Lang Lang Music Theory Cards (LANG LANG)

SKU: AP.12-0571542719

ISBN 9780571542710. English.

Discover the world of Lang Lang and come on a theory adventure! This progressive series provides an imaginative way for beginners to learn and practice music theory with the world's most successful concert pianist, Lang Lang.

Through plenty of fun and imaginative activities, the fundamentals of music theory are established whilst developing core musicianship skills. This book can be used alongside The Lang Lang Piano Method, Level 1 but also works as a standalone method ideal for introducing young students to music theory.

Lang Lang Music Theory, Level 1 takes complete beginners on their first theory journey through a range of exciting exercises. Students are encouraged to explore notation starting with identifying notes on the keyboard, learning simple note values and rhythms, and gradually reading and notating treble and bass clef notes on the staff.

SKU: AP.12-0571542727

ISBN 9780571542727. English.

Discover the world of Lang Lang and come on a theory adventure! This progressive series provides an imaginative way for beginners to learn and practise music theory with the world's most successful concert pianist, Lang Lang.

Through plenty of fun and imaginative activities, the fundamentals of music theory are established whilst developing core musicianship skills. This book can be used alongside The Lang Lang Piano Method, Level 2 but also works as a standalone method, ideal for introducing young students to music theory.

Lang Lang Music Theory, Level 2 consolidates and builds on the ideas of the first book by introducing time signatures, eighth notes (quavers) and intervals.

SKU: HL.49047093

UPC: 196288120704.

The advent of electronics opened up new potentials for concepts concerning musical instruments, changing long-established perspectives and revolutionizing some centuries-old traditions. Over the last decades, those instruments gained in importance in science and turned into sought-after objects of museum collections. This volume takes up current research topics and deals with the following questions: What musical and creative capabilities were opened up and in which new ways were these made accessible to artists? How did composers and musicians react to newly emerging questions of instrumentality and virtuosity? Next to those aspects,this volume especially addresses perspectives and challenges of collection related tasks concerning this group of musical instruments. New and rather ephemeral materials of industrially shaped ways of production demand customised prerequisites for long-term preservation as well as presentation in exhibitions. Klang und Begriff is a publication series commissioned by the Staatliches Institut fur Musikforschung PK, Berlin. The topics of this series are oriented towards the tonal-auditory manifestation of composed music, which is explored analytically by today's available means of music theory, organology and music technology.

SKU: BT.AMP-028-140

English-German-French- Dutch.

The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.

Dieses Werk handelt vom Weltall und unserem Platz im Universum, auf dem Weltbild von Pythagoras basierend. Am einfachsten lässt sich diese außergewöhnliche Komposition wohl als Filmmusik ähnliches Stück beschreiben ? Musik zu einem Science-Fiction-Film eines Ripley Scott oder Steven Spielberg oder auch Musik, wie sie ein John Williams oder Danny Elfman schreiben würde: absolut stimmungsvoll, brillant instrumentiert mit Klangfarben, Strukturen, Effekten und Timbres, gemischt mit fließenden musikalischen Linien, die die Substanz des Themas auf den Punkt treffen. Dieses atemberaubende neue Stück hebt Ihr Blasorchester auf ein höheres Niveau, sowohl im technischen als auchmusikalischen Sinn.

La fresque Music of the Spheres (“La musique des sphères”) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté.

Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione?