SKU: PR.342401170
UPC: 680160054930. Psalm 130.
SKU: GI.G-9889
UPC: 785147988922.
GIA is pleased to offer this second volume of favorite hymns and songs arranged for bass clef instruments. Trombones, bassoons, cellos, basses, euphoniums and baritone horns have 60 additional pieces that have their own parts to play! While intended to enhance congregational singing, these arrangements can be played as preludes or musical interludes. The contents of this collection may also be used in conjunction with the C, Bb and Eb instrumental books in GIA’s family of hymnals. The first volume of Out of the Depths, containing 70 hymns and songs arranged for bass clef instruments, is also available, G-9521.
SKU: HL.50600472
8.25x12.0x0.076 inches.
In the field of New Music, Sofia Gubaidulina's “De profundis†has already achieved the status of a classic. It is not only an attainment of the New Music that instruments are capable of approaching the human voice in their sound, or that they can imitate areas of expression found in language and linguistic articulation. But the avant-garde has surely expanded the spectrum to a considerable extent. The piece for solo bayan is an impressive example of this. The listener witnesses a slow and inexorable intensification from the “rattling†of the lowest accordion register up to the pure, tender tones of the highest register. It is “anascent from the lowest to the highest, from the breath and soul to the world's soul or wisdomâ€, as Gubaidulina's friend and colleague Viktor Suslin once expressed it. With the means of sound, Gubaidulina transfers a symbol of life onto the music: breathing. Breathing distinguishes the living from the dead. What other instrument, other than the winds, perhaps, could better lendexpression to this characteristic than the accordion? In contrast to the wind instruments, however, the accordion is not an instrument into which the player breathes and creates breathing sounds - instead, the instrument itself assumes this function. It breathes through the pulling apart and pressing together of the bellows. As the basis of her composition, Gubaidulina chose the lines of the Psalm 130 “From the depths, o Lord, I call to you†for the characterisation of her interlaced message. Shadowy chorale melodies are occasionally heard, but the fundamental idea of ascent remains decisive. Sharp insertions and expressive gestures, intrusive glissandi and nervous vibrati repeatedly disturb the direction of movement. And then we hear consciously the integrated breathing of the instrument - breathing slightly, hardly audible, opposing the powerful chord blocks. The musicologist Valentina Cholopova once said of this: “All these sounds confront solemn chords richly ornamented with figurations, but there is also a long, monodic melody running through the entire symbolic path of the work - from the depths all the way up to the brilliant heights.†The work is dedicated to Friedrich Lips!
SKU: GI.G-9354INST
Scripture: Psalm 23, Psalm 30, Psalm 61, Psalm 84, Psalm 86, Psalm 107, Psalm 130, Psalm 131, Psalm 139, Psalm 144, Psalm 147.
This is the instrumental edition for volume two (G-9354) and contains optional parts for C instrument and Cello on the following: 1. The Lord's My Shepherd (C Instrument only) 2. You Have Turned My Sorrow (C Instrument/Cello) 3. Hear My Cry, O God (C Instrument only) 4. How Lovely (Cello only) 5. Love Is Lord of All (No Instrumentation) 6. O Give Thanks (C Instrument only) 7. From the Depths (Cello only) 8. You Have Searched Me (No Instrumentation) 9. Come, Spirit, Come (C Instrument/Cello) 10. Praise God from Whom All Blessings Flow (2 C Instruments only).
SKU: BT.DHP-1084674-010
9x12 inches. English-German-French-Dut ch.
