Irish Folk Tunes for Flute

SKU: MB.96332M

ISBN 9780786688760. 8.75 x 11.75 inches.

While the wooden simple-system flute is traditionally used in playing Irish music, a growing number of folk players have adopted the silver flute as a viable alternative. Here for the first time, The Complete Irish Flute Book presents the silver or Boehm flutist with a method for learning authentic Irish ornamentation. This thorough guide provides detailed fingering charts, exercises, and technical essays for learning to execute ornaments in the in the Irish style. Through a wealth of hornpipes, reels, jigs, set dances, and slow airs and songs. This book focuses not only on musical accuracy, but stylistic authenticity as well. Includes access to online audio containing 26 of the 101 tunes from the book.

SKU: AY.FG11

ISBN 9790302109617.

For Flute and Guitar. These Irish and Scottish folk tunes are real audience pleasers, and are fun and easy to play. Compiled by the Boland-Dowdall Duo. Selections include: Fanny Power; Margret's Waltz; Untitled Reel; Swinging on a Gate; South Wind.

SKU: MB.WBM35

ISBN 9780999698037. 8.75 x 11.75 inches.

Lively Flute Tunes is a collection of 57 spirited flute solos. The selections include reels, hornpipes, jigs, sea chanteys, dance tunes and more. These flute solos are ideal for performance or just enjoyment while playing the instrument.

SKU: PR.UE036462

ISBN 9783702473358.

Graf and Filz have arranged five Irish folk tunes as flexible ensemble with many possibilities. Whether for classroom ensemble or anyone-joins-in fun, these tunes are presented in faithful styles, with brief descriptions of the pieces and the instruments originally used. The included CD features play-along track, sample track, and all instrumental parts to be printed and used as desired. Includes The Wind That Shakes That Barley, Danny Boy, The Connaughtman's Rambles, The Foggy Dew, and The Wild Rover.

SKU: CF.YPS265

ISBN 9781491163658. UPC: 680160922444.

The Rocky Road to Dublin is a song written by Irish poet D. K. Gavan in the mid-nineteenth century for English music-hall performer Harry Clifton and tells the story of an Irish man leaving his hometown of Tuam in the county of Galway in Ireland to go to Dublin to make money. Because of the Great Potato Famine at that time, large groups of Irish folks left their hometowns looking for food and work. Thousands ended up in America, in particular, Philadelphia, where many made their way south through the Appalachian mountains, settling in southwest Virginia, western North Carolina and eastern Tennessee. As the Irish began their new lives here in America, they would often sing these songs, which would bring back fond memories of their homeland. Many old-time fiddle tunes can be traced to Irish music, including this song. However, their music changed as the songs were passed around through other cultures in the mountains, with new verses about their new lives. Often the tunes and lyrics made their way back overseas where they would change yet again, so there are many versions of these songs found in both Ireland and America. This setting is close to the original and can be found in both places. It gets to the heart of having to leave one’s home to seek a better life.This tune is a fun one and should be played with a lilt until m. 43. At this point, the original material is more legato, but returns at m. 59 in the alto saxophone. Let the percussion play on their solis, especially at the end where some of them answer the band motifs. The straight eighth notes (as at m. 29) will perhaps look difficult to younger players, but once they understand the concept, it will be a favorite part. Have fun!

SKU: CF.YPS265F

ISBN 9781491164051. UPC: 680160922840.

The Rocky Road to Dublin is a song written by Irish poet D. K. Gavan in the mid-nineteenth century for English music-hall performer Harry Clifton and tells the story of an Irish man leaving his hometown of Tuam in the county of Galway in Ireland to go to Dublin to make money. Because of the Great Potato Famine at that time, large groups of Irish folks left their hometowns looking for food and work. Thousands ended up in America, in particular, Philadelphia, where many made their way south through the Appalachian mountains, settling in southwest Virginia, western North Carolina and eastern Tennessee. As the Irish began their new lives here in America, they would often sing these songs, which would bring back fond memories of their homeland. Many old-time fiddle tunes can be traced to Irish music, including this song. However, their music changed as the songs were passed around through other cultures in the mountains, with new verses about their new lives. Often the tunes and lyrics made their way back overseas where they would change yet again, so there are many versions of these songs found in both Ireland and America. This setting is close to the original and can be found in both places. It gets to the heart of having to leave one’s home to seek a better life.This tune is a fun one and should be played with a lilt until m. 43. At this point, the original material is more legato, but returns at m. 59 in the alto saxophone. Let the percussion play on their solis, especially at the end where some of them answer the band motifs. The straight eighth notes (as at m. 29) will perhaps look difficult to younger players, but once they understand the concept, it will be a favorite part. Have fun!

SKU: CF.SPS70F

ISBN 9781491143537. UPC: 680160901036.

Irish music is always interesting to composers and band musicians. It fits well with a concert band and is fun to play. Ed Kiefer starts with a solo clarinet on the jig Lanigan's Ball that builds and builds to a dramatic presentation of the folk song, before leading a section of repose based on the song Binnorie. The percussion is highlighted in a build-up to the climax where the tunes are combined for a dramatic conclusion.