| Play the Tuba with the Philharmonic Wind Orchestra (with CD) Tuba [Partition + CD] - Intermédiaire/avancé Editions Marc Reift (Swiss import)
Famous Overtures. By Various. For Tuba. Swiss import. Level: Grade 4 -5. Songboo...(+)
Famous Overtures. By
Various. For Tuba. Swiss
import. Level: Grade 4
-5. Songbook and
Play-Along CD. Published
by Editions Marc Reift.
(EMR 13133)
(1)$38.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Play the Tuba with the Philharmonic Wind Orchestra (with CD) Tuba [Partition + CD] - Intermédiaire Editions Marc Reift (Swiss import)
Romantic Moods. By Various. For Tuba. Swiss import. Level: Grade 3-5. Songbook a...(+)
Romantic Moods. By
Various. For Tuba. Swiss
import. Level: Grade 3-5.
Songbook and Play-Along
CD. Published by Editions
Marc Reift. (EMR 13135)
$38.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Complete Conservatory Method for Tuba Tuba Carl Fischer
Arban. Composed by Jean- Baptiste Arban. Edited by Michael Roylance. Perfect. ...(+)
Arban. Composed by Jean-
Baptiste Arban. Edited by
Michael Roylance.
Perfect.
Book. Carl Fischer
#O5553.
Published by Carl Fischer
$32.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Play the Tuba with the Philharmonic Wind Orchestra (with CD) Tuba [Partition + CD] - Intermédiaire Editions Marc Reift (Swiss import)
The Charm of Vienna. By Various. For Tuba. Swiss import. Level: Grade 3-4. Songb...(+)
The Charm of Vienna. By
Various. For Tuba. Swiss
import. Level: Grade 3-4.
Songbook and Play-Along
CD. Published by Editions
Marc Reift. (EMR 13137)
(1)$22.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Jump Right In: Student Book 2 - Tuba (Book with CD) Tuba GIA Publications
Tuba SKU: GI.G-J312 The Instrumental Series. Composed by Christoph...(+)
Tuba SKU:
GI.G-J312 The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book and CD.
48 pages. GIA
Publications #J312.
Published by GIA
Publications (GI.G-J312).
ISBN 9781579994431.
English. A revision
of this beginning band
series makes Jump Right
In easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation. $16.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jump Right In: Student Book 2 - Tuba (Book only) Tuba GIA Publications
Tuba SKU: GI.G-J311 The Instrumental Series. Composed by Christoph...(+)
Tuba SKU:
GI.G-J311 The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book. 48
pages. GIA Publications
#J311. Published by GIA
Publications (GI.G-J311).
ISBN 9781579994423.
English. A revision
of this beginning band
series makes Jump Right
In easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation. $6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jump Right In: Solo Book 3 - Tuba Tuba GIA Publications
Tuba SKU: GI.G-J215 The Instrumental Series. Composed by Christoph...(+)
Tuba SKU:
GI.G-J215 The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J215. Published by GIA
Publications (GI.G-J215).
English. A
revision of this
beginning band series
makes Jump Right In
easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jump Right In: Solo Book 2 - Tuba Tuba GIA Publications
Tuba SKU: GI.G-J161 The Instrumental Series. Composed by Christoph...(+)
Tuba SKU:
GI.G-J161 The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Band Method. Jump
Right In. Music
Education. Book. 36
pages. GIA Publications
#J161. Published by GIA
Publications (GI.G-J161).
English. A
revision of this
beginning band series
makes Jump Right In
easier to use and more
musical than ever before!
Includes high-quality CDs
of folk songs that:
• Comprise many
styles, tonalities, and
meters • Span many
cultures and many
centuries • Are
ideal for listening and
playing along Features
performances by some of
the world’s
greatest performers:
• Artist faculty
members from Eastman
School of Music •
Members of Rochester
Philharmonic Orchestra
• Rhythm and Brass
Helps develop
musicianship beyond
instrumental classroom
with: • Progress
from sound to sight in
logical, common sense
sequence •
Opportunities for
improvisation from early
stages of instruction
• Tools to help
students learn to read
and write with better
comprehension •
Arrangements of familiar
songs in each book
Sequential and proven
materials are: •
Designed specifically to
attend to individual
differences • Based
on current experimental
and practical research
• Based on the
music learning theories
of Edwin E. Gordon
• Relevant to
National Standards and
include suggestions for
measurement and
evaluation Extensive
Teacher’s Guide:
• Contains lesson
plans • Includes
teaching procedures
• May be used
independently or in
conjunction with Jump
Right In: The Music
Curriculum and Developing
Musicianship through
Improvisation. $5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jump Right In: The Instrumental Series - Tuba Book 1 with CD Tuba [Partition + CD] GIA Publications
Newly Revised. By Richard Grunow; Various. Band Method. Instructional Sacred. Te...(+)
Newly Revised. By Richard
Grunow; Various. Band
Method. Instructional
Sacred. Text language:
English. 48 pages.
