Jazz Piano Masters Play Rodgers and Hammerstein

Artist Transcriptions for Piano-This volume in the Artist Transcriptions series features 15 authentic transcriptions of the performance of Rodgers and Hammerstein classics by jazz masters such as: Hank Jones (“Oh What a Beautiful Mornin'”) Oscar Peterson (“Younger Than Springtime”) Dick Hyman (“This Nearly Was Mine”) Red Garland (“We Kiss in a Shadow”) Monty Alexander (“Happy Talk”) Bill Evans (“It Might As Well Be Spring”) Dave Brubeck (“My Favorite Things”) and more! Includes recording credits.

Book and CD. The Drop 2 Book is the first publication to explore the 4-note block chord approach to jazz Piano playing- as used by Piano masters like Kenny Barron, MyCoy Tyner, Barry Harris, Cedar Walton and Bill Evans. World renowned educator and pianist Mark Levine gives the reader a comprehensive, step-by-step, beginner to advanced Masterclass on this approach to voicing chords. This book includes chapters on: The basic Drop 2 approach Advanced techniques soloing and 'comping in Drop 2 Practice techniques Plus a CD of Levine demonstrating all the exercises This is an invaluable insight into the harmonic minds of some of the world's greatest Piano players.

This unique collection comes from original magazine sheet music from the heyday of the big bands. Bill Irwin shares his collection of music from legends of the genre (Art Tatum, Nat 'King? Cole, Count Basie, Duke Ellington, Error Garner, Fats Waller, Alec Templeton, etc.) as well as other lesser-known but influential pianists such as Milt Buckner, Buddy Cole, Pete Johnson, Mel Powell, Gohnny Guarnieri, and more. Irwin includes an analysis of each piece, with musical insights to the style and techniques used. Anyone interested in playing big band styles and following the development of popular piano playing will be fascinated by this look back in time. / Piano

Apprenez à jouer les styles de piano de Top Rock d'aujourd'hui, pop et des artistes de jazz avec piano Styles du 23 Pop Masters: Les secrets des grands joueurs contemporains.Idéal pour les débutants aux joueurs de piano intermédiaires, et notamment les techniques mélodiques et harmoniques de 23 artistes emblématiques, dont Ray Charles, Herbie Hancock, Norah Jones, Alicia Keys, Elton John et Stevie Wonder, pour n'en nommer que quelques-uns.Le CD d'accompagnement est conçu pour permettre un maximum de flexibilité lors de la pratique: vous pouvez sélectionner la partie de piano, la section rythmique, ou les deux - en fonction de vos besoins.Un must pour les joueurs qui veulent vraiment entrer dans les styles de leurs artistes préférés. / Piano

Par IRIZARRY NEFF. The most comprehensive book ever written on Latin jazz guitar playing ? from its roots in Afro-Cuban music to the great contemporary masters! Traditional lines from the Tres, cuatro and requinto adapted to the guitar in the style of Arsenio Rodriguez, Yomo Toro, El Güero Gil, etc. Piano adaptations and solutions for the guitar patterned after Bebo Valdes, Clare Fischer, Eddie Palmieri, etc. Step-by-step instruction on how to play guajeos, montunos and other Afro-Cuban styles on guitar Transcription and analysis of key guitarists, composers and arrangers such as George Benson, Chico O?Farrill, Clare Fischer, Stan Appelbaum, Cal Tjader and La Playa sextet Stylistic analysis of highly infl uential guitarists such as Juanito Marquez, Paul Alicea, Sonny Henry, Edgardo Miranda, Carlos Emilio Morales, Bobby Redfield, Carlos Santana and Steve Khan. Transcriptions and analysis of jazz guitar greats playing Latin music, like Wes Montgomery, Kenny Burrell, Attila Zoller, Danny Embrey and Steve Khan. And much more! Over 250 audio files of the author playing each exercise! / Date parution : 2022-02-10/ Etude / Guitare

Transcriptions of six important solo pieces as played by the legendary Art Tatum. Includes a thorough analysis of Tatum's style plus notes on the solos.

The culmination of Jamey's 25 years as one of the world's leading jazz exponents Vol 1 has unlocked the mysteries of jazz improvisation for a whole generation of musicians who previously had nowhere to turn for competent rhythm sections and accurate instruction. Included in the book are breakdowns of complicated music theory essential hints and tips and references to jazz masters from the last 60 years. Jamey claims that anyone can improvise this book is the perfect springboard for taking the first step towards playing your own solos. The CD rhythm section is made up of Jamey Aebersold Piano; Rufus Reid Bass; Jonathan Higgins Drums.

Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo ? works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude. / Jazz / Recueil / Trombone Basse

Drum Play Along-Performed by Hal Smith drumsAccompaniment: Tim Laughlin's New Orleans All-StarsMany people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well asJoseph 'King' Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The wholeMarsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of manystreet parades and steamboat gigs and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of thiscity which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuringcomplete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow tempo versions of most up-tempo pieces for practice purposes.

Performed by Tom Fischer tenor saxAccompaniment: Tim Laughlin's New Orleans All-StarsMany people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well asJoseph ?King? Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a ?child of the Crescent City? as is Harry Connick and WyntonMarsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of thegreat hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band onyour own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.Includes newly engraved solo charts printed on acid-free ivory paper; andtwo compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

Performed by Tim Laughlin clarinet Accompaniment: Tim Laughlin's New Orleans All-Stars. Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.