Legendary Country Blues Guitarists: Guitar: Recorded Performance

'This DVD collection presents some of the rarest footage of legendary Country Blues artists that we have been fortunate to find. The footage varies from high quality film to analog videos taped over 40 years ago. But above all the music and performances are powerful and evocative. The sounds of Skip James Bukka White Big Bill Broonzy Son House Will Shade Rev. Gary Davis and others on this 115 minute collection will give you shivers up your spine and get your feet tapping. This is the Country Blues of a time long past. Enjoy.' - Stephen Grossman

Guitar Of Big Bill Broonzy. Big Bill Broonzy's recording career spanned from 1927 until his death in 1958. His repertoire was well recorded, from solos and duets to ensemble playing. He was rediscovered just as the "folk-revival" began in the early 1950's. Broonzy was a master of ragtime and country blues guitar whose playing was highlighted by a strong pulsating bass and melodic lead lines. In this comprehensive new audio lesson, Woody Mann explores the ideas, techniques, and styles of this legendary musician who has influenced generations of guitarists. Includes access to online audio containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction. Selections include: House Rent Stomp: Brownskin Shuffle: Moppin' Blues: Hey, Hey: Worryin' You Off My Mind: Stove Pipe Stomp: and Saturday Night Rub. Written in standard notation and tablature.

Doc Watson was a legendary performer who blended his traditional Appalachian musical roots with bluegrass country gospel and blues to create a unique style and an expansive repertoire. His flatpicking style elevated the acoustic guitar to solo status in bluegrass and country music and whose interpretations of traditional American music profoundly influenced generations of folk and rock guitarists.Doc was born in Deep Gap North Carolina on March 3 1923 into a family already rich in musical tradition. His mother Annie Watson sang traditional secular and religious songs and his father General Watson played the banjo which was Doc's first instrument as well.In 1953 Doc met Jack Williams a local piano player and played rockabilly/swing music for seven years a period and a style that he later revisited in the album Docabilly. But he also continued to play acoustic traditional music with his family and with his banjo playing neighbor Clarence Tom Ashley. In 1960 spurred by the growing folk revival folklorists Ralph Rinzler and Eugene Earle came south to record Ashley and heard Doc Watson in the process. These sessions resulted in Doc's first recordings Old-Time Music at Clarence Ashley's.In 1961 the Friends of Old-Time Music invited Doc Ashley Clint Howard and Fred Price to perform at a now-legendary concert in New York City and one year later Doc gave his first solo performance at Gerde's Folk City in Greenwich Village. From then on he was a full-time professional playing a wide range of concerts clubs colleges and festivals including the Newport Folk Festival and Carnegie Hall.In the late 1960s Doc was joined on the road by his son Merle who provided both musical and emotional companionship; with Merle playing guitar and banjo and serving as partner and driver the father-son team expanded their audience nationwide. Sadly Merle died in 1985 from a tractor accident.A series of over 50 remarkable recordings including collaborations with Flatt & Scruggs Chet Atkins and