Published by GIA
Publications.
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Play the Tuba with the Philharmonic Wind Orchestra [Partition + CD] - Intermédiaire Editions Marc Reift (Swiss import)
Romantic Moods. By Various. For Tuba. Swiss import. Level: Grade 3-5. Published ...(+)
Romantic Moods. By
Various. For Tuba. Swiss
import. Level: Grade 3-5.
Published by Editions
Marc Reift. (EMR 13134)
$28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Play the Tuba with the Philharmonic Wind Orchestra - Intermédiaire Editions Marc Reift (Swiss import)
The Charm of Vienna. By Various. For Tuba. Swiss import. Level: Grade 3-4. Publi...(+)
The Charm of Vienna. By
Various. For Tuba. Swiss
import. Level: Grade 3-4.
Published by Editions
Marc Reift. (EMR 13136)
$28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Play the Tuba with the Philharmonic Wind Orchestra - Intermédiaire/avancé Editions Marc Reift (Swiss import)
Famous Overtures. By Various. For Tuba. Swiss import. Level: Grade 4+-5. Publish...(+)
Famous Overtures. By
Various. For Tuba. Swiss
import. Level: Grade
4+-5. Published by
Editions Marc Reift. (EMR
13132)
$28.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Non-Classic Bass Trombone (or Tuba) Trombone OR-TAV Music Publications
Trombone SKU: OT.NM00908 Composed by Eliezer Aharoni. Everything the bass...(+)
Trombone SKU:
OT.NM00908 Composed
by Eliezer Aharoni.
Everything the bass
trombone player needs to
know. Score. OR-TAV Music
Publications #NM00908.
Published by OR-TAV Music
Publications
(OT.NM00908). 8.27 x
11.69
inches. Eliezer
Aharoni The
Non-Classic Bass Trombone
(or Tuba) This book
covers every topic the
non-classic bass trombone
player needs to know,
with exercises and
examples in styles
ranging from jazz to rock
and Latin.
Contents:
Introduction by Alan
Raph The Non-Classic
Bass Trombone
Prominent Bass
Trombonists in Jazz and
Light Music Bass
Trombone in Other
Styles Bass Trombone
in Small Groups/Ensemble
Music with Bass
Trombone
Equipment
Doubling Practicing -
Goals and
Achievements Some
General Topics Bass
Lines in Different
Styles Characteristic
Phrases Studies
Guest Composers
Section The Mute Shop
for Bass Trombone and
Multiple Mutes
Duets Bibliography
and Discography
Includes 2 CDs (Demo
performance and
playbacks) performed by
Micha Davis, Bass
Trombonist, Israel
Philharmonic
Orchestra
Eliezer Aharoni is the
bass trombonist of the
Jerusalem Symphony
Orchestra Softcover,
160 pages, 2008. $56.25 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Four Fanfares (With Assorted Nightmares) Theodore Presser Co.
Orchestra 2 Bassoons, 2 Flutes, 2 Tenor Trombones, 3 Bb Clarinets, 3 C Trumpets,...(+)
Orchestra 2 Bassoons, 2
Flutes, 2 Tenor
Trombones, 3 Bb
Clarinets, 3 C Trumpets,
3 Oboes, 4 Horns, Bass
Drum, Bass Trombone,
Chimes, Contrabassoon,
Marimba, Percussion (2
players), Piccolo, Player
1: Crotales, Player 2:
Glockenspiel, Smal,
Timpani, Tuba, Vibraphone
SKU: PR.416414240
For Orchestra.
Composed by James
Matheson. This edition:
version 3/24/2011.
Premiere performances by
the Los Angeles
Philharmonic; David
Afkham, cond.
Contemporary. Full score.
With Standard notation.
Composed March 24 2011.
13 pages. Duration 1:30.
Theodore Presser Company
#416-41424. Published by
Theodore Presser Company
(PR.416414240). UPC:
680160602100. 8.5 x 11
inches. Brief and
invigorating, Four
Fanfares was commissioned
and premiered by the LA
Philharmonic. Two
contrasting ideas
— a bright,
rhythmically charged
fanfare for brass, and a
dark, mysteriously
shifting interlude
— alternate and
culminate in a blazing
finale for the entire
orchestra. $18.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963SP
Composed by Chen Yi.
