Cette collection généreuse de 29 ténor de gamme airs plages du XVIIe jusqu'à la fin des dix-neuvième siècles, reproduisant des oeuvres de Purcell ainsi que des compositions de Gluck, Saccini, Mozart, Beethoven, Weber, Meyerbeer, Rossini, Donizetti, Verdi, Wagner, et autres. Cette édition comporte une préface détaillée et savante par le musicologue Henry E. Krehbiel et une nouvelle introduction par Roelof Oostwoud. Tenor-majors gamme vocale, les instructeurs vocales, des chanteurs professionnels de formation classique, et les amateurs de musique vocale apprécieront cette compilation bien choisie et à prix modique. / Tenor
SKU: BR.EB-8874
ISBN 9790004184646. 9 x 12 inches. German / English.
The Three Tenors Are ComingOn the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download.
SKU: BR.EB-8876
ISBN 9790004184660. 0 x 0 inches. German / English.
SKU: BR.EB-8875
ISBN 9790004184653. 9 x 12 inches. German / English.
SKU: HL.50487900
ISBN 9790080024287. A/4 inches. Hungarian, original language. Pal Varga.
SKU: HL.48024665
ISBN 9781540058003. UPC: 888680951535.
Jacqu es Offenbach's more than 100 stage works are an endless treasure trove of vocal highlights with highly different musical moods and lyrical themes. To mark the 200th birthday of the great composer in 2019, which is at the same time the year of the 20th anniversary of the Offenbach Edition Keck OEK, the editor and Offenbach expert Jean-Christophe Keck has assembled a selection of arias. The four-part collection arranged according to voice category shows a rather unknown, romantic side of Offenbach. Apart from rediscovered works and first editions, however, the collection is not complete without some of his unrivalled hits. This volume shows that the composer especially liked to entrust the tenors with tender, sentimental numbers. But the melancholy is not always as genuine as that of the involuntary jester from the opera comique of the same name (here represented by the well-known Ballad to the Moon): Characters like Pluto, Paris or Robinson Crusoe know how to use their melodious voices with quite some ulteriormotive to achieve their goal. The character Frantz, traumatized by war, from the grand opera Les Fees du Rhin, however, is one of Offenbach's few deeply tragic figures. Romantic Offenbach is aimed at fully trained and budding professionals as well as at Offenbach fans of every shade and colour, providing repertoire pieces for recitals, studies or private music-making.
SKU: BR.DV-7969-02
World premiere: Netzeband, July 12, 1997
ISBN 9790200471618. 7.5 x 10.5 inches.
Duration: full evening Text by the composer using a text by Walter Jens Place and time: Chamber of the King Philip V. of Spain, Middle of the 18th Century Characters: Farinelli (Countertenor/alto) - King Philip V. of Spain (baritone) - Nicola Porpora (baritone) - The Kings Personal Physician, also Barber (tenor) - The Kings Confessor, also Impresario and Priest (bass) - Maria (Bellino), later Anna Maria Strada (soprano) - Georg Friedrich Handel (baritone) - Jenny, Jim, John, English Opera Troupe (soprano, tenor, baritone) - The young Carlo Broschi (boy treble) The dramaturgical constellation of the subject forced me to use multifaceted and stylistic means. I have used melodic segments from the Farinelli arias that are still extant today, as well as other Baroque vocal and formal elements, models inspired by the Singspiel and the musical, and even a rap piece over a techno rhythm. The musical center of the opera consists of song and the human voice. Farinelli is a bel canto opera. (Siegfried Matthus) Carlo Broschi, known as Farinelli, was the brightest star among the castrato tenors of the 18th century. Handels enemies brought him to London so that he could outshine Handels singers. Here, Matthus depicts Farinelli at the Spanish court, ruled by the pathologically melancholy King Philip V. In a review of his life, we relive important stages in the career of the singer, who lived outside of the norm and found his home in the fascinating twilight world between art and artificiality.Wor ld premiere: Netzeband, July 12, 1997.
