Sarabande And Menuet

SKU: M7.KECF-13

ISBN 9790502360139. German English.

Eine Suite im barocken Stil mit vier Sätzen - Sarabande, Menuett, Gavotte, Rondo -, die jungen Spielern erste Ensemble-Erfahrungen ermöglicht und sich ideal für ein Klassenmusizieren bei einem Schülerkonzert eignet. Stimmen in B und C.

SKU: HL.49002505

ISBN 9790220104770. UPC: 073999695465. 7.75x5.0x0.058 inches.

Descant and treble recorder.

SKU: LM.26048

ISBN 9790230960489.

Fox- Trot - Menuet - Sarabande.

SKU: LM.40009

ISBN 9790231700091.

Bach J.C. : Menuet en Sol majeur - Beethoven : Sur un air ukrainien - Canon : A la ronde - Le Ruisseau - Villageoise - Chitte : Etude I - Etude II - Le Poussin curieux - Corelli : Sarabande - Czerny : Etude Op.453 n. 4 - Etude Op.777 n. 2 - Etude - Haydn : Danse allemande en Re majeur - Mozart : Le Printemps (4 mains) - Valse en Sib majeur - Tchaikovsky : Chanson enfantine - Telemann : Gavotte - Turk : Chanson a danser - Aria - Anonyme : Sur un air russe - Chansonnette -Polka de Riga - Chanson francaise - Gavotte - Traditionnel : Le Carillonneur - Dans la foret lointaine - Petit papa - Deux chansons roumaines - Chanson populaire ukrainienne - Chanson populaire slovaque (4 mains) - Chanson populaire tatare (4 mains).

SKU: LM.J31013

ISBN 9790231705218.

RAME AU : Menuet - CAIX D'HERVELOIS : Air gai - MOZART : Allegretto - FORQUERAY : Rigaudon - SCHUMANN : Reverie - SCHUBERT : Moment musical - WAGNER : Les Maitres Chanteurs - MENDELSSOHN : Romance - CORELLI : Grave - LECLAIR J. M. : Sarabande - TARTINI : Andante cantabile - SCHUBERT : La truite. (recueil en 1ere, 2eme, 3eme et 5eme position, sauf l'Andante Cantabile de Tartini : positions 1 a 6).

SKU: HL.48182390

UPC: 888680830205. 9.75x12.5 inches.

Jean-Philip pe Rameau: Sarabande et Menuet (Classiques No.13) (Guitar solo).

SKU: HL.49008171

ISBN 9790001123228. 9.0x11.75x0.087 inches.

These 15 short pieces form an easy and musically pleasing suite. Offering a wide selection of traditional dance forms, frequent changes from major to minor keys and a variety of expressive devices they are particularly suited for young students.

SKU: HL.49043977

ISBN 9783795754952. German. Bernhard Mark; Karin Schliehe.

These dance melodies for two treble recorders create an insight into life in the Renaissance and Baroque eras and take us on a musical journey to times long past. Very popular and quite common in their day, the allemandes, sarabands, chaconnes, gavottes, and gigues have remained popular throughout the centuries. Staying true to the historical style, the pieces have been arranged according to dance types and not to the level of difficulty.

SKU: IS.G6763EM

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-�?�V-�?�1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weiss�??s middle �??productive�?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather �??rudimentary�?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weiss�??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -�?� a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

SKU: LM.VV251

ISBN 9790560052519.

ANON YME 16e siecle : Bella, de vos, som amoros (trio) - BACH : Menuet (quatuor) - BERTINI : Allegro (trio) - CALDARA : Che gusto (trio) - CORELLI : Sarabande (quatuor) - SCHUBERT : Le ruisseau (trio) - Ecossaise (quatuor) - TCHAIKOVSKI : Mazurka (quatuor) - La poupee malade (quatuor) - Ancienne chanson francaise (trio) - TRADITIONNEL : Lointaine Amerique (quatuor) - C'etait Anne de Bretagne (quatuor) - Les Bateliers (Pays basque) (quatuor) - Le vigneron (Chanson francaise) (quatuor) - A la Noel (Languedoc) (quatuor).

SKU: IS.G6764EM

ISBN 9790365067640.

This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weiss�??s middle �??productive�?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (Prǣlude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle �??dances�?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weiss�??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -�?� a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.