A Night at the Symphony prend élèves de piano dans un voyage fascinant dans le monde passionnant de la musique orchestrale. Avec précoce intermédiaire d'arrangements pour piano intermédiaires de thèmes musicaux préférés, il contient des instructions pour l'organisation d'un récital symphonique sur le thème, informations sur les bases de l'orchestre, une explication des termes symphoniques, les faits saillants de l'histoire orchestrale et plus encore. Sept pièces orchestrales intemporelles sont explorées. L'unité sur chaque morceau comprend: un arrangement pour piano par Carol Matz, informations intéressantes sur la page d'une activité amusante par Bernadine Johnson composition et sa forme et une biographie du compositeur / Piano
SKU: HL.14023330
ISBN 9788759811085. International (more than one language).
Work for 14 Instruments dating from 1991.
SKU: HL.48187841
UPC: 888680873813. 7.5x10.75x0.547 inches.
Symphonie No. 2,?Le Double, is a symphonic piece for oOrchestra and chamber orchestra composed by Henri Dutilleux. It was commissioned for the 75th birthday of the Boston Symphony Orchestra in 1959. The piece features three movements, which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato, ma misterioso II. Andantino sostenuto III. Allegro fuocoso. Calmato This is the conductor's score which also includes all parts. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world), the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night)..
SKU: HL.14023467
ISBN 9788759859957.
'Day 's Nightmare' - Symphony No. 3 Op. 57 in one movement by Ib Norholm , dating from 1973.
SKU: HL.48022787
Heinios Symphony No. 2 'Songs of Night and Love' is reminiscent more of a song cycle; it has a baritone soloist in each of its movements. The texts are based on sensual poems by Lassi Nummi. Night or love, or both together are fundamental themes running throughout the symphony. Its dream-like landscapes are dominated by quiet and lyrical tones but the finale has the heat of dark Mediterranean nights.
SKU: FG.55009-541-0
ISBN 979-0-55009-541-0.
Heinio's Symphony No. 2 'Songs of Night and Love' is reminiscent more of a song cycle; it has a baritone soloist in each of its movements. The texts are based on sensual poems by Lassi Nummi. Night or love, or both together are fundamental themes running right through the symphony. Its dream-like landscapes are dominated by quiet and lyrical tones but the finale has the heat of the dark Mediterranean nights.
SKU: BT.PWM5363020
The Third Symphony occupies an special place in the evolutionary process of Szymanowskis style. The Symphony The Song of the Night, Op. 27, is a setting of the poem of the same title, from the second divan of Mawlana Jalal-ad-din Rumi, for tenor solo, mixed choir and orchestra. It was completed in the summer 1916. Szymanowskis interest in oriental music at this period is not so much , as far as the Third Symphony is concerned, an attempt at some formal stylisation of eastern music, but rather an indication of his search for some mode of expression which would best reflect the conflicts of his aesthetic and artistic ideas. It was the direct contact made with the art of the Grecian and Arabic worlds during his travel to Sicily and North Africa in 1911 and 1914 that provided the external stimulus for this interest. The Third Symphony can be classed with those symphonies for chorus and solo voices so often favoured by the neo-romantic and expressionist composers. It is written in a free ternary form, the thematic material being the basic unifying structural element, which imparts a conciseness to the form, and retaining the function despite the significant changes that occur in the melodic character of the music. The texture is polymelodic, and a score reveals a masterly interweaving of the multiplicity of parts, melodic lines and patterns of sound. This symphony is consummation of all Szymanowskis mastery in instrumentation and colour, and a superb study of orchestral polyphony. Here, Szymanowski liberates himself from the rigid relations of the functional harmonic system. In the place of tonal progressions, he shifts chromatically from one sound lane to another, of which the smallest units are chords made up of tritones and seconds, using only a free intervallic structure, far more remote in Szymanowski from the dominant centralistic harmony then Debussy. In style, the Third Symphony belongs to the neo-romantic period, if this can be broadly defined as including modernistic and expressionistic trends, and to musical impressionism. (based on the Preface to the ''Works'' by Teresa Chyli ska, PWM 1985).