Maxime Aulio was so enthralled by Monique de Huetras’ book Contes et légendes de Savoie, which contains tales and legends from the depths of the earth to the tops of the mountains, that he had to translate it into music. Music presents the perfect medium to add colour to the stories and life to the characters. Like voices from the past The Bilberry Fairy and the Chamois, The Magic Stick and The Lady from Val de Fier all appear for a while, and time stands still as you are told The Legend of Duvallon.Maxi me Aulio ließ sich von Monique de Huertas’ Buch Contes et légendes de Savoie inspirieren, das Sagen und Geschichten aus allen Ecken von Savoyen - vom Innern der Erde bis zu den Berggipfeln - enthält. Die Musik, als ideales Medium der Fantasie, haucht Geschichten Farbe und den Figuren Leben ein. Wie magische Funken aus der Vergangenheit leuchten Sagen wie Die Blaubeerfee und die Gemse, Der Zauberstab und Die Dame von Val de Fier auf, bevor mit der Legende von Duvallon der Geschichtenreigen beendet wird.Durant les longues soirées d’hiver, les familles savoyardes se racontent des histoires venues du fond des ges, des histoires qui ont forgé leur culture et leur identité. Au fil des siècles, le récit s’est s rement transformé ou tout simplement enrichi, mais il reste tout jamais solidement ancré dans le royaume de la mémoire, la mémoire des ancêtres. Maxime Aulio s’est inspiré du livre éponyme de Monique de Huertas qui reprend des contes et légendes en provenance de toutes les régions savoyardes, des abîmes jusqu’aux sommets, ce qui les rend si divers. La musique est un puissant vecteur d'imagination sous-jacent aux mots. Des couleurs apparaissent, les personnages et leshistoires prennent vie. Le temps d’un instant, nous croisons La Fée Myrtille et le Chamois, Le B ton Magique, La Dame du Val de Fier et découvrons La Légende de Duvallon. Le temps semble suspendre son vol. Brano commissionato dalla Federazione Musicale di Faucigny (Alta Savoia)Nel corso delle lunghe serate d’inverno, le famiglie della Savoia raccontano storie e vicende dei tempi passati. Maxime Aulio si è ispirato al libro eponimo di Monique de Huertas che raccoglie fi abe e leggende provenienti da tutte le regioni savoiarde. La musica è un potente vettore d’immaginazione dei testi scritti. Come per incanto attraverso la musica, ci appaiono personaggi ed atmosfere dei tempi passati. Il tempo sembra essersi fermato.
SKU: GI.G-CD-661
Quiet Cities, the sophomore recording of GIA’s Disciple Artist Ryan Meyers, is a collection of heartfelt songs that clamor for awakening. Meyers bravely bares his feelings from the depths of a soul truly enlightened beyond its years. Songs like Running Out of Faith, Quiet Cities, and Boy are honest depictions of the soul-searching, growing pains of a young man of faith, while Middle America, Life as a Carnival, and Wherever Your Treasure Is all beg for an eye-opening awareness to the cynicism, dispassion, and injustice so prevalent in our world. This thought-provoking recording is sure to resonate within anyone who has ever questioned his or her beliefs or path in life, and yet Quiet Cities will leave you filled with hope.
SKU: FG.042-08465-6
ISBN 979-0-042-08465-6.
In Poseidon, commissioned by the National Symphony Orchestra of Washington and Mstislav Rostropovich, Bergman turns to the Greek god of the sea and lord of the earthquake as a symbol for primaeval power and the wellspring of creativity. In the ocean depths - the subconscious - power stirs and rises to the threshold of consciousness. It projects itself into the second movement's eruption of energy, after which follows recovery and calm. Composed in 1992.
