In Full Score-Two of Bruch's most enduring compositions revealing the German composer's romanticism fluent scoring colourful orchestrations and exuberant melody. The First Violin Concerto in G Minor stands as one of the most performed and recorded concertos in the violin repertoire while Scottish Fantasy reflects his lifelong interest in folk music.Reprint of Concert Op.26 C. F. W. Siegel's Musikalienhandlung Leipzig n.d. and Fantasie Op.46 N. Simrock Berlin 1880.
SKU: BR.EB-10708
In Cooperation with G. Henle Verlag
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: BR.PB-15132
ISBN 9790004214688. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.OB-15132-15
ISBN 9790004341940. 10 x 12.5 inches.
SKU: BR.PB-15133-07
ISBN 9790004214695. 6.5 x 9 inches.
SKU: BR.PB-15133
SKU: BR.OB-15132-16
ISBN 9790004341957. 10 x 12.5 inches.
SKU: BR.OB-15132-19
ISBN 9790004341964. 10 x 12.5 inches.
SKU: BR.OB-15132-23
ISBN 9790004341971. 10 x 12.5 inches.
SKU: BR.OB-15132-27
ISBN 9790004341988. 10 x 12.5 inches.
SKU: BR.OB-15132-30
ISBN 9790004341995. 10 x 12.5 inches.