Matériel : DVD
SKU: CL.011-4217-01
A stunning concert opener, this exciting work opens with a simple thematic statement from the trumpets [or optional solo trumpet], then takes off with pulsating percussion and low brass. The theme continues to rise to the occasion, incorporating hemiola in 6/8 time, rhythmic ostinato and fanfare, culminating in a triumphant conclusion for your performers to Seize the Day. Carpe Diem!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.011-4312-01
This toe-tapping march for young players has plenty of energy and flair! Includes use of syncopation and has a full-band staccato section. Great piece to introduce your young players to an energetic march style.
SKU: CL.011-4889-00
A Haunted Trilogy is guaranteed to become a favorite for student and audience alike. Set as a trilogy of three short movements, your band can play one for a quick novelty piece, or all three as a divertimento or program music. March of the Gremlins opens the suite with an eerie march. Tarantella For Trolls continues the spooky musical fun with a slightly twisted little dance. Goblin’s Gavotte closes our haunted suite with an ominous romp. It’s mischievously impish, looming, conniving, and a great learning piece for chromatics in three different styles. Boo!
SKU: CL.011-4889-01
SKU: CL.011-4889-75
SKU: HL.369750
ISBN 9781705144541. UPC: 840126992465. 9.0x12.0x0.328 inches.
The poem““Lift Every Voice and Sing†was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African-American communities. While at one time it could be found pasted to the back of some hymnals used in African-American churches, today the song is formally printed under headings such as“national songs or“social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder, and Take 6. This newly engraved edition of the Hale Smith orchestration will make the music accessible to more organizations.
SKU: HL.369749
ISBN 9781705144527. UPC: 840126992441. 6.75x10.5x0.009 inches.
The poem “Lift Every Voice and Sing†was written by acclaimed African-American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African-American communities. While at one time it could be found pasted to the back of some hymnals used in African-American churches, today the song is formally printed under headings such as“national songs or“social justice”in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6. This newly engraved edition of the Hale Smith will make the music accessible to more organizations.
SKU: HL.350799
ISBN 9781705106778. UPC: 840126935950.
The poem “Lift Every Voice and Sing†was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as national song or social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6.
SKU: HL.456057
UPC: 196288066675. 6.75x10.5x0.036 inches.
Now available for SATB and SAB. Often referred to as the âBlack National Anthem,â young people need to know this song and its importance in American history. Singers of all ages need to sing this song and know this inspirational anthem of faith and hope.
SKU: HL.456058
UPC: 196288066682. 6.75x10.5x0.036 inches.
Now available for SATB and SAB. Often referred to as the “Black National Anthem,†young people need to know this song and its importance in American history. Singers of all ages need to sing this song and know this inspirational anthem of faith and hope.
SKU: BT.DHP-1115038-140
9x12 inches.
Fanfare for Korea was commissioned by the first Korea International Concert band Festival, which took place in 2010, on the occasion of the 60th anniversary of the Korean War. In this triumphant fanfare, composer Jacob de Haan uses the melody of Arirang, the most popular folk song in Korea. The Korea Festival Concert band performed the première at the festival, conducted by de Haan himself. Fanfare for Korea is gecomponeerd in opdracht van het eerste Korea International Wind Band Festival. Dit festival vond plaats in 2010. Zestig jaar eerder brak in juni 1950 de oorlog uit in Korea. Ter gelegenheid van de herdenkinghiervan schreef Jacob de Haan deze compositie. In deze fanfare verwerkte hij de melodie van Arirang, het populairste en bekendste volkslied van Korea. Het Korea Festival Wind Orchestra verzorgde in Seoel de première tijdenshet festival onder leiding van Jacob de Haan zelf.Fanfare for Korea wurde im Auftrag des 1. Koreanischen Internationalen Blasorchester-Festivals, das anlässlich des 60-jährigen Gedenkens an den Korea-Krieg stattfand, in Auftrag gegeben. Jacob de Haan verarbeitete in seinem Werk die Melodie von Arirang, dem beliebtesten und bekanntesten Volkslied Koreas. Das Korea Festival Orchestra sorgte während des Festivals in Seoul für die Uraufführung unter der Leitung von Jacob de Haan. Beim Abschlusskonzert in der Kriegs-Gedenkstätte wurde das Werk vom Asian Wind Orchestra unter der Leitung von Dennis Johnson gespielt.Fanfa re for Korea est une oeuvre de commande pour le premier Festival International d’Orchestres Vent de Corée, qui s’est tenu Séoul, en juin 2010, dans le cadre des cérémonies commémoratives du 60e anniversaire de la guerre de Corée (juin 1950-juillet 1953). Jacob de Haan a choisi de b tir son oeuvre autour de l’air d’Arirang, la plus connue et la plus appréciée des mélodies coréennes traditionnelles. La création mondiale a eu lieu Séoul, par le Korea Festival Wind Orchestra, sous la direction de Jacob de Haan.Fanfare for Korea è un brano scritto su incarico per il 1° Festival Internazionale di Orchestre di Fiati della Corea, tenutosi a Seoul nel giugno 2010, in occasione delle cerimonie commemorative del 60° anniversario della guerra di Corea (1950-1953). Jacob de Haan ha scelto di comporre questa opera attorno a Arirang, l’aria tradizionale coreana più conosciuta ed apprezzata. La prima mondiale, eseguita dalla Korea Festival Wind Orchestra, ha avuto luogo a Seoul, sotto la direzione di Jacob de Haan.
