Violin Concerto No. 8
SKU: BR.OB-15126-16
From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15126-16. Published by Breitkopf and Haertel (BR.OB-15126-16).
ISBN 9790004341896. 10 x 12.5 inches.
Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.From the early years of the clarinet concerto.
SKU: BR.OB-15126-15
From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15126-15. Published by Breitkopf and Haertel (BR.OB-15126-15).
ISBN 9790004341889. 10 x 12.5 inches.
SKU: HL.48180974
UPC: 888680885175. 11.0x14.0x0.02 inches.
For violin and piano.
SKU: BR.OB-15127-16
ISBN 9790004347492. 10 x 12.5 inches.
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was undeniably one of the most accomplished works of art of its kind. Emphasized was also the great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato. The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler's new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition.
SKU: BR.OB-15127-15
ISBN 9790004347485. 10 x 12.5 inches.
SKU: TM.00437SET
Solo/pf (includes alternate version for Viola solo).
SKU: TM.00596SC
Solo (no piano red.). No score.
SKU: TM.00406SET
Solo Piano I, II together on the same part.
SKU: TM.00435SET
Solo/pf. No score.
SKU: TM.00404SET
No score - use piano reduction. Solo/pf.
