SKU: GI.G-9533
ISBN 9781622772407.
All our truth, or all but a few fragments, is won by metaphor. We don’t grasp the meaning of a word or concept until we have a clear image to connect it with. — C.S. Lewis  Understanding artistry and those “things†that contribute to honest and direct musical expression are concepts that are both difficult to teach and difficult for us to understand as conductors and teachers. Born out of his teaching at The Choral Institute at Oxford each summer, James Jordan has realized the power of metaphor for teaching the highest artistic concepts involving human connection and deeper listening. The home of The Choral Institute at Oxford is St. Stephen’s House, the very place that C. S. Lewis worshipped. In this book, Jordan adapts Lewis’s love of powerful and effective metaphors. Jordan uses metaphors as a guide to help conductors engage the most profound the concepts of artistry in music, concepts that are often elusive to teach or learn. These metaphors can be effective doorways to understand our role as artist teacher/conductors in new and vibrant ways. In this book, Jordan explores: The metaphor of conductor as a refractive prism connecting musicians to conductors within constant communicative connection The light-generating source for conductors The power of abiding Polishing one’s metaphorical prism for the most powerful refraction to others Rethinking the “sublime†in music making Understanding and avoiding musical “kitsch†The power of predictive audiation as ultimate trust The artist’s necessary journey into loneliness  GRAMMY-nominated conductor James Jordan is Professor and Senior Conductor at Westminster Choir College in Princeton, New Jersey. He is conductor of the internationally acclaimed Westminster Williamson Voices and the Westminster Schola Cantorum, and is Artistic Director and Conductor of The Same Stream (thesamestreamchoir.com). He is Director of The Westminster Conducting Institute and is Co-Director along with James Whitbourn of The Choral Institute at Oxford. James Jordan talks about his new work, Conductor As Prism:.
SKU: AP.1-ADV31204-1
English.
Prism by Bill Dobbins is a modal composition which is based largely on several reharmonizations of a simple 8-bar melody. It is a jazz waltz and features the lead alto sax. Lead trumpet goes to F (3 ledger lines above staff).
SKU: AP.1-ADV31204
UPC: 805095312041. English.
SKU: AP.1-ADV2000
UPC: 805095020007. English.
The first four pieces are from studio productions with Peter Erskine, and the last four are from a live concert at the Stadtgarten, a local club in Cologne. Titles: Loose Your Life (and It Will Surely Find You) (Bill Dobbins) (6:40) * Elegy (Bill Dobbins) (7:39) * Seibernetics (Bill Dobbins) (13:54) * Song for Jaco (Peter Erskine / arr. Bill Dobbins) (7:29) * Lo Flame (Bill Dobbins) (8:13) * Prism (Bill Dobbins) (7:23) * If Only I Had Known (Peter Erskine / arr. Bill Dobbins) (6:24) * Bulgaria (Peter Erskine / arr. Bill Dobbins) (12:16).
SKU: CL.012-4324-01
All sections of the band are featured in this arrangement for the holiday season. Following a full band introduction, individual choirs of the band present short holiday tunes. Each feature flows directly into the next giving the audience a prism musical experience. The full band returns to finish the performance in glorious celebration. Most of this arrangement can be rehearsed in sectionals making preparation time short and very educationally effective!
SKU: PR.114417130
ISBN 9781491110409. UPC: 680160626687. 9x12 inches.
A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers.______________ ___________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.†The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,†composed in celebration of Prism’s 25th anniversary season.A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.†The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes†which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques†or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.â€.
SKU: PR.11441359S
UPC: 680160582341. 8.5 x 11 inches.
Commissione d by Music From China ensemble and Prism Saxophone Quartet, with a grant provided by the New York State Council on the Arts in 2008. Premiered in New York City, February 2009.Commissioned by Music From China ensemble and PRISM Saxophone Quartet, with a commissioning grant provided by the New York State Council on the Arts in 2008.The imagination of this music came from the figures in the murals carved in the Mogao Caves in the ancient city Dunhuang more than a thousand years ago. The name Dunhuang originally meant “prospering, flourishing.â€Â Lying at the western end of the Gansu Corridor in China, Dunhuang was very important in the Silk Road that carried new thoughts, ideas, arts and sciences to the East and West in the ancient time. The Mogao Grottoes were built and developed over 11 dynasties over more than 1,000 years (from the 4th to 14th centuries), with murals, sculptures, wooden cave buildings and books. It was really the heyday of the art of Dunhuang in the brilliant Tang Dynasty (618-907).  The murals depict rolling dance gestures, the flapping streamer lines, the flying melodies around the clouds, and the fiery rhythms in the sky! They show the high spirit and the strong power of the people and their society. All these impressions are translated into the textures of the two Chinese traditional instrumental parts with support from a set of percussion instruments, and the sound of a saxophone quartet. It’s mysterious, vivid, colorful and energetic, it brings us to dream of the ancient glory and yearn for the future...—Chen Yi.
SKU: GH.CG-6306
Pianoprisma ar en lamplig fortsattning pa Vi spelar piano 3 eller annat grundlaggande material. Pianoprisma innehaller smastycken av de stora kompositorerna - fran Bach och Handel via Grieg och Schumann till de svenska Erland von Koch och Lars-Erik Larsson m. fl. - blandat med nyskrivna pedagogiskt valavvagda stycken av Agnestig sjalv. Stor vikt har lagts vid anpassning till en mattligt utvecklad teknik och notlasningsformaga. Smaovningar, uppvarmare, fullkomnar bilden av Pianoprisma som en lank mellan skolmusiken och den riktiga pianolitteraturen.
SKU: GH.CG-6305
A4 inches.
SKU: GH.CG-6159
ISBN 9790070003827.
44 tre-, fyr- och femstammiga korsanger och arrangemang. 12 av dessa kan sjungas tillsammans med diskantkor som sjunger ur samlingen Korprisma for diskantroster (CG 6272).
SKU: CF.XPS4
ISBN 9780825893087. UPC: 798408093082. 9 x 12 inches.
This popular Larry Clark piece has been rescored for flexible instrumentation. Digital Prisms is a musical statement about technology and is cast in a standard overture form. The piece appears on many contest/festival required music lists and is now playable by bands with instrumentation deficiencies.
SKU: CF.CFD9
ISBN 9780825853548. UPC: 798408053543.
Bold, refreshing and different. Music by Larry Clark, one of the most performed band music composers and arrangers. Includes: Upon a New Horizon: I.) Into the Future, II.) Who Has Ever Touched the Sun? III.) Rondo in the Nick of Time, Clash & Roar, Pavane, Op. 50 – Gabriel Fauré, Quintus, The Tell-Tale Heart, Consensus, Confidence March, Out of the Winter, Digital Prisms, A More Perfect Union (The Legacy of James Madison), Monmouth March, Character, Conflict, Celebrity March, Air and Caprice, Dance of the Thunderbolts, Omega One and Crystal Moon.
SKU: FJ.B1694S
This innovative work uses astonishing colors to convey the abstract concept of optical prisms spinning freely in space while reflecting light in numerous directions. With a strong nod toward Impressionism, the music has a significant focus on harmony, texture and orchestration. Inspiring, and unlike anything this composer has ever done.
About FJH Symphonic Band
Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5
SKU: GH.CG-6272
ISBN 9790070002585.
39 tva-, tre- och fyrstammiga korsanger och arrangemang for diskantkor. 12 av dessa kan sjungas tillsammans med blandad kor som sjunger ur samlingen Korprisma for blandade roster (CG 6159) - dessa ar markerade * i innehallsforsteckningen.< /p>
SKU: BR.OB-5693-03
He re you will find Nudo for piano solo.
ISBN 9790004347232. 10 x 12.5 inches.
A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R, were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing.Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre), interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sua fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sua fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo, un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. Information on R on the composer's websiteRecording of the premiere of R in Milano (YouTube).
SKU: BR.EB-8990
He re you will find the concerto R (A Portrait for Piano and Orchestra).
ISBN 9790004187197. 9 x 12 inches.
A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com).
SKU: PR.114412250
UPC: 680160017768.
Brass Quintet No. 1 was composed with great pleasure for the American Brass Quintet during the summer of 2000. It is cast in three movements. The work opens with a series of dramatic annunciatory gestures that serve to set into relief the faster, more angular, occasionally skittish heart of the movement. Both the beginning and the end of this core are framed by a long-held E-flat: two pillars that support and elevate the central part of the movement. The slow and quiet second movement can be viewed as a kind of lens or prism through which the music passes and changes. Pitches, then harmonies, are gradually brought into focus, then refracted - splintering off into more individual phrases (I was thinking here of the way light is split and bent by the prisms in our kitchen window). The end of the movement is characterized by a turn of the lens in the opposite direction as the music gradually blurs, then fades. The final movement begins with a bit of imitative counterpoint. The character of the music is initially unabashed and proud, but is quickly foiled by increasing speed - a frantic kind of stretto! A more playful narrative follows, though; this occasionally studded with sharp, percussive chords. A brief choral-like section provides textural contrast before the recapitulation, and the familiar E-flat pillar from movement one ends the work.
SKU: GI.G-10075
UPC: 785147007531.
Camin emos con JesuÌs es una celebracioÌn lituÌrgica de la belleza, pasioÌn y vitalidad de la muÌsica cubana. Fusionando melodiÌas liÌricas latinas y ritmos africanos complejos en una forma distintiva de llamada y respuesta, en este novedoso proyecto Tony Alonso imagina creativamente y fielmente los ritos, tiempos y textos lituÌrgicos a traveÌs del prisma de su propia herencia cubana. Ya sea acompañado simplemente por el piano o la guitarra, o por un conjunto maÌs elaborado, estas piezas encontraraÌn un hogar alegre en comunidades hispanoparlantes, angloparlantes y bilingües que buscan acompañarse en su caminar con JesuÌs durante el año lituÌrgico. Caminemos con JesuÌs is a liturgical celebration of the beauty, passion, and vitality of Cuban music. Fusing lyrical Spanish melodies and complex African rhythms in a distinctive call-and-response form, in this groundbreaking project, Tony Alonso creatively and faithfully imagines the liturgical rites, seasons, and texts through the prism of his own Cuban heritage. Whether accompanied simply on piano or guitar, or by a more elaborate ensemble, these pieces will find a joyful home in Spanish, English, and bilingual communities seeking to accompany one another in their walk with Jesus throughout the liturgical year.
SKU: DZ.DZ-3208
ISBN 9782897951252.
SKU: CF.PAS1F
ISBN 9780825888649. UPC: 798408088644. 8.5 x 11 inches. Key: G major.
For the youngest of string players with as little as ten weeks of study, Doris Gazda has given us a delightful setting of the ever-popular classical piece Chopsticks in a theme-as-variation format. This piece uses no more than the first three fingers on all strings and features very easy rhythmic patterns. For extra color, there is a pizzicato section. Parents will love this one!
