A renowned violinist and teacher discusses the interpretation of violin repertoire standards drawing upon 360 musical illustrations and excerpts as well as a lifetime of artistic experience. Suitable for players at all levels Leopold Auer's dissertation offers suggestions for performance of works by the great composers as well as observations on the techniques of Paganini Wieniawski Joachim and other virtuosos. Helpful hints illuminate the technical minutia of performance including special bowings mood and tempo variants and artistic effects.Auer begins by introducing the outstanding works of the older Italian violin composers such as Tartini Corelli and Vivaldi.He examines Bach's contributions to the repertoire in addition to works by Mozart Handel and Beethoven; innovations by latter-day artists such as Spohr Vieuxtemps and Ernst; and the Bruch concertos. Other featured composers include Tchaikovsky Elgar Franck and Sarasate. This classic guide concludes with valuable insights into transcriptions and musical memory.Reprint of the Carl Fischer Inc. New York 1925 edition.
SKU: AP.6-450414
ISBN 9780486450414. UPC: 9780486450414. 9x12 inches. English.
How long should I practice? Which pieces should I study? How can I develop a singing tone? All violinists ponder these questions, striving to make the most of their practice and performances. This enlightening and encouraging book holds the answers, offering a series of interviews with the most celebrated violin teachers and performers of the nineteenth and early twentieth centuries.Twenty-four famous violinists reveal the secrets of their success, sharing the lessons of their artistry and experience. In addition to aesthetic and technical aspects of playing, they discuss their personal conceptions of violin mastery. Eugene Ysaye reminisces about his studies with Vieuxtemps and Wieniawski, and Leopold Auer emphasizes the importance of fostering students' individual talents. Maud Powell describes her pioneering role as a female orchestral musician, and Jascha Heifetz voices his views on technical mastery and temperament. Hints and advice from other masters include tips on efficient practice, immproving bow technique, and refining intonation. A rare find in musical literature, this book is essential reading for every serious violinist.Dover (2006) unabridged republication of the work originally published by Frederick A. Stokes, New York, 1919.