Matériel : Partition
12 massive hit songs from the RnB superstar's 2003 compilation album, including Ignition (Remix), Bump N' Grind and I Believe I Can Fly. Arranged for piano, voice and guitar.
SKU: FH.WS7
ISBN 978-1-55440-556-5.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata , op. 2, no. 6 (La bouget) - Michel Blavet- [Complete]Minuet and Dance of the Blessed Spirits (from Orphee et Euridice) - Christoph Willibald Gluck, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Dance with Sticks - Bela BartokHornpipe Dance - Bela BartokRagtime Waltz - Richard Rodney BennettSonata - Phil Woods- First MovementBb Saxophone:Mainly Transcriptions:Sonata in G minor, H 542.5 - attr. Carl Philipp Emanuel Bach- Third MovementSonata in G minor, HWV 364a - George Frideric Handel, arr. Harold Birston- [Complete]Mainly Original Repertoire for Saxophone:Souvenir - Robert WalkerSonata - Walter S. Hartley- First MovementI Got Unhappy - Neil CurrieEb Saxophone or Bb Saxophone:Unaccom panied Repertoire:Fantasia no. 6 in D minor, TWV 40:7 - Georg Philipp Telemann- [Complete]In the Company of My Soul - Kelly-Marie Murphy- First MovementSketch - Ronald L. Caravan.
SKU: GI.G-9140
ISBN 9781622771783. English.
With Contributions byFrank Abrahams Michael L. Alexander Kimberly Lansinger AnkneyEdward Asmus Rafael Guerini Atolini William BauerElaine Bernstorf Leonardo Borne Pamela BurnardFrederick Burrack Paul Chapin Jian-Jun Chen-EdmundWilliam Cirullo Richard Colwell Rachel E. CopelandBaisheng Dai Paul F. Doerksen Cláudia Elisiane Ferreira dos SantosDavid Edmund Jian-Jun Chen-Edmund Jan EdwardsGeorge Engelhard, Jr. José Carlos Godinho Sandy GoldieChristina Haaf Dee Hansen Jason HawkinsMichele L. Henry René Human Ryan JohnSangmi Kang Don Lebler Kathleen A. MelagoJennifer S. McDonel M. David Miller Tobias S. MonteGlenn Nierman Helena de Souza Nunes Denese OdegaardDouglas C. Orzolek Kelly A. Parkes Phillip PayneJohn Peasant, Jr. Jared R. Rawlings Gary K. RitcherMaria Gleice Rodrigues Maria Runfola Shelley SandersonEdilson Schultz Ronald G. Sherwin Scott C. ShulerTimothy W. Smith Nathan St. Pierre Stephanie StanderferCynthia L. Wagoner Dennis Ping-Cheng Wang Jeffrey WardBrian C. Wesolowski Stefanie A. Wind Chia-Chieh WuBrian C. Wuttke Hyesoo YooThe 5th International Symposium on Assessment in Music Education was hosted by the University of Florida, James Madison University, and The Shenandoah Conservatory of Shenandoah University. The symposium brought together 288 participants from 17 nations and six continents to learn of each other’s work, establish collaborations and professional networks, and shape new directions for research in this important area of music education in Williamsburg, Virginia, from February 18-21, 2015. The four keynote addresses and 37 papers published in this volume document music assessment practice and the measurement and evaluation of music learning across the world in local, state, and national contexts at all levels. The attendees also attended special work sessions to discuss the key questions of the symposium, and their discussions are summarized in this collection. As music educators across the world come to terms with increased expectations for accountability of learning in music, the scholars and practitioners who have contributed to this volume provide insight to guide their work.About the EditorsTimothy S. Brophy is Professor of Music Education and Director of Institutional Assessment at the University of Florida in Gainesville. Florida. Jeffrey Marlatt is Associate Professor of Music Education and Assistant Dean for Student Learning, Director of Music Education, and holds the Charlotte A. & Verne E. Collins Endowed Professorship at the Shenandoah Conservatory of Shenandoah University, Winchester, Virginia. Gary Ritcher is Professor and Coordinator of Music Education at James Madison University, Harrisonburg, Virginia.