SKU: AP.35898S
UPC: 038081407500. English.
As soon as your young string players have learned their low 2 finger patterns, they are ready for this catchy teaching tune. Written in the attention-grabbing key of A minor, this mystical piece reinforces the neighborly half-step relationship between E-F on the D string and B-C on the A string. Every section gets the melody, a winner with the kids, and you'll like how each section learns to play their half steps more in tune. A great supplement to your method book, and also a successful crowd-pleaser on your next concert!
SKU: AP.35898
UPC: 038081407494. English.
SKU: GI.G-9890
ISBN 9781622774005.
In addition to celebrating the history of male choirs in the United States, Conducting Men’s Choirs provides a thorough and practical guide for working with TTBB choruses of any age or experience. The chapters by Jerry Blackstone, Jefferson Johnson, and J. Reese Norris display knowledge gained from over seventy years of collective experience. Additionally, Trott has designed the book to be an outstanding repertoire resource and a window to future possibilities through the inclusion of Marques Garrett’s chapter ‘Composing and Arranging for Male Choirs’ and Gary Packwood’s chapter ‘From Entertainment to Social Justice: Examining Men’s Community Choruses in America.’ The content in Conducting Men’s Choirs represents theory and practice that will benefit all conductors of TTBB choruses. —Kevin Fenton   Florida State University Inspired by Debra Spurgeon’s pioneering book Conducting Women’s Choirs, this companion resource, compiled and edited by Donald Trott, brings together the expertise of eighteen acknowledged authorities on men’s choirs. Conducting Men’s Choirs addresses the unique challenges, considerations, and joys of making music with male singers. The book is organized into three major sections, the first of which contains historical essays on male choirs in the United States. The chapters in this section span a range of relevant topics, including glee clubs in colleges and universities, an examination of some of the nation’s most esteemed and accomplished male choirs, and the role of male community choruses in America. The second section explores key aspects of working with male singers that are vital to the success of any conductor of male choirs. Topics addressed include: How to start a male choir and recruit male singers. Working with middle school boys and the developing adolescent voice. Pedagogical considerations for male voices. Procedures for improving intonation. Standing formations. Warm-ups. Women conductors of male choirs. How to arrange and compose for men’s choirs. A thorough discussion of repertoire for men’s choirs rounds out this resource in the book’s third and final section. Chapter authors explore men’s choir repertoire from a variety of angles: Renaissance music, works by Schumann, Canadian repertoire, and the music of Veljo Tormis. Extensive repertoire listings with hundreds of titles for men’s chorus are also provided for quick and easy reference. Conducting Men’s Choirs is essential for anyone working with male choirs in any capacity. Equally suited for novice teachers and seasoned professionals, this collaborative resource is the culmination of decades of experience and wisdom by leaders in the profession. Donald Trott is Director of Choral Activities at the University of Mississippi (Oxford), where he conducts the Concert Singers, Men’s Glee, and University Chorus. He is also the director of the graduate program in choral conducting and is past president of the Southern Division of ACDA.
