Es ist nichts Gesundes an meinem Leib

STB vocal soli, SATB choir, 3 recorders, 2 oboes, cornet, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.3102519

Cantata for the 14th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Es ist nichts Gesundes an meinem Leibe. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 25. Duration 16 minutes. Carus Verlag #CV 31.025/19. Published by Carus Verlag (CA.3102519).

ISBN 9790007136031. Language: German/English.

Thi s cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach's first cycle of cantatas for Leipzig. It is distinguished by its unique opening chorus, which is a four-part choral fugue with independent instrumental parts in which Bach has interwoven a four-part chorale (Herzlich tut mich verlangen) played by the winds. This is an artistic combination which expands to as many as ten real parts. The second aria Offne meinen schlechten Liedern, is distinguished by an unusual instrumental coloring in which the soprano and the strings, supported by the oboes, are joined by 3 recorders. The edition is the product of a new evaluation of the source situation (see Bach-Jahrbuch 2006). Score and parts available separately - see item CA.3102500.

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Violin/Oboe 2. Language: German/English. Composed 1723. 4 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Set of instrumental parts (except strings). Language: German/English. Composed 1723. 28 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Violin/Oboe 1. Language: German/English. Composed 1723. 4 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Violoncello/Contrabass. Language: German/English. Composed 1723. 12 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Organ. Language: German/English. Composed 1723. 12 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. This edition: paperbound. BWV 25. Cantatas; Use during church year: Trinity. Score. Language: German/English. Composed 1723. 40 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Part: Viola. Language: German/English. Composed 1723. 4 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Choral score. Language: German/English. Composed 1723. 8 pages. Duration 16 min

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For Soli STB, SATB Choir, 3 Recorder, 2 Oboe, Zink, 3 Trumpet, Strings, Organ. This edition: paperbound. BWV 25. Full score available separately - see item CA.3102500. Cantatas; Use during church year: Trinity. Piano/Vocal score. Language: German/English. Composed 1723. 24 pages. Duration 16 min

By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5600 pages. Published by Subito Music.

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Neumann. This edition: complete edition, urtext edition. Linen. New Bach Edition. Series I, Volume 21. Score, anthology. Published by Baerenreiter Verlag (BA.BA5013-01).

Orchestra STB vocal soli, SATB choir, 3 recorders, 2 oboes, cornet, 3 trombones, 2 violins, viola, basso continuo

SKU: CA.3102507

Cantata for the 14th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1723. BWV 25. 40 pages. Duration 16 minutes. Carus Verlag #CV 31.025/07. Published by Carus Verlag (CA.3102507).

ISBN 9790007092931. Language: German/English.

Thi s cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach's first cycle of cantatas for Leipzig. It is distinguished by its unique opening chorus, which is a four-part choral fugue with independent instrumental parts in which Bach has interwoven a four-part chorale (Herzlich tut mich verlangen) played by the winds. This is an artistic combination which expands to as many as ten real parts. The second aria Offne meinen schlechten Liedern, is distinguished by an unusual instrumental coloring in which the soprano and the strings, supported by the oboes, are joined by 3 recorders. The edition is the product of a new evaluation of the source situation (see Bach-Jahrbuch 2006). Score available separately - see item CA.3102500.