Moontowers

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet, Tuba, alto Saxophone, baritone Saxophone and more. - Grade 3

SKU: CF.CPS257

Composed by Chris Campbell. Cps. Set of Score and Parts. 16+4+16+2+4+5+2+2+8+6+12+ 6+4+8+2+1+1+2+20 pages. Duration 3 minutes, 28 seconds. Carl Fischer Music #CPS257. Published by Carl Fischer Music (CF.CPS257).

ISBN 9781491161265. UPC: 680160919857.

The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own. The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.
The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own.  The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet, Tuba, alto Saxophone, baritone Saxophone and more. - Grade 3

SKU: CF.CPS257F

Composed by Chris Campbell. Cps. Full score. 20 pages. Duration 3 minutes, 28 seconds. Carl Fischer Music #CPS257F. Published by Carl Fischer Music (CF.CPS257F).

ISBN 9781491161678. UPC: 680160920358.

The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own. The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.
The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own.  The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.