Matériel : Partition + Accès audio
SKU: GH.GE-11464
ISBN 979-0-070-11464-6. A4 inches.
Work note by the composer: When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work. Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line. The work is divided in three parts. I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible! Benjamin Staern
SKU: HL.49041967
ISBN 9783795751128. German.
Olaf Lenk zeigt in Metal Guitar Facts Insider-Gitarrentechniken , mit denen jeder Metal- und Crossover-Gitarrist seinem Solo- oder Rhythmus-Spiel den notigen Kick verleihen kann. Auf der beiliegenden CD werden die meisten Beispiele dazu in drei Geschwindigkeiten vorgespielt: sehr langsam, mittelschnell und im Original-Tempo. Drei Bonus-Songs stellen Olaf Lenk als Bandleader und Solisten vor. Metal Guitar Facts gibt Tipps und Hilfestellungen immer anhand von praktisch nachvollziehbaren Beispiel-Grooves u.a. zu folgenden Themen: Altered Tunings - Crazy Sounds - Timing - Krumme Grooves - Polyrhythmik - Polymetrik - Altered Picking - Legato-Techniken - Tapping - Skalenformen - Whammy Bar Tricks. Das abschliessende Kapitel uber Live- und Studio-Equipment gibt einen klaren Uberblick daruber, welche Teile man wirklich zu einer sinnvollen Ausrustung benotigt.
SKU: CL.032-3619-01
Showcase your rhythm section while teaching the horns precision on this up tempo rocker for maturing bands. The drummer sets the stage while the chart builds from the opening forte brass fall as each section adds its own riff to the mix. A unison sax, piano, and guitar line provides a rhythmic transition to the open solo section and your soloists will sound great improvising on one easy minor pentatonic scale. The guitar helper part includes tablature for the unison lines and chord shape/performance suggestions. Optional 8va notes are provided for the lead trumpet on the out chorus. REALLY COOKS!
SKU: FJ.JE4058S
English.
This classic swinger will send you and your jazz ensemble back to the big band era. By borrowing rhythmic and melodic ideas from two familiar big band standards, Vuono has created his own big band classic. Alto and trumpet are both featured for solos, and their parts contain both chord changes and written solos. To accommodate smaller ensembles, this chart is playable with only five brass.
About FJH Intermediate Jazz Ensemble
A ppropriate for high school jazz ensembles. Lead trumpet ranges are modest and occasionally include optional notes for more accomplished players. Written solos are provided along with suggested parts for rhythm section and drum set. Guitar chord guide included. Grades 3 - 3.5
