Konzert In A Minor Op. 54

Für Klarinette Bassetthorn (2 Klarinetten) und Klavier-?Favourite dish in exchange for favourite music? this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the Basset Horn stopped to pay avisit to Felix Mendelssohn Bartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of ?Dampfnudeln? (steamed dumplings) and ?Rahmstrudel? (sweet-cheese strudel)that Mendelssohn was mad about if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in dminor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

Le Concerto de Grieg in A Minor, Op.. 16, et le Concerto de Schumann en la mineur, op. 54 - deux des plus populaires de tous les concertos pour piano du répertoire - réimprimé dans les éditions qui font autorité. Dans chaque cas, la partie de piano 2ème est une réduction d'orchestre, en fournissant des pianistes avec le format 2-piano qui est la méthode standard pour les répétitions.Réimpression de sélections de Concerto en la mineur pour piano, op. 54, G. Schirmer, Inc, New York, 1918 et Konzert für Klavier, op. 16, A-??Moll, C. F. Peters, Francfort, n.c. / 2 Pianos

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the 'child prodigy' Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

[Konzert für Cembalo d-moll BWV 1052 (Nr. 1)] / Classique / Editeur : Werner Breig / Partition / Agrafé /

[Klaviersonate f-moll Opus 14 (Konzert ohne Orchester)] / Classique / Editeur : Wolfgang Boetticher / Doigtés : Hans-Mar / Partition / Broché / Edition Urtext

[Konzert für Klavier und Orchester Nr. 2 f-moll Opus 21] / Classique / Editeur : Ewald Zimmermann / Réduction piano : Ewa / Partition / Broché /

[Konzert für Klavier und Orchester Nr. 1 e-moll Opus 11] / Classique / Editeur : Ewald Zimmermann / Réduction piano : Ewa / Partition / Broché /

[Konzert für Klavier und Orchester Nr. 3 c-moll Opus 37] / Classique / Editeur : Hans-Werner Küthen / Réduction piano : H / Partition / Broché /