (Carême) ? La Dame de Monte-Carlo (Monologue) (Cocteau).

15 Selected Songs by Jean Sibelius for Voice and Piano. This collection can be understood as an introduction to the Finnish composer's extensive and highly varied lieder output. Selected from various collections the songs represent a stylistically broad spectrum. The compilation comprises only lieder that were originally written in Swedish and provides singable German and English translations that date from the time of the first publications. The two Shakespeare Lieder op. 60 at the end of the volume were based on Swedish texts and written for a staging of the comedy Twelfth Night in Helsinki in 1909.

High Voice-The Real Vocal Book has many of the selections from volumes 1 and 2 of the instrumental Real Books but now with the lyrics added to the pre-existing melody line. This songbook contains nearly 300 essential songs compiled especially for singers including: Alfie All of Me Autumn Leaves Bewitched Bluesette Don't Get Around Much Anymore Fever Georgia on My Mind Misty Moon River My Funny Valentine Satin Doll and more.

This Viardot Edition is the first critical edition of Pauline ViardotÂ’s songs. It is based on fair copies of the woman composer, who was one of the most versatile singers and important representatives of the bel canto performance tradition in the 19th century. The present volume includes settings of Russian texts by Pushkin, Feth and Turgenev as well as Italian-language songs based on Tuscan folk lyrics. All songs are accompanied by German translations, which were specifically prepared for the German first edition in the 19th century.
The solo Lied with piano accompaniment was Pauline Viardot’s main genre, which she made bloom in the most diverse colors, depending on text and style. In addition to her own use, the sought-after vocal pedagogue also wrote her songs for her students. Accordingly, the songs included in this volume are suitable for different vocal genres in terms of their ranges and expressive content: for example, songs such as “Zwei Rosen”, “L'innamorata” or “Das Vöglein” are suitable for light, high voices, while lyrical, lower voices can find suitable songs with “Ruhige, heilige Nacht”, “Flüstern, atemscheues Lauschen” or “C’era una volta”. For versatile voices with a gift for coloratura, “Non vi maravigliate” is a little showpiece, while voices with the ability for dramatic accents can sing songs like “Die Beschwörung” or “Mitternächtige Bilder”. Unlike the sometimes very long Russian songs, the consistently short Italian songs are well suited as an introduction to the easier Italian repertoire. The songs depict clearly defined scenes within which the singers are able to develop their respective characters.
01. Das Blümlein – Цветок VWV 1018 (Alexander Puschkin | 3')
02. Auf Grusiens Hügeln – На холмах Грузии VWV 1037 (Alexander Puschkin | 2')
03. Ruhige, heilige Nacht – Тихая, звёздная ночь VWV 1038 (Afanassi Fet)
04. Mitternächtige Bilder – Полуночные образы VWV 1039 (Afanassi Fet | 3')
05. Flüstern, atemscheues Lauschen – Шёпот, робкое дыханье VWV 1040 (Afanassi Fet)
06. Die Beschwörung – Заклинание VWV 1041 (Alexander Puschkin | 3')
07. Die Meise – Синица VWV 1042 (Iwan Turgenjew | 2')
08. Zwei Rosen – Две розы VWV 1055 (Afanassi Fet | 2')
09. Des Nachts – Мой голос для тебя и ласковый и томный VWV 1056 (Alexander Puschkin | 3')
10. Der Gefangene – Узник VWV 1057 (Alexander Puschkin | 3')
11. Das Vöglein – Птичка божия VWV 1058 (Alexander Puschkin | 3')
12. Die Sterne – Звёзды VWV 1059 (Afanassi Fet | 4')
13. Florentinisches Ständchen – Serenata fiorentina VWV 1048 (Giuseppe Tigri)
14. Die Verlassene – Cʼera una volta VWV 1049 (Giuseppe Tigri)
15. Die Dorfsängerin – Non vi maravigliate VWV 1047 (Giuseppe Tigri)
16. Die Unglückliche – Povera me! VWV 1050 (Giuseppe Tigri)
17. Doppel-Liebe – L'innamorata VWV 1051 (Giuseppe Tigri) / Partitions classique / Vocale - chorale / Voix solo - piano / EDITION BREITKOPF

Voix élevée - High Voice-« Musique vocale française » est une collection conçue pour les étudiants les professeurs et les interprètes professionnels. Le présent volume offre une sélection des mélodies les plus célèbres de Maurice Ravel soit en tonalité originale soit entransposition.

