New Orleans Piano Styles

Les Piano Nouvelle-Orléans Styles: Un guide pour le clavier Licks de Crescent City Greats paquet livre / CD est un guide indispensable pour les différents styles et les techniques utilisées par les grands pianistes Nouvelle-Orléans, dès les premières origines du jazz et du blues à travers la musique contemporaine . La Nouvelle-Orléans Piano Styles: Un guide pour le clavier Licks de Crescent City Greats étudie le style de Professor Longhair, Allen Toussaint et Dr John, plus foulée, boogie woogie, R and B, ballades et plus. Le CD contient des démos de tous la comédie musicale. / Piano

Par GILLOCK WILLIAM / AUSTIN GLENDA (Arr.). All 15 pieces from Gillock's classic New Orleans Jazz Styles series adapted for piano duet and in one collection! These beloved, bouncy tunes encourage fabulous music-making and fun collaborations! Duet partners often become friends for life. Titles: After Midnight · Bill Bailey · Bourbon Street Saturday Night · Canal Street Blues · The Constant Bass · Dixieland Combo · Downtown Beat · Frankie and Johnny (Theme and Variations) · Mardi Gras · Mississippi Mud · Mister Trumpet Man · New Orleans Blues · New Orleans Nightfall · Taking It Easy · Uptown Blues. Includes access to audio files online for practice./ Recueil /

Offre au pianiste de niveau intermédiaire de nouvelles possibilités d'expérimenter le style de la Nouvelle-Orléans. / Piano / 34 pages / Partition

The tunes in the New Orleans Jazz Styles series are written for piano students of intermediate level. Gillock believed that every student's musical education should include experiences in a variety of popular stylings, including jazz, as a recurring phase of their study. Students should be encouraged to deviate from the written notes with their own improvisations, for spontaneity is an essential ingredient of the jazz idiom. TITLES: New Orleans Nightfall · The Constant Bass · Mardi Gras · Dixieland Combo · Frankie and Johnny (Theme and Variations). / Piano

William Gillock's timeless jazz originals have been transformed into engaging and very accessible duets by composer/clinician Glenda Austin.The book also comes with a play-along CD that includes separate Primo and Secondo parts giving the student the flexibility to rehearse as well as perform on their own when a partner is not available. Excellent collaborative pieces!Contents: New Orleans Nightfall; The Constant Bass; Mardi Gras; Dixieland Combo; Frankie and Johnny.

Learn To Play Classic Rock Piano From The Masters breaks down the elements that go into playing rock Piano - the melodic riffs, chords, rhythms and bass lines - and explores styles and techniques from all over the map: from hard-driving rock, sweet ballads and funky blues riffs to jazz-inflected polychords.Section I takes examples from dozens of famous songs and shows you exactly what goes on in the Piano parts. Section II has seven note-for-note transcriptions of Piano solos by classic rock pianists. These are written out in meticulous detail and analyzed for study and inspiration. Proceed and learn the way of the masters. / Piano

A collection of celebrated song hits and showstoppers for solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores. Turn these pages to enjoy great musical moments of the cabaret, stage, and concert hall - or bring to life the jazz and blues clubs of days gone by. Explore the musical genius of Jermone Kern, Irving Berlin and George Gershwin - the dramatic power of George M. Cohan, W.C. Handy, Jelly Roll Morton, and John Philip Sousa - the elegant styles of Scott Joplin, Zez Confrey, James Scott, and Eubie Blake - and much, much more. / Rép International / Recueil / Piano

The basic principles of blues piano explained for the intermediate-level pianist-The forerunner to the awarded-winning Exploring Jazz Piano books Improvising Blues Piano examines the harmonic rhythmic and melodic aspects of the blues assuming a basic competence of around grade 3.All styles are covered from the 1920s to the present from the early boogie pioneers via swing gospel jump-jive New Orleans Chicago and Kansas City schools to the more sophisticated jazz and funky blues of the current scene. Over 60 pieces including many original compositions by the author together with new arrangements of well-known standarts such as 'Ain't No Sunshine' 'Blueberry Hill' 'Blue Monk' 'Got My Mojo workin' 'Honky Tonk Train Blues' 'How Long Blues' 'Just aCloser Walk with Thee' 'Pine Top's Boogie Woogie' 'St Louis Blues' etc.' Authentic left-hand patterns and bass lines' Professional chord voicings blues scales licks and riffs' Co-ordination exercises for both hands' Suggested listeningEach chapter is graded within itself providing some challenging pieces towards the end. Improvising is encouraged at all stages with assignments giving ideas and guidance.The accompanying CD contains all the pieces including some play-along tracks performed by Tim Richards.A very useful and comprehensive survey of different blues styles. Tim's clear demonstrations on the accompanying CD make this the essential book for all aspiring blues pianists (Jools Holland)This book leaves any possible competition standing at the post. (Brian Priestley Jazzwise Magazine)I highly recommend the book. It's the best I've seen yet... Helpful features include a grat Cd by the London-based Richards who is a top-notch performer recording artist and educator. It's almost like having your own personal instructor. (Blues Review USA)The presentation is immaculate the method is logical and friendly. This book feels good... (MOJO)A brilliant new publication from Schott. Each chapter extends the player's harmonic knowledge and gives clear instructions how to progress... You learn not just how to play the blues but also its history and major exponents.

