for Pianoforte and Orchestra-On her 34th birthday Clara Schumann received from her husband not only a grand piano but also the latest music material including the one-movement Concert Allegro with Introduction Op.134 as well as the composition Introduction and Allegro appassionato Op.92 which also consisted of only one movement. With both works Schumann continued the renewal of the solo concerto genre initiated by him.The editions are based on Vol. I/2/2 (RSA 1007-20) of the Robert Schumann Complete Edition.
SKU: HL.49011963
ISBN 9783795793197. UPC: 073999799019. 10.0x13.25x1.268 inches.
Schumann's Piano Concerto is known all over the world, yet despite its popularity it remains in a certain sense an undiscovered work. The aim with this edition is not only to provide a critical score of the work, but at the same time to indicate what questions of detail should form the focus of future research. The critical analysis offered here thus offers discussion of the relationship between the one-movement Fantasia version and the three-movement concerto version, the problem of the transition from the second to the third movement and a series of questions relating to the version completed in 1853. A booklet of facsimiles completes the volume.
SKU: AP.6-243400
ISBN 9780486243405. English.
Three superb pieces for piano and orchestra: Piano Concerto in A minor, Op. 54; Concerstück in G Major, Op. 92; and Introduction and Allegro, Op. 134. Reprinted from the Breitkopf and Härtel edition, with special glossary of German musical terms. 183 pgs.
SKU: HL.49018982
ISBN 9790001171359.
SKU: HL.49018983
ISBN 9790001171366.
SKU: HL.49018987
ISBN 9790001171403.
SKU: HL.49018984
ISBN 9790001171373.
SKU: HL.49018986
ISBN 9790001171397.
SKU: HL.49018985
ISBN 9790001171380.
SKU: HL.49018337
ISBN 9790001171236. UPC: 884088586904. 9.0x12.0x0.22 inches.
On her 34th birthday, Clara Schumann was not only given a grand piano by her husband, but the latest music material as well. Among them was the one-movement Concert-Allegro with Introduction for Pianoforte and Orchestra Op. 134 in which the dominance of the solo instrument is even stronger than in the previous composition Introduction and Allegro appassionato Op. 92 which also consists of one movement only. With both works, Schumann continued the reformation of the solo concerto genre as intended.