Volume II High Voice-The second in the Associated Board's series of Operatic anthologies features a further selection of Arias and Recitatives from across the genre. Intended for accomplished singers the songs are carefully chosen to provide the very best entry into the art of Aria-singing and dramatic performance. The pieces range from popular favourites to some lesser-known gems of the style providing an ideal starting point for those wishing to develop Operatic style and technique.

Some of Alfred Music's finest writers have contributed to this special collection, which includes carol arrangements, famous texts, masterwork melodies, and original songs. Find selections for holiday concerts, winter recitals, church services, and community events in this one useful volume. / Voix Haute

The Singer's Musical Theatre Anthology - Volume 3. A collection of songs from the musical stage, categorized by voice type. The selections are presented in their authentic settings, excerpted from the original vocal scores. Revised Edition.

High Voice-The Real Vocal Book is an alternative to the plethora of poorly designed illegible inaccurate and badly edited volumes which abound on the market today. With a neat and accurate layout the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform.This volume contains nearly 300 popular songs arranged especially for vocalists with higher voices. Featuring many well-known tunes from musicals and films The Real Vocal Book: Volume II (High Voice) includes the hits Big Spender Let There Be Love What A Wonderful World On The Street Where You Live Swinging On AStar and many more.

The Heritage of English Song series is a terrific collection that presents and preserves the long and glorious tradition of English song.Book 12 contains a stunning selection of Roger Quilter songs selected and introduced by Trevor Hold. Quilter was a modest songwriter who encapsulated his ideas with uncomplicated but effective music. Subtle generous and warm they are a delight to play and sing both for amateur or professional.The Twelve Songs in this volume represent the height of Quilter's work from 1908 to 1935. All pieces are in wonderful settings for medium-high Voice and Piano.

Description The Worship Band Play-Along series is a flexible and innovative tool for worship leaders and bands. Each volume offers five separate, correlated book/CD packs: Keyboard, Guitar, Bass, Drumset, and Vocal. Bands can use the printed music and chord charts to play live together, and members can rehearse at home with the CD tracks. Worship leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection, and the straight-forward arrangements are perfect for bands of any level. The CDs are playable on any CD player, and also enhanced so Mac and PC users can adjust the recording to any tempo without changing pitch to learn the songs at their own pace. Songlist Angels We Have Heard On High [Traditional] Away In A Manger [Traditional] [Murray, James R.] Hark! The Herald Angels Sing [Mendelssohn, Felix] [Wesley, Charles] Joy To The World [Watts, Isaac] [Handel, George Frideric] O Come, All Ye Faithful [Wade, John Francis] O Come, O Come, Emmanuel [Traditional] Silent Night [Gruber, Franz] [Mohr, Josef] What Child Is This? [Traditional]

The first collection in the series of performance folios for Countertenor voices with full Piano accompaniment. Eight pieces by a variety of composers from Dowland to Vaughan Williams for the accomplished high male voice. Selected by Frederic Hodgson with foreword by James Bowman.

This fabulous book contains a superb selection of twenty-four Italian Songs and Arias from the seventeenth and eighteenth centuries written for Medium-High Voice. This book also contains access to online audio that features arecorded accompaniment on a separate track for each of the pieces in the book. All twenty-four pieces are set here for Medium-High Voice with Piano accompaniment and with lyrics and titles in both Italian andEnglish this is a versatile volume which can be used for vocal training or purely for enjoyment.