DÉCOUVRIR, APPRENDRE ET PROGRESSER EN JAZZ... TOUT SIMPLEMENT !
Un répertoire sur mesure pour les élèves des premiers niveaux qui souhaitent s?initier à cette musique si agréable à écouter et tellement exaltante à jouer !
Ce recueil est né de la rencontre artistique de deux professeurs de Piano passionnés de pédagogie. Christine Marty Lejon et Christophe Astié ont créé, arrangé et simplifié 20 morceaux variés avec un seul objectif : prendre du plaisir et enrichir sa formation musicale tout en découvrant différents styles Jazz et latino.
Avec votre professeur ou en solo, à deux ou quatre mains, vous allez découvrir le Blues, Boogie, Swing , Ragtime, New Orleans sans oublier la Salsa et le Boléro et vous familiariser avec ces rythmes si agréables à jouer et à partager.
REGARDEZ OU ÉCOUTER CHAQUE MORCEAU SIMPLEMENT GRÂCE AUX QR CODES !
Afin de vous aider à progresser et vous soutenir, des vidéos de toutes les pièces ont été enregistrées et sont disponibles via un simple QR CODE que vous trouverez en haut de chaque partition. Vous pourrez ainsi découvrir le morceau, le travailler et accéder à ces aides autant de fois que nécessaire pour peaufiner votre jeu et ainsi progresser efficacement et tout simplement !
Très bonne musique JAZZ... Régalez-vous !!
/ Partitions variété - pop - rock / Variété française / Piano / F2M Editions

Jazz Hands is a series of original jazz pieces for Piano by Mark Tanner which covers all standards from grade one through to red hot. Although the player may feel free to indulge in a spot of improvisation in response to the printed music there is no expectation to do so in any of the books. Nor are there any chord symbols or other bespoke abbreviations the like of which presuppose a degree of familiarity with the genre which may not actually be the case. Rather the idea is that the player will become gradually more confident and adept at playing in a jazz style as he/she works through the books. It may well be that a classically-trainedpianist has reached say grade 5 but feels currently at a more modest stage when tackling jazz. This is absolutely not a problem and indeed is all the more reason for the 'straight' player to extend their jazz skills to match.The title of this series 'Jazz Hands' derives from the familiar exuberant gesturing seen in music theatre fingers spread and extended with palms facing upwards an effect frequently amplified by a convulsive shivering of the hands. Cheerleaders have tended to make widespread use of jazz hands while the concept has also found its way into revues Broadway shows and films as well as contemporary dance. In the current context I am of course referring to the jazz pianist's hands which in only the most ambitiously spaced Art Tatum chord would require the player to stretch the digits to such an extent as in the aforementioned theatrical sense. The term 'jazz' has been adopted and adapted in a multiplicity of ways (not unlike 'classical' indeed) so that it no longer tells us very much about the music itself. Aficionados immediately recognise the better-known subgenres such as 'bebop' or 'New Orleans' styles and may even be able to distinguish 'smooth' from 'groove' or 'fusion/crossover' from 'postmodern'. And yet these are just labels not music. In an understandable bid to define all that we hear

Teach yourself to play blues-style Piano with these easy lessons for beginners. The Progressive Blues Piano Method covers the fundamental techniques and practical music theory required to learn to playblues Piano including soloing improvisation and accompaniment. Suitable for all ages and all types of Pianos and Keyboards this book includes 100 examples chord progressions and easy songs in the 12 bar blues shuffle RandB and New Orleans styles. The Progressive Blues Piano Method is in full colour throughout with photos diagrams and easy-to-read music with chords for beginners. This book comes with access toonline media containing audio demonstrating all examples. Basic knowledge of how to read music and playing Piano is recommended but not required to teach yourself using this book. Includes free Piano chord poster.