Part. 11 pages. Duration
20 minutes. Theodore
Presser Company
#116-41963SP. Published
by Theodore Presser
Company (PR.11641963SP).
UPC:
680160684496. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Four Fanfares (With Assorted Nightmares) Theodore Presser Co.
Orchestra 2 Bassoons, 2 Flutes, 2 Tenor Trombones, 3 Bb Clarinets, 3 C Trumpets,...(+)
Orchestra 2 Bassoons, 2
Flutes, 2 Tenor
Trombones, 3 Bb
Clarinets, 3 C Trumpets,
3 Oboes, 4 Horns, Bass
Drum, Bass Trombone,
Chimes, Contrabassoon,
Marimba, Percussion (2
players), Piccolo, Player
1: Crotales, Player 2:
Glockenspiel, Smal,
Timpani, Tuba, Vibraphone
SKU: PR.41641424L
For Orchestra.
Composed by James
Matheson. This edition:
version 3/24/2011.
Premiere performances by
the Los Angeles
Philharmonic; David
Afkham, cond.
Contemporary. Large
Score. With Standard
notation. Composed March
24 2011. 13 pages.
Duration 1:30. Theodore
Presser Company
#416-41424L. Published by
Theodore Presser Company
(PR.41641424L). UPC:
680160602117. 11 x 17
inches. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 3 C minor op. 78 Barenreiter
3 flute (1 flute-picc), 2 oboes, English horn, 2 clarinets, clarinet-B, 2 bassoo...(+)
3 flute (1 flute-picc), 2
oboes, English horn, 2
clarinets, clarinet-B, 2
bassoons, bassoon-Co, 4
horn, 3 trumpets, 3
trombones, trombone,
percussion, piano (Flutes
(3) (Piccolo flute (1)),
Oboes (2), Cor anglais,
Clarinets (2), Bass
clarinet, Bassoons (2),
Contrabassoon, Horns (4),
Trumpets (3), Trombones
(3), Tuba, Drums, Piano)
SKU: BA.BA07896-65
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. Opus 78.
14/12/10/12/12/10/12/11/7
/12/10/4/7/8/8/8/8/8/7
pages. Baerenreiter
Verlag #BA07896_65.
Published by Baerenreiter
Verlag (BA.BA07896-65).
ISBN 9790006563418.
32.5 x 25.5 cm inches.
Key: C minor. In
this work I gave
everything I had to give.
[...] What I did here I
will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$308.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concert Music for Bass Trombone Trombone basse - Avancé Cherry Classics
Bass Trombone Unaccompanied - Advanced SKU: CY.CC3021 Composed by Gregory...(+)
Bass Trombone
Unaccompanied - Advanced
SKU: CY.CC3021
Composed by Gregory
Kosteck. Arranged by Jeff
Reynolds. Classical. Solo
part. Cherry Classics
#CC3021. Published by
Cherry Classics
(CY.CC3021). ISBN
9781774310618. 8.5 x 11
in inches. Cherry
Classics Music and Jeff
Reynolds are thrilled to
introduce for the first
time in print an
excellent work for
unaccompanied Bass
Trombone from the 1960's
by the late American
composer Gregory Kosteck.
Here is what Jeff
Reynolds says about the
Kosteck - Concert Music
for Bass Trombone -
unaccompanied: When I was
a student, my teacher,
Roger Bobo handed me the
1963 Kosteck manuscript
(originally written for
tuba when they both lived
in Amsterdam) to have a
look for my senior
recital. He said it was
not right for him but I
might find it worthy.
Worthy it was, and I went
on to play it on my
recital and also as the
solo piece for my
audition for the bass
trombone chair with the
L.A. Philharmonic. After
playing it on the
audition, conductor Zubin
Mehta asked, Did you miss
any notes? My response
was, No. Some years later
I recorded the piece on
an album called The Big
Trombone for Crystal
Records. Also available
on iTunes. The music of
about 5 1/2 minutes in
length is contemporary
sounding in four
sections: Lyrical -
Scherzando - Cadenza -
Lyrical and is
appropriate for advanced
performers. The range
goes from a pedal F up to
a high G above middle C.
The beautiful performance
on the audio sample is
taken from Jeff Reynold's
album The Big Trombone
from Crystal Records and
also available on
iTunes. $22.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Baritone ABC EMB (Editio Musica Budapest)
Baritone (Baritone/Bass) SKU: HL.50606642 Student Book. Composed b...(+)
Baritone (Baritone/Bass)
SKU: HL.50606642
Student Book.
Composed by Ferenc
Steiner. EMB. Classical,
Educational, Instruction.
Softcover. Editio Musica
Budapest #Z14284.
Published by Editio
Musica Budapest
(HL.50606642). ISBN
9781705198544. UPC:
196288151180. The
baritone (euphonium) is
an important basic
instrument in brass
ensembles. The blowing
technique is similar to
that for the trombone and
tuba, but the grip and
handling technique are
easier, thus it can be
learnt as a preparatory
instrument for them, from
the age of 8 or 10. From
the initial steps, first
with breathing exercises,
lip and mouthpiece
exercises, then in
ascending order
ofdifficulty and
gradually increasing the
range of notes used, this
volume provides daily
exercises, scales,
etudes, folk tunes and
performance pieces,
initiating the learner in
the art of playing the
baritone. The textual
instructions are supplied
in three languages:
German, English and
Hungarian. The trombonist
Ferenc Steiner was born
in 1931. From 1960 to
1991 he was a member of
the Hungarian State Opera
and the Philharmonic
Society as well as the
Hungarian Brass Ensemble.
Education played a major
role in the life of
Ferenc Steiner as an
author and editor of
numerous pedagogical
editions. He began
teaching at the School of
Music in Pécs, then
moved on to the College
for Officers of the
Hungarian Defense Forces
and later continued his
teaching activity at the
Liszt Academy in Budapest
until 2001. He has passed
away on the 25th of March
in 2011. The piano
accompaniment to this
volume is published
separately (14284P). $34.95 - Voir plus => Acheter | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075209 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Set of
Orchestra Parts. Composed
1990. 232 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/09. Published
by Carus Verlag
(CA.4075209). ISBN
9790007220693. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and parts
available separately -
see item CA.4075200. $149.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075214 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Cello. Composed
1990. 20 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/14. Published
by Carus Verlag
(CA.4075214). ISBN
9790007220730. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075213 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Viola. Composed
1990. 12 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/13. Published
by Carus Verlag
(CA.4075213). ISBN
9790007220723. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075211 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Violin 1. Composed
1990. 12 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/11. Published
by Carus Verlag
(CA.4075211). ISBN
9790007220709. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075215 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Double Bass.
Composed 1990. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
40.752/15. Published by
Carus Verlag
(CA.4075215). ISBN
9790007220747. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075212 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Single
Part, Violin 2. Composed
1990. 12 pages. Duration
20 minutes. Carus Verlag
#CV 40.752/12. Published
by Carus Verlag
(CA.4075212). ISBN
9790007220716. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075206 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Choir
part. Composed 1990. 4
pages. Duration 20
minutes. Carus Verlag #CV
40.752/06. Published by
Carus Verlag
(CA.4075206). ISBN
9790007220686. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075205 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
Psalm 130 Fur A +
Orchester (1990). Psalms,
German, Psalms. Choir
part. Composed 1990. 12
pages. Duration 20
minutes. Carus Verlag #CV
40.752/05. Published by
Carus Verlag
(CA.4075205). ISBN
9790007220679. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. Score and part
available separately -
see item CA.4075200. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice
solo, timpani, percussion
(4 players), 2 violins,
viola, cello, contrabass,
piano, harp, 3 flutes, 3
oboes, 3 clarinets, 3
bassoons, 4 horns, 3
trumpets, 3 trombones, 1
tuba SKU:
CA.4075200 Aus
tiefer Not. Composed
by Friedhelm Rentzsch.
German title: Psalm 130
Fur A + Orchester (1990).
Psalms, German, Psalms.
Full score. Composed
1990. Duration 20
minutes. Carus Verlag #CV
40.752/00. Published by
Carus Verlag
(CA.4075200). ISBN
9790007106447. Language:
German. Friedhelm
Rentzsch, long a cellist
in the Dresden
Philharmonic, set Psalm
130, whose character of
penitence is especially
impressive here, through
the reduction of the
musical forces to a solo
alto with orchestral
accompaniment, and this
in a most unique, urgent
manner. Through the
addition of a sombre text
by Erich Arendt the
subective manner of the
song is placed in a
worldly context
encompassing all periods
of time. Repeatedly,
passages of a quiet
character alternate with
tutti phases which
sometimes climax to
passages employing
clusters. $57.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|