SKU: KJ.ZB370F
UPC: 8402701737.
Rio Nido is based on the bossa nova groove, which originated in Brazil. The feel is relaxed throughout, and played in a very unhurried manner. The song has an AABA form, with the melody being passed between the brass and woodwind sections every eight bars before a short interlude into the solo section. Following the solos, a brief shout chorus is heard before the song recaps at the bridge. The piece concludes with a tag of the last four bars of the song, ending on a unison pitch.
About Standard of Excellence Jazz Ensemble Method
The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!
SKU: KJ.ZB370
SKU: LM.25377
ISBN 9790230953771.
A Canoa Virou (Bresil) - Romance (Bresil) - Pajarito (Nicaragua) - Las Gaviotas (Mexique) - Zamba (Argentine) - Carnavalito (Perou) - El Cachimbo (Chili) - A Que Has Venido, Forastero (Argentine) - Milonga (Perou) (2 harpes) - Tutu Maramba (Bresil) (2 harpes) - Variations sur Corazon de Madera (Argentine) (2 harpes).
SKU: AP.35367S
UPC: 038081410135. English.
Lion of Knidos, written by Victor López for the Young Band Series, is an original composition that portrays the images and excitement of the discovery of the Lion and its global history. The composition was inspired by the composer's visit to the British Museum and his admiration for the amazing colossal marble lion.
SKU: HL.49000689
ISBN 9790001004633. UPC: 073999356717. 9.0x12.0x0.058 inches.
Percussion with 6 players.
SKU: HL.49000606
ISBN 9790200100075. UPC: 073999282269. 12.0x8.25x0.158 inches. Spanish.
SKU: DZ.DZ-3370
ISBN 9782897952877.
SKU: DY.DO-1433
ISBN 9782897962135.
SKU: M7.GHE-911
ISBN 9783890449111. English.
Here we present the totality of Llobet's transcriptions from Albéniz and Granados for the Llobet-Anido guitar duo with María Luisa Anido. Llobet's 22 transcriptions for his famous duo with María Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: M7.GHE-912
ISBN 9783890449128. English.
Listed by Tonazzi as unfound or unpublished guitar duo repertoire, we proudly present for the first time four previously unedited and brilliant guitar transcriptions arranged by Llobet to be performed by the Llobet-Anido guitar duo. Llobet's 22 transcriptions for his famous duo with María Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: M7.GHE-909
ISBN 9783890449098. English.
Llobet's 22 transcriptions for his famous duo with María Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: M7.GHE-910
ISBN 9783890449104. English.
This volume contains three very interesting first publications: De Rogatis' Chacarera, Aguirre's Huella - dedication to Arthur Rubinstein, and finally, 93 years after he transcribed it, Llobet's transcription of Villa Lobos' Terezinha: Ciranda no. 1 (after Llobet's death to be published in a very similar arrangement by Emilio Pujol and published by Max Eschig!. Llobet's 22 transcriptions for his famous duo with María Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: BR.EB-9385
ISBN 9790004188552. 12 x 9 inches.
Darabukka ist eine arabische Vasentrommel - heute vorzugsweise vom fahrenden Volk gebraucht - die zwei Klange erzeugt: einen hohen und einen tiefen (+ hohen). Durch Abdecken der unteren Offnung verschwindet der tiefere Klang, und der hohere bleibt allein ubrig. Diese Eigenschaften sind auf das Klavier ubertragen: 1. Die Taste wird wie eine Trommel behandelt, und alle moglichen Finger- und Handkombinationen werden zur Rhythmus-Instrumentation herangezogen. 2. Durch subharmonische Teilschwingungen wird der Tastenton zusatzlich klanglich aufgebrochen. Ihre Klangfarben unterliegen den Rhythmusmodellen. 3. Ich habe dieses Stuck von verschiedenen Volks-Musiken gelernt, und am Ende erklingt eine Solidaritats-Klangaktion fur das Volk von Chile: ,,El pueblo unido jamas sera vencido! - ,,Das Volk wird niemals besiegt werden, wenn es einig ist. In Darabukka wird mit drei verschiedenen Struktur- und Klang-Charakteren gearbeitet. Unter den vielen Techniken der Rhythmuskomposition ist vielleicht die der rhythmischen Modulation am interessantesten: Durch Umdeutung einer Dauer kann von einem Modell x zu einem Modell y ubergeleitet werden. (Nicolaus A. Huber, 1976) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD Koch Aulos 3-1817-2 Bibliografie: Dudda , Friedrich: Nicolaus A. Hubers ,,Darabukka, in: Feedback Papers 15, Koln 1978, S. 19-21. Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, dort S. 97-99World premiere: Paris, March 14, 1977.
