SKU: HL.1248097
UPC: 196288153245. 6.75x10.5x0.036 inches. 1 John 4:9, Psalm 40:2-12.
A well-known hymn text speaks through a fresh musical treatment in this evocative choral offering. A murmuring piano motive in minor introduces a testimony to God's saving love, while the main theme suggests the spirit of a folk song or rustic sea shanty. As the anthem develops, the piano accompaniment expands, adding a theatrical sweep to the concept.
SKU: MN.90-70
Text: Marilyn Biery.
This collection of twenty-five original hymn texts flows from the writers years of experience as a practicing Church musician. The texts cover many aspects of the church year and includes texts for many particular needs such as confirmation and stewardship. Eleven new hymn tunes are also included in this collection. Complete tune, title, topic, meter, and scriptural indexes are included, making this a very useful collection of hymns. Hymns include: Break Forth in Joyous Song Christ is the Vine, We are the Branches Come To Us, O Holy Spirit Easter Dawn, Streaming Bright Embrace the Love that Makes Us One Emmanuel Comes! From the Word of God, Creation Jesus Walked Among the People Joined Together As One Body Lift Up Your Hearts, You Poor in Spirit Listen to the Voice of Gladness Lord God, The Source of Every Gracious Gift May Peace from Christ Come Dwell in You O Dearest Jesus O God of All Life, Now Hid from Our Sight O God of Love, Enable Us O God, Hear My Cry Our Gifts, O Lord, to You We Bring Radiant Light, Love Divine Rejoice, Rejoice, God's Kingdom is Coming Seek a Place of Breathless Beauty The Ancient Story Thrills Our Modern Ear The Frozen Earth Begins to Thaw The Spirit Makes Us One in Christ We Sing our Love for Jesus.
SKU: JK.01695
Doctrine and Covenants 25:12-13.
Arran ged for women's chorus (SA), or even mixed chorus and piano duet (4 hands), beautiful tribute to music and singing. Made to lift the soul and spirit.Composer: Richard C. Berg Arranger: Mike Carson Lyricist: Richard C. Berg Performance time: 1:30Reference: Doctrine and Covenants 25:12-13.
SKU: HL.148619
ISBN 9781495029684. UPC: 888680078515. 9.0x12.0x0.492 inches. With a Foreword by Thomas Riis.
Late in his life, composer J. Rosamond Johnson (Lift Ev'ry Voice and Sing) submitted to his longtime publisher, E.B. Marks, a list of songs that would comprise a volume of his best early popular songs written with his pre-1910 partner Bob Cole and his brother, James Weldon Johnson (Autobiography of an Ex-Colored Man). That list was never put into print...until now. Featuring an introductionby Dr. Thomas Riis (Just Before Jazz) and several rare photos, this new compilation is the latest legacy offering from the Marks archive, which contains a rich heritage of turn-of-the-century African-American, and thus distinctly American, pre-jazz-era popular song. Includes: Ain't Dat Scan'lous * Big Indian Chief * The Big Red Shawl * The Bleeding Moon * Congo Love Song * The Countess of Alagazam * Fishing * I Don't Want to Be No Actor Man No Mo' * I'll Always Love Old Dixie * I'll Keep a Warm Spot in My Heart for You * I've Got Troubles of My Own * The Katy-Did, the Cricket and the Frog * Lazy Moon * Lit'l Gal * Louisiana Lize * Lovely Daughter of Allah * Ma Mississippi Belle * The Maiden with the Dreamy Eyes * Mudder Knows * My Heart's Desiah is Miss Mariah * My Castle on the Nile * Nobody's Lookin' but de Owl an' de Moon * Oh, Didn't He Ramble * The Old Flag Never Touched the Ground * On the Road to Monterey * The Pathway of Love * Roll Them Cotton Bales * Save It for Me! * The Spirit of the Banjo! * Sugar Babe * Two Eyes * Under the Bamboo Tree * When de Jack O'Lantern Starts to Walk About * When It's All Goin' Out, and Nothin' Comin' In * Who Do You Love?
SKU: ST.C481
ISBN 9790570814817.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through.In the interests of playability, the strict formality of Pachelbelâ??s Canon has been relaxed while allowing the spirit of the original to shine through. The key has been simplified from D major to C major and the seventeenth century rhythmic notation updated to improve readability. The optional backing tracks allow for small 12 bar sections (between each of the rehearsal letters) to be practised both â??slowlyâ?? (crotchet = 70 with metronome click) and â??a tempoâ?? (crotchet = 84), before putting the whole piece together â?? ideally in the company of another human!Arranged by Mark Goddard with optional backing tracks (available to download here).
SKU: GI.G-10725
UPC: 785147072515. English.
SKU: ST.C320
ISBN 9790570813209.
Composer’s Note:I composed The Planets to be performed during my tenure as Composer in Residence at Chetham’s International Piano Summer School, Manchester, in August 2018. Drawing inspiration from Holst’s Suite of the same name – a work of unstoppable importance – my composition nevertheless contrasts conspicuously, both in its overall scheme (nine movements instead of seven) and orientation (my work takes the Sun as its point of orientation, whereas Holst places the Earth at the centre point and hence leaves it out of the musical scheme). There is, as a consequence, a sense of increasing serenity to my music following the effervescence of Jupiter, though there are reverberations of earlier themes and moods in the concluding movement, Pluto, which nevertheless ends enigmatically as befits its distant, ‘cold’ designation. Pluto was left out of Holst’s work for good reason – it had yet to be discovered – though Colin Matthews redressed the situation admirably in 2000. Whether one chooses to go along with Pluto’s unresolved status, or indeed to promote it to the position of ‘full’ planet (amusingly, Pluto became demoted to dwarf- planet in 1992) is perhaps less important than its potential to evince a musical spirit entirely to itself.Performanc e Note:Movements may be performed separately as desired, though the connections between musical characters will of course be lost in doing so. In Neptune and Pluto (which are best performed attacca) I include infrequent use of a bell, pitched at B4. This denotes the intangibility of time; it adds a welcome new colour, as well as an additional element for the audience to ponder on. A standard hotel receptionist’s bell was used in the inaugural performance – surprisingly resonant, even in a sizeable auditorium – though if this is unavailable the cellist can play the same note (or harmonic, if preferred).World Premiere given at Stoller Hall, Chetham’s School of Music, Manchester, August 2018: Gillian Poznansky (flute), Sebastian Poznansky (cello) and Mark Tanner (piano).Duration: 30 minutesGrade 8(+)Former Spartan Press Cat. No.: SP1419.
SKU: ST.C479
ISBN 9790570814794.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through. The keys have been transposed to C major and the Baroque rhythmic notation updated to improve readability. The optional backing tracks include both a performance of each piece, plus tracks that allow the student to practise alone both â??slowlyâ?? (with a metronome click) and â??a tempoâ??, before putting the whole piece together â?? ideally in the company of a real person!â??Sleepe rs Awake!â?? (from â??Wachet aufâ?? BWV 140)â??Sheep May Safely Grazeâ?? (from â??The Hunting Cantataâ?? BWV 208).
SKU: ST.C480
ISBN 9790570814800.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through.Vivaldiâ ??s The Four Seasons (Le quattro stagioni) is the name given to the four violin concertos Opus 8, No. 1â??4. Composed in 1723, they remain among the most popular concertos in all music. The texture of each movement is varied, resembling its respective season. For example, â??Winterâ?? is dark and sombre, whereas â??Summerâ?? invokes a thunderstorm in its final movement. Vivaldi wrote four sonnets to be read with the concerti â?? here translated into English overleaf.
