Kenneth Hesketh: Danceries. Set II: Brass Band: Score and Parts

In Danceries by Kenneth Hesketh the melodies themselves are a mixture of old and new. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The contemporary harmonies and rhythms bring a breath of new into these themes and add drama to the suite. The first movement Lull Me Beyond Thee is gentle and lilting almost a barcarole this movement is very much a reverie. The original tune had the name Poor Robin’s Maggot a rather disconcerting title. Maggot however in seventeenth-century parlance meant whim or fancy. The second Catching of Quails is acolourful buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-blooded tuttis. The last few bars fade to almost nothing before a final surprise! My Lady’s Rest is a tender pavane also on an original melody with Moorish leanings. Beautiful solo passages expressive contrapuntal writing and warm tuttis provide an opportunity to show off the most lyrical of playing. The final movement Quodling’s Delight is a clever combination of the 17th century melody Goddesses with an original contrasting melody creating a rousing and exuberant finale to the work.

Danceries Set II arranged for brass band was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format established in the popular Danceries (Set I) of using tunes and dances from Playford s Dancing Master (17th century) to form the basis of an extended dancesuite. In this set the melodies have become more abstracted and project only a distant echo of their original forms. As before each movement is self-contained colourful and direct with its own distinct mood.The outer movements Jennie s Bawbee and Peascod s Galliarda share driving percussion with a military air. Tom Tinker s Toye and Heart s Ease(movements two and three) are both settings of original melodies. All movements are more extended than in the first set with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer even more exhilarating set of dances.Brass Band Grade 5.