SKU: ML.013771070
BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[…In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site…]BAIA is een symfonische episode geïnspireerd door de ondergedompelde Italiaanse stad. Door middel van melodieën en geluidseffecten wil de auteurhet publiek mee te nemen naar verschillende momenten en biedt een aquatisch perspectief vanuit de ogen van een rusteloze enavontuurlijke vis. Deze muzikale reis leidt naar de verkenning van de stad Baia en haar archeologische rijkdom die bewaard is geblevenonder de zeebodem, zelfs door de tijd heen.[In zijn tijd was Baia een oude Romeinse stad die floreerde in de 1e en 2e eeuw na Christus. Het was een luxueuzebestemming en een belangrijk politiek en sociaal centrum in het Romeinse Rijk. Bekend om zijn thermale baden, indrukwekkendearchitectuu r en de prachtige natuurlijke omgeving, werd de stad een populair toevluchtsoord voor de Romeinse society, waaronder keizers,edelen en kunstenaars. In de loop der eeuwen werd Baia echter beïnvloed door vulkanische activiteit en veranderingen in de kustlijn, wat resulteerde ineen groot deel van de stad onder water kwam te staan. Vandaag de dag liggen de overblijfselen van Baia onder het water van de Golf,waardoor het een fascinerende onderwater archeologische vindplaats is geworden...]…BA IA est un épisode symphonique inspiré par la ville italienne submergée. À travers ses mélodies et ses effets sonores, l'auteur cherche à transporter le public à différents moments.l'auteur vise à transporter le public dans différents moments, offrant une perspective aquatique à travers les yeux d'un poisson agité et aventureux.d'un poisson agité et aventureux. Ce voyage musical conduit à l'exploration de la ville de Baia et de sa richesse archéologique préservée sous les profondeurs marines.sous les profondeurs marines, même à travers le temps.[...En son temps, Baia était une ancienne ville romaine qui a prospéré au cours des 1er et 2e siècles de notre ère. C'était une destination luxueusedestination luxueuse et un centre politique et social important dans l'Empire romain. Réputée pour ses thermes, son architecturearchitecture impressionnante et son magnifique environnement naturel, la ville devint un lieu de retraite populaire pour la haute société romaine, y compris les empereurs, les nobles et les artistes,empereurs, nobles et artistes. Cependant, au fil des siècles, Baia a été affectée par l'activité volcanique et les modifications du littoral.une grande partie de la ville a été submergée sous l'eau. Aujourd'hui, les vestiges de Baia reposent sous les eaux du golfe,ce qui en fait un site archéologique sous-marin fascinant...]BAIA ist eine symphonische Episode, die von der versunkenen italienischen Stadt inspiriert ist. Mit seinen Melodien und Klangeffekten will der Autorder Autor das Publikum in verschiedene Momente versetzen, indem er eine aquatische Perspektive aus den Augen eines rastlosen undabenteuerlichen Fisches. Diese musikalische Reise führt zur Erkundung der Stadt Baia und ihres archäologischen Reichtums, derunter den Meerestiefen bewahrt hat, sogar über die Zeit hinweg.[...Baia war eine antike römische Stadt, die im 1. und 2. Jahrhundert n. Chr. florierte. Sie war ein luxuriösesund ein bedeutendes politisches und soziales Zentrum im Römischen Reich. Berühmt für seine Thermalbäder, seine beeindruckendeArchitektur und die schöne natürliche Umgebung bekannt, wurde die Stadt zu einem beliebten Rückzugsort für die römische High Society, darunter Kaiser, Adlige und Künstler,Adlige und Künstler. Im Laufe der Jahrhunderte wurde Baia jedoch durch vulkanische Aktivitäten und Veränderungen der Küstenlinie beeinträchtigt, was dazu führte, dassein großer Teil der Stadt unter Wasser gesetzt wurde. Heute liegen die Überreste von Baia unter dem Wasser des Golfs,und machen sie zu einer faszinierenden archäologischen Unterwasserstätte...]. p>
SKU: CA.4006414
ISBN 9790007060152. Key: D minor. Language: Latin/English.
The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Zelenka composed this psalm setting De profundis in D minor ZWV 97 in 1724 on the death of his father, including a concluding Requiem verse. This was later replaced by the lesser doxology so that the work can be performed in the office of Christmas week. Both endings are included in this new edition. Three trombones, used as an independent instrumental group, give the work a special tonal color. Score and part available separately - see item CA.4006400.
SKU: HL.48025520
UPC: 196288300625.
