Matériel : Vocal Score
SKU: HL.354834
ISBN 9781839920059. UPC: 840126937725. 9.0x12.0x0.2 inches.
This songbook series features a wealth of material from ABRSM's Singing for Musical Theatre syllabus. The Grade 5 songbook contains 12 songs. Including classics such as “No One Is Alone” from Into the Woods to favorites “Just Around the Riverbend” from Pocahonatas, and “You're Welcome” from Moana, this collection has also been carefully selected to encourage safe singing and to provide a route for changing voices. With four songs from each of Lists A, B and C, this unique choice of repertoire is an essential collection for those preparing for ABRSM exams, including for the new Performance Grades, and will inspire everyone who loves to sing.
SKU: HL.14016450
Jenkyns< /em>' songs for young singers can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics - as in The Snowman - are perfectly gauged for their performers.
Peter Jenkyns was a 20th century British composer, singer and educator who wrote a series of songs for primary-aged children, sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans' Schools Music Festival. He was also a highly-regarded Gilbert andSullivan patter-song singer and he founded a local Gilbert & Sullivan society which is still thriving.
SKU: HL.1148481
ISBN 9781705185889. UPC: 196288118282. 8.5x11.0x0.203 inches.
Unchanged, changing, or changed tenor/bass singers in middle school and high school may need a little extra help in finding their singing voices. Roger Emerson has developed a series of warm-ups that uses excerpts from classic rock and roll tunes that will provide the motivation and repetition they need to do just that. Each song features limited ranges, starting moderately and gradually ascending into the tenor range and descending through the bass range as needed. The professionally-produced audio tracks present each exercise with vocals so your Tenors and Basses have a model to emulate. Exercies are based on the following songs: Addams Family Theme * Theme from Jaws * Jump, Jive An' Wail * Land of a Thousand Dances * Mission: Impossible Theme * Na Na Hey Hey Kiss Him Goodbye * Shake, Rattle and Roll * Smoke on the Water * We Will Rock You.
SKU: HL.48024345
ISBN 9783793142010.
The cantata for mixed choir and piano (or organ) is an early work by Ursula Mamlok, if one can call the composition of a mid-thirties so. In 1958, at the time the piece was written, the composer had just finished her studies at the Manhattan School of Music. In the following years, with studies by Stefan Wolpe and Ralph Shapey, she approached the row technique and developed the typical style that should be typical for her in the later decades. The Cantata is thus the musical testimony of a transitional period and occupies a special position, also because choir compositions are rare in Mamlok's oeuvre. However, a very attractive. The approximately 7-minute, one-movement composition is based on the 1st Psalm in English. Ritornellartig returns the word Blessed, harmoniously accented with quartz cords. The choir set is extremely varied and fanned up to eight voices. Again and again solos from all vocal groups emerge. Homophones contrast with broken and imitative sections, accompanied by a cappella sung. Also interesting is the instrumental voice, which not only accompanies the vocals, but also stands out individually and in changeable design.
SKU: WD.080689543173
UPC: 080689543173.
Southern Gospel Songs… Just mention that phrase, and a certain sound and style immediately come to mind. And it comes simultaneously as both a visual and an audible trigger. It is sight and sound encapsulated in so many shapes and forms…from the original, iconic male quartet with a stride-style piano man, to the famous mixed groups—usually a family; Dad, Mom, sons and daughters, spouses—to the not infrequent trio, sometimes all male, sometimes all female, sometimes mixed voices, and even the occasional solo artist…all delivering soulful, joyful, heartfelt and inspiring songs. Songs for the church. Southern Gospel Songs. Songs about life, about prayer, about joy, about sadness, about Heaven, about victory, about coming home and about going home; songs of cheer, songs of love, songs of conviction, songs of salvation…Souther n Gospel Songs. And whether you first heard one of these songs sung by a quartet, a mixed group, a trio, a soloist, performed with piano accompaniment only, a full band, or accompanied by an orchestra, you haven’t really heard it until you’ve heard it sung by a choir! Southern Gospel Songs for Southern Gospel Choirs...one of the sweetest sounds this side of Heaven!That’s what this book, with its dynamic arrangements by Marty Hamby, is all about -- Southern Gospel radio hits, classic Southern Gospel songs, and new and emerging Southern Gospel hits; they are all ready and waiting for you to add the one missing ingredient… your choir! So grab your robes, get your choir folders in hand, do a vocal warm-up or two, and get ready to “sing the glory down” with this great new collection of Southern Gospel Songs!
SKU: CA.2790103
ISBN 9790007293840. Key: B flat major. Latin.
Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024!
SKU: HL.402077
ISBN 9781705160084. UPC: 196288056829. 9.0x12.0x0.276 inches.
The Right of Your Senses is a set of nine songs for children's voices, solo soprano, and orchestra written for the National Children's Chorus, American Youth Symphony and Los Angeles Philharmonic Association. The texts are primarily 17th-century, by Thomas Traherne and George Herbert, but two of them come from the 11th-century Enchiridion by Byrhtferth. The overarching theme is the story of creation, but not just the list of objects created: the texts deal with the emotional resonances of the sun, the sea, the air, and the moon with all their mysterious, bright, and dark potential. There is a recurring gesture in the strings, introduced at the very top: a simple descending pattern which binds many of the movements together, even when hidden in the more tumultuous sections. The first two movements are bright, whereas the middle three movements are violent and deal with the angrier natural elements. The seventh movement is the most abstract and playful, and here a direct nod to Benjamin Britten's A Ceremony of Carols, with a fast three-part canon depicting the behavior of the atom. The eighth movement, Night, is the slowest, and depicts the night sky. The final movement is calm, and encourages us: Be faithful in a little, and you shall be master over much. The piece ends with five strokes of high bells. x Nico Muhly.
SKU: HL.49046155
Do you like to sing and want to discover new songs? Then this booklet is just right for you. 30 new songs are waiting for you to perform in your class or choir. What do the songs offer you? Melodies that are easy to learn Different styles of popular music Cheerful next to thoughtful Many possibilities to invent own accompaniment voices. All songs and playbacks are available for you to listen to and sing along as download.
SKU: HL.48025249
UPC: 196288142935.
Le tremblement permanent du moi-fantôme ..., a commission by the French vocal ensemble Musicatreize for the programme Twelve Lettersto Elise marking the Beethoven Year 2020, raises the question of who we are today and what remains of Beethoven's ideals, his beliefin enlightenment, equality, justice and freedom? What is the task of music, of art today - if it is not, according to Kant, directedat reason but rather at the 'affective involvement' of the recipient, if it aims to 'infect'? In her struggle for an answer, the composer addresses in her insistent and breathless piece the American conceptual artist and philosopher Adrian Piper as quasi-moral authority, who was awarded the Golden Lion at the Venice Biennale in 2015 for “inviting art viewers to engage in a life-long performance of personal responsibility”.
SKU: BA.BA09188
ISBN 9790006565092. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.
Mozart s magnificent unfinished “Great Mass in C minor K. 427” is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- The “Kyrie” and “Gloria”, both of which survive complete in Mozart’s hand, are edited in accordance with scholarly standards.- The first two sections of the “Credo” have been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the aria “Deh vieni non tardar” from “The Marriage of Figaro” and paying attention to a stylistically appropriate and transparent sound.- The “Sanctus” and “Benedictus” (with the “Hosanna”), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger’s new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
