I Second That Emotion

Dispose de 72 classiques Motown: ABC - Ain't No Mountain High Enough - Baby Love - Ben - Come See About Me - Dancing in the Street - Do You Love Me - facile - une fois dans ma vie - - Heatwave Higher Ground - Puis-je 't - Help Myself I Hear a Symphony I - Il appris par la rumeur - I Second That Emotion - I'll Be There - Jimmy Mack Mercy -, Mercy Me (The Ecology) - My Cherie Amour - Ma fille bébé Ooo Baby - Stop! Au nom de l'amour - Three Times a Lady - - Guerre Where Did Our Love Go - plus! Des lignes mélodiques, accords et paroles, ainsi qu'une section de diagrammes d'accords guitare. / Instruments En Do / 256 pages / Partition

ABC
Across 110th Street
Adore
After The Love Has Gone
Ain't No Mountain High Enough
Ain't No Sunshine
Ain't Nobody
Ain't Nothing Like The Real Thing
Ain't That A Bitch
Ain't That Peculiar
Ain't Too Proud To Beg
Always And Forever
Always Be My Baby
Another Sad Love Song
Ascension (Don't Ever Wonder)
At Midnight (My Love Will Lift You Up)
B-A-B-Y
Baby I'm Doing It (Baby Don't Do It)
Baby I'm For Real
Baby Love
Back At One
Back To Life (However Do You Want Me)
Band Of Gold
Be Without You
Bernadette
Between The Sheets
Big Bird
The Boy Is Mine
Breathe Again
Brick House
But It's Alright
By Your Side
Call Me (Come Back Home)
Candy
Chain Gang
Chain Of Fools
Cheaper To Keep Her
The Chokin' Kind
Cissy Strut
Come To Mama
Cool Jerk
Crazy In Love
Creep
Cry Baby
Cupid's Boogie
Dance To The Music
Dance With Me Henry (The Wallflower)
Dancing In The Street
Devil With The Blue Dress
DJ Got Us Fallin' In Love
Do It ('Til You're Satisfied)
Do Right Woman Do Right Man
Do You Love Me
Don't Let Go
Doo Wop (That Thing)
Easy
End Of The Road
Endless Love
Everybody Needs Somebody To Love
Everyday People
Everytime I Close My Eyes
Exhale (Shoop Shoop)
Express Yourself
Fa-Fa-Fa-Fa-Fa (Sad Song)
Fallin'
Fannie Mae
Fight The Power 'Part 1'
Fire
Freddie's Dead
Gabbin' Blues
Gee Whiz
Gimme Some Lovin'
Giving You The Best That I Got
Green Onions
Groove Me
Hard To Handle
The Harlem Shuffle
He Was Really Sayin' Somethin'
Heatwave (Love Is Like A Heatwave)
Here And Now
Here I Am, Come And Take Me
Hold On I'm Comin'
Hound Dog
How Sweet It Is (To Be Loved By You)
How Will I Know
Human Nature
I Believe I Can Fly
I Can't Get Next To You
I Can't Help Myself (Sugar Pie, Honey Bunch)
I Can't Stand The Rain
I Can't Turn You Loose
I Forgot To Be Your Lover
I Got The Feelin'
I Got You (I Feel Good)
I Heard It Through The Grapevine
I Just Want To Celebrate
I Like What You're Doing To Me
I Never Loved A Man (The Way I Love You)
I Pity The Fool
I Put A Spell On You
I Second That Emotion
I Thank You
I Wanna Testify
I Want Someone
I Want You Back
I Wish
I'll Be The Other Woman
I'll Be There
I'll Make Love To You
I'll Take You There
I'm Gonna Tear Your Playhouse Down
I've Been Lonely (For So Long)
I've Been Loving You Too Long
In The Midnight Hour
In The Rain
Inner City Blues (Make Me Wanna Holler)
Inside My Love
It Hurts So Good
It's Gonna Work Out Fine
It's Your Thing
Jungle Boogie
Just My Imagination (Running Away With Me)
Just One Look
Just The Two Of Us
Keep On Truckin'
Kiss
Knock On Wood
Lady Marmalade
Last Dance
Last Night
Lawdy Miss Clawdy
Lean On Me
Let The Good Times Roll
Let's Get It On
Let's Stay Together
Living For The City
Lonely Teardrops
Long Tall Sally
Love And Happiness
Love Rollercoaster
Love Train
Lowdown
Mama He Treats Your Daughter Mean
Man In The Mirror
Mercy, Mercy Me (The Ecology)
Midnight Train To Georgia
Miss Independent
Mr. Big Stuff
Mr. Pitiful
More
Mustang Sally
My Girl
My Guy
My Lovin' (You're Never Gonna Get)
My Prerogative
(You Make Me Feel Like) A Natural Woman
Never Can Say Goodbye
Never Knew Love Like This Before
Never Too Much
Ninety-Nine And A Half (Won't Do)
No One
No Scrubs
Nobody Knows You When You're Down And Out
Nothing From Nothing
On And On
One Mint Julep
Papa Was A Rollin' Stone
Patches
Pick Up The Pieces
Please Mr. Postman
Power Of Love/Love Power
Pretty Wings
Private Number
Psychedelic Shack
Purple Rain
Push And Pull
A Rainy Night In Georgia
Reach Out I'll Be There
Real Love
A Real Mother For Ya
Rehab
Respect
Respect Yourself
Right Place, Wrong Time
Rip It Up
Rock With You
Rockin' Chair
Say My Name
Serpentine Fire
Sexual Healing
Theme From Shaft
Shake A Tail Feather
Shake, Rattle And Roll
Shine
Shining Star
Shotgun
Show Me
Signed, Sealed, Delivered I'm Yours
Single Ladies (Put A Ring On It)
Sir Duke
(Sittin' On) The Dock Of The Bay
Sixty Minute Man
Smiling Faces Sometimes
A Song For You
Soon As I Get Home
Soul Finger
Soul Man
Soul Serenade
Stand By Me
Standing In The Shadows Of Love
Stoned Love
Strawberry Letter 23
Super Freak
Superstition
Sweet Love
Sweet Thing (Sweet Thang)
Take Me To The River
Take Time To Know Her
The Tears Of A Clown
Tears On My Pillow
That's The Way God Planned It
That's The Way Love Goes
Think
This Is How We Do It
This Masquerade
This Old Heart Of Mine (Is Weak For You)
Three Times A Lady
Tired Of Being Alone
The Tracks Of My Tears
Turn Your Love Around
Twenty-Five Miles
U Can't Touch This
Unfaithful
Up The Ladder To The Roof
Uptight (Everything's Alright)
Vehicle
Vision Of Love
Walk On By
Walkin' The Dog
We Are Family
We Belong Together
What You Won't Do For Love
What'd I Say
What's Going On
What's Love Got To Do With It
When A Man Loves A Woman
When Can I See You
When Doves Cry
When Something Is Wrong With My Baby
Where Is The Love'
Who's Making Love
Will It Go Round In Circles
Woman To Woman
Work With Me Annie
Working In The Coal Mine
Yeah!
You Can't Hurry Love
You Don't Know My Name
You Got The Love
You Lost The Sweetest Boy
You Make Me Feel Like Dancing
You Sexy Thing
You've Really Got A Hold On Me
Your Good Thing (Is About To End)
(Your Love Has Lifted Me) Higher And Higher
/ Partitions jazzandblues / Tous instruments par tonalité / Instrument en do / HAL LEONARD

17 Smokey Robinson classics arranged for Piano and Voice with Guitar chord frames. Includes Ain't That Peculiar • Being with You • Cruisin' • Get Ready • Going to a Go-Go • I Second That Emotion • Just to See Her • More Love • My Girl and more.

Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise therefore that his compositions for the instrument are at the forefront of the Flute's repertoire Sonata No. 2 being no exception. After a prominent career as a flautist with the Paris Opéra he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed including his Sonata No. 2 which premiered in 1925. Addressing many technical features including flourishing semiquaver passages a wide range emotion intervals chromaticism and complex rhythms Sonata No. 2 is a challenging yet riveting and stirring piece for aspiring flautists.

Morceaux de piano de R and B For Dummies inclut le rock quarante ans, blues, soul, et les favoris contemporains, avec les notes de performance impressionnants pour vous aider à jouer chacun. / Piano/Vocal/Guitare (PVG)

Comprend 22 chefs-d'oeuvre de Motown terrific arrangé pour guitare facile avec onglet / Niveau : Facile / Tablatures / Guitare Tablatures

Par GOOD CHARLOTTE. Ce recueil de chansons de correspondance album organise les chansons de l'album second populaire en tablature guitare comprend également des paroles et la notation standard./ Tablatures / Guitare Tablatures

Une sélection de plus de 60 incontournables du Rhythm and Blues d'hier et d'aujourd'hui en transcription Piano, voix et diagrammes d'accords guitare. / Piano/Vocal/Guitare (PVG)

The Old Chevalier (2005) - A Gothic Tale for Bass Trombone and Ensemble. Piano reduction: WH30854 Version for Tenor Trombone available: WH30941 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themesand motivsfrom one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. Afterdiscovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains obliviousto his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completelyindependent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Piano reduction and solo Trombone part for The Old Chevalier (2005) - A Gothic Tale for Tenor Trombone and Ensemble. Full score: WH30941 Version for Bass Trombone: WH30942 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual referencesreminiscent of Blixen's narrative complexity: Themes and motivsfrom one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. Afterdiscovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains obliviousto his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completelyindependent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes