Raincheck

Par RUNSWICK DARYL. If you are preparing to face an audience for the first time - whether at home, at school, or on the concert platform - then you are ready for Going Solo . Spanning a wide range of repertoire from lively original material to imaginative arrangements, Going Solo offers a host of fresh challenges, and will be enjoyed by both player and audience alike. / Niveau : Facile / Recueil / Saxophone Alto et Piano

Par RUNSWICK DARYL. Profitez de Boogie pour les débutants? Alors, où allez-vous faire ensuite? Jetez un oeil au jeu Boogie - 12 plus agréables, des pièces originales dans les styles rock, jazz et pop. Conçu pour le joueur plus confiant, cet album reflète l'expérience et la créativité du compositeur Daryl Runswick - un grand joueur de jazz lui-même. Jouez les morceaux pour le plaisir, puis faire votre propre. Jouez Boogie vous obtient vraiment dans la gorge!/ Recueil / Piano

Par RHEINECK CHRISTOPH. / Date parution : 2021-11-03/ Répertoire / 2 Hautbois, 2 Cors et Ensemble à Cordes

Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano

Par RANNANMAKI JUSSIPEKKA. Colourstrings Guitar ABC is designed primarily for young beginner students as their first introduction to the world of guitar playing. This material can be adapted for teaching children of any age and used either on its own or combined with other beginner learning materials. In this book, the different elements of music and the music staff are introduced as simply as possible. The book is suitable for both private and group instruction. The repertoire is a collection of children\'s songs and folksongs from different countries. A teachers\' guide is included in the publication. The Guitar ABC is based on the famous Colourstrings string instrument methodology./ Méthode / Guitare

Fakten Und Know-How. Par RUNSWICK DARYL. Langue: German, Format: Oktav/ Recueil / Divers

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Romanesqua de Faillenot Maurice . Idéale pour les musiciens pratiquant Flûte Traversière et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence FAIL03515. / Flûte Traversière / niveau : Cycle 2 / Partition

This fantastic collection assembles 17 standards written by gifted composer Billy Strayhorn: After All · Chelsea Bridge · Clementine · Day Dream · A Flower Is a Lovesome Thing · Isfahan · Johnny Come Lately · Just a Settin' and a Rockin' · Midriff · My Little Brown Book · Passion Flower · Raincheck · Satin Doll · Something to Live For · Star-Crossed Lovers/Pretty Girl · Take the A Train · Valse. Includes photos a biography and a selected discography.

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano