Matériel : PartitionLangue : Français
Référence unique par son ISBN 723188702831 cette partition musique de Gershwin George n'est autre que Gershwin Preludes For Piano Adapt. Solo Bb Clarinet & Piano qui a été composée pour Clarinette. Les droits d'auteur de cette partition de musique de style Jazz & Blues se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est IF0283. / Clarinette / Partition
SKU: JK.01971
UPC: 093285019713.
A book of intermediate piano solos for home and church, perfect for youth and older. These arrangements are fun to play yet have an elegant touch. Each song is arranged with a captivating beauty that is adapted for piano prelude, special musical numbers, and filling your home with inspiring music. Highly recommended! Songs Included in this Volume: Consider the Lilies Joseph Smith's First Prayer Because I Have Been Given Much If the Savior Stood Beside Me (Medley) If the Savior Stood Beside Me; Choose the Right; Come, Follow Me Beautiful Savior (Medley) Beautiful Savior; Jesus, Once of Humble Birth; He Sent His Son My Heavenly Father Loves Me I Need Thee Every Hour (Medley) I Need Thee Every Hour; Nearer, My God, to Thee Rejoice, the Lord Is King (Medley) Praise to the Lord, the Almighty; A Mighty Fortress Is Our God; Sing Praise to Him; Rejoice, the Lord Is King Composer: Various Arranger: Brent Jorgensen Difficulty: Intermediate.
SKU: CR.977835
ISBN 9780758662217. 9 x 12 inches.
Followin g the successful Hymn Prelude Library series for organ comes a comprehensive set of piano preludes for all the hymn tunes in Lutheran Service Book. Not an adaptation of the organ series, this collection features newly composed pieces by dozens of composers who write in a variety of styles and harmonizations. The pieces are useful as preludes, postludes, music at the offering, for introductions, and during distribution, as well as for those who play hymns at home. The durable wire binding ensures that each page lies flat against the music stand.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 4 contains preludes for tunes starting with the letters F and G.
Subscribe and Save!With a subscription, you'll pay $40.00 for each volume in the series—a 20% savings. You'll also automatically receive each new volume as soon as it is released. Subscribe now >
About the EditorKevin Hildebrand is Kantor at Concordia Theological Seminary in Fort Wayne, Indiana. He has more than 75 music titles in print with CPH and was the editor of Hymn Prelude Library.
SKU: CR.977833
ISBN 9780758662194. 9 x 12 inches.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 2 contains preludes for tunes starting with the letters B and C.
SKU: BR.EB-6774
ISBN 9790004169735. 9 x 12 inches.
The pieces contained in this volume prepare the student for the playing in three and four parts that is required for the perfomance of the three-part inventions and the French suites. They are most appropriately incorporated into the teaching material after the two-part inventions have been studied. New technical problems, such as the passing under and over of fingers without using the thumb and the rapid substitution of fingers on one key, must here be solved. In order to make the fonn clear, the notation has been simplified as much as possible; the indications of fingering remain quite complicated enough, even though they cannot by far show all the possibilities. lt is necessary to adapt the fingerings to the mobility and span of the particular player's hands, whilst retaining the chosen phrasings to the best of his ability. Isolated notes which require a span exceeding the octave have been placed in brackets; the performance of the ornaments is shown in footnotes. As in the first volume, the missing dynamic and tempo indications must be supplied by the performer himself in accordance with the character of each piece. Especial attention must be paid in polyphonic music to the problem of phrasing and articulation. The editor's suggestions can be replaced by other solutions that make musical sense; these should then be written into the parts. An intensive preoccupation with polyphone structures can even at an early age increase the understanding and love of the musical work of art. Heinz Walter, Salzburg, Summer 1977.
SKU: CR.977837
ISBN 9780758662231. 9 x 12 inches.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 6 contains preludes for tunes starting with the letters J, K and L.
SKU: CR.977836
ISBN 9780758662224. 9 x 12 inches.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 5 contains preludes for tunes starting with the letters H and I.
SKU: CR.977832
ISBN 9780758662187. 9 x 12 inches.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 1 contains preludes for tunes starting with the letter A.
About the EditorKevin Hildebrand is Kantor at Concordia Theological Seminary in Fort Wayne, Indiana. He has more than 75 music titles in print with CPH and was the editor of the Hymn Prelude Library.
SKU: CR.977834
ISBN 9780758662200. 9 x 12 inches.
Following the successful Hymn Prelude Library series for organ comes a comprehensive set of piano preludes for all the hymn tunes in Lutheran Service Book. Not an adaptation of the organ series, this collection features newly composed pieces by dozens of composers who write in a variety of styles and harmonizations. The pieces are useful as preludes, postludes, music at the offering, for introductions, and during distribution, as well as for those who play hymns at home. The durable wire binding ensures that each page lies flat against the music stand.The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 3 contains hymn tunes starting with D and E.Tunes: DAMASCUS ROAD; DARWALL'S 148TH; DAS WALT GOTT VATER; DEN SIGNEDE DAG; DEN STORE HVIDE FLOK; DENBY; DENNIS; DEO GRACIAS; DER AM KREUZ; DER LIEBEN SONNE LICHT UND PRACHT; DER MANGE SKAL KOMME; DETROIT; DEUS TUORUM MILITUM; DIADEMATA; DIE GULDNE SONNE; DIVINUM MYSTERIUM; DIX; DOROTHY; DOWN AMPNEY; DU LEBENSBROT, HERR JESU CHRIST; DUKE STREET; DUNDEE; DUNEDIN; DUNSTAN; EARTH AND ALL STARS; EASTER HYMN; EBENEZER; EIN FESTE BURG (ISORHYTHMIC); EIN FESTE BURG (RHYTHMIC); EINS IST NOT; EIRENE; EL SENOR ES MI LUZ; ELLACOMBE; ELLERS; ELVET BANKS; ENERGY; ENGELBERG; ERHALT UNS; HERR; ERMUNTRE DICH; ES FLOG EIN KLEINS WALDVOGELEIN; ES IST DAS HEIL; ES IST EIN ROS (ISORHYTHMIC); ES IST EIN ROS (RHYTHMIC); ES IST GENUG; ES IST GEWISSLICH; ES WOLLE GOTT UNS GNADIG SEIN; EVAN; EVENTIDE; EWING.
SKU: CR.977838
ISBN 9780758662248. 9 x 12 inches.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 7 contains hymn tunes starting with M.
Click here to find all previous volumes of the Piano Prelude Series.
Subscribe and Save!
With a subscription, you'll pay $40.00 for each volume in the series—a 20% savings. You'll also automatically receive each new volume as soon as it is released. Subscribe now >
SKU: CR.977839
ISBN 9780758662255. 9 x 12 inches.
The complete library will include 12 volumes organized alphabetically by hymn tune. Volume 8 contains hymn tunes starting with NO.
SKU: BR.EB-6773
ISBN 9790004169728. 9 x 12 inches.
The pieces contained in the present volume provide a link between the easy, dance-like movements contained in the Anna Magdalena Bach Book and the two-part inventions. The text corresponds very largely to that of the original source; missing dynamic and tempo markings must be supplied by the player himself in accordance with the character of each piece. The training of the student's feeling for style must begin here, his technical capabilities being taken into account. The occasionally simplified ornaments can also be treated in this manner. The fingerings are intended as suggestions for small hands; they must, of course, be adapted to the particular player's hands, taking tempo and phrasing into consideration. The editor has attempted to solve the problems of phrasing and articulation by means of his own suggestions, but without cluttering the text too much. Various alternative solutions (as indicated in no. 3) are possible, and should - insofar as they make musical sense- be realized in practice. By independently choosing a phrasing and writing it into the music himself, the student improves his unterstanding of the polyphonic structure and the form. Heinz Walter, Salzburg, Spring 1977.
SKU: GI.G-9794
UPC: 785147979494.
Bob Moore has done it again! If you have any of his previous liturgical meditations, suites, preludes, or miniatures, you’ll want to fill out your collection with this new set. These five pieces for solo instrument with piano accompaniment have a witting charm and graceful elegance to them. While they would be highly useful during various liturgical moments or as background music, instrumentalists and pianists alike will find them to be perfect programmatic pieces to keep nearby throughout the year. Another important feature is the flexibility—the repeats and endings provided allow for adaptation depending on time constraints. A separate instrument part is included in the collection, and a flute, oboe, violin, or any C instrument may be used.
SKU: UT.MAG-293
ISBN 9790215328341. 9 x 12 inches.
John Stanleyâ??s 30 Voluntaries (translatable as preludes), published in three collections as opp. 5, 6 and 7, are among the best known organ works of the 18th century. These free-style compositions were received with great appreciation by his contemporaries; the first volume, published in 1748, immediately achieved canonical status and encouraged other composers to write similar collections. The pieces, of easy to medium difficulty, are for manuals (alternatively, they can also be played on the harpsichord) and comprise two movements, slow and fast, many of which are characterized by a certain rhythmic energy and richness of color, expressed through the use of solo registers such as cornet and trumpet, with multiple echo effects, here adapted and transformed into piano, forte, and playing near the sound board effect, limiting, or rather modifying, their results.