Karl Jenkins' Euphonium Concerto is a major addition to the euphonium repertory, commissioned by Euphonium Foundation UK for David Childs. Cast in four characterful movements it demands both expressive and technical prowess on the part of the soloist, and its charm, exhilaration and wit will delight audiences. The Juggler, effortlessly entertains, Romanza waxes lyrical, and It takes two..., an atmospheric tango-style episode, reveals hidden depths. A Troika? Tidy! is the thrilling finale, and a showcase for the soloist's mastery of rapid passage-work. Recorded on Doyen DOY CD262, by David Childs and Cory Band, conducted by Robert Childs. Treble Clef edition. Bass Clef part.
SKU: GI.G-5769
ISBN 9781579991357. English. Text by John L. Bell.
Collection of varied sermons. Spirituality includes the heights and the depths, God is a compassionate being how asks that we do only what we can, starting from where we are, to be just and compassionate, too. .
SKU: BR.EOS-28081-15
ISBN 9790004780268. 10 x 12.5 inches.
Notorious Broomstick One of program music's most important work: Its 32-year-old composer Paul Dukas called his best-known orchestral work Scherzo after a Ballade by Goethe. The colorful orchestration of the ten-minute piece draws the listener down into the depths of Goethe's ballade: A tale of obedience and disobedience, of attempts at concealment, of destruction, but also of benevolence, clemency, and wisdom. This new edition is based on the Eulenburg pocket-score edition edited by Jean-Paul C. Montagnier. Offered here for the first time is the orchestral material for this score, re-engraved, as a sales edition.In cooperation with Edition Eulenburg.
SKU: BR.EOS-28081-30
ISBN 9790004780329. 10 x 12.5 inches.
SKU: HL.49045380
ISBN 9790001203487. UPC: 888680721268. 8.25x11.75x0.084 inches. French.
This work was commissioned by the Latvian choir Kamer within the framework of a large-scale project centered round the topic the sun. A poem by Paul de Brancion is interspersed with expressions and sayings taken from French folklore. The poetic text describing the contemporary anxiety that everything will be scorched by the sun as a result of global warming provides a response to popular opinion and cheerful idioms. The score is constructed like a descent into great depths, from the sunlight into darkness. The composition can also be combined with its sequel composition Au dessous des etoiles (Under the Stars) for mixed choir.Thierry Pecou.
SKU: PR.511020130
UPC: 680160183821.
SKU: GI.G-7518G
English. Text Source: Psalm 130, adapt. PM.
SKU: HL.49018079
ISBN 9790001170949. UPC: 884088549046. 9.0x12.0x0.324 inches.
With Granica, Enjott Schneider presents a work in which three instruments play alongside each other in a concertante manner on an equal basis. As in most of his pieces, he makes careful use of contemporary playing techniques and combines turbulent passages with quiet, narrative phases.The one-part work starts with a 'dance of life', so called by Enjott Schneider. In the course of the piece, this lively, dynamic dance changes and eventually disappears in the 'depths of death'. Granica comes from the Slavonic and means 'border'. The work was commissioned by the Embassy of Cyprus.2 Klaviere * S. (Vibraphon, auch mit Kontrabassbogen gestrichen * Crotales, auch mit Kontrabassbogen gestrichen, ad lib. Vibraphon, hohe Lage * Triangel, am Stander * hangendes Becken, tief * Bell tree * Tamtam * Tamburin, auf Stander * Tomtoms, ad lib. Rototoms * Holzplatten, hell klingend, ad lib. auf Fell liegend * Grosse Trommel) (1 Spieler).
SKU: HL.1275687
UPC: 810066353374. 3.75x4.75x4.0 inches.
Surface from the depths of your deepest slumbers with a little help from The Beatles. This Yellow Submarine Sea of Holes mug by ABYstyle is made of ceramic, holds 11 oz. of coffee, tea, or your beverage of choice, and features John, Paul, George, and Ringo in cartoon form peeking out from